The new album, produced by Sturgill Simpson, commits her sky-high and scorching rock-and-roll show to record for the very first time. Whether she’s singing of motherhood or the mythologies of stardom, Nashville gentrification or the national healthcare crisis, relationships or growing pains, she’s crafted a collection of music that invites people to listen closer than ever before.

Written over the course of a decade in which the Athens, Georgia-based duo was primarily known for their own respective projects, the songs here represent something of a look behind the curtain, a captivating series of musical journal entries that reveal the evolution of a relationship in all its messy, honest, imperfect beauty.

The fourth album by Nashville-based self-described “sunshine pop” band. This twelve-song-set is their boldest work to date, breaking sonic barriers while maintaining lush melodies and artistic influences. Musically adjacent to successful pop artists from the 1960s and 70s like The Beach Boys, Turtles, Association, Grass Roots.

In a departure from the nuanced introspection of her previous work, World On the Ground unfolds as a finely wrought collection of stories from her hometown of Wimberley, Texas (population: 2,626), presenting a series of character sketches nearly novelistic in emotional scope. Jarosz reveals her remarkable gift for slipping into the inner lives of others and patiently uncovering so much indelible insight.

Premiering 11 new studio performances and featuring original artwork created by his son Micah, First Rose Of Spring finds Willie working again with longtime friend and producer Buddy Cannon. Alongside new tunes, Willie pays musical tribute to a variety of pop and country songwriters and performers, including Toby Keith, Billy Joe Shaver and Pete Graves.

Interloper sees the band adding new layers to their lush and mesmerizing songwriting style while expanding on their most esoteric and thought-provoking themes. Holy Wave weaves together a contemplative tapestry that can serve as a road map for the diffident, a soundtrack to self-realization, or simply an invitation to escape.

Celebrating the 20th Anniversary of Grammy-award, multi-platinum artist Jill Scott's debut album, Who Is Jill Scott?. Limited Edition double LP pressed on blue vinyl. Jilly from Philly channels the feisty funk of Betty Davis’ “Nasty Gal” and the soft-lensed romance of Minnie Riperton’s “Perfect Angel.”

Haim regularly push themselves out of their comfort zones, experimenting with glitchy electronics, slatherings of sax, and dubby syncopation (“Another Try”, which feels like a sparkier sibling to Lana Del Rey’s cover of Sublime’s ‘Doin’ Time’). Between all of the new, though, the sisters are still experts at deploying irresistible rock, like the rousing, shout-a-long brilliance of “The Steps.”

Grey Daze, Chester Bennington’s pre-Linkin Park outfit, had just reformed before the untimely death of Bennington in 2017. Amends feature’s remastered vocals from one of rock’s most recognizable voices. It’s an origin story and a deeply intimate full circle moment among friends and fans. Featuring multiple guests from contemporaries such as Korn, Helmet, Bush, and Breaking Benjamin.

Corb Lund embraces his rich and rustic western heritage with a style that’s unique, honest and resolute, while touching on a range of cowboy themes — from rough-and-tumble tales of lawless frontier saloons, to the somber realities of running a modern family ranch. It’s a classic sound with a twist, something of a rarity these days, but one that evokes the spirit of the American West, past and present.

Monovision is Grammy Award-winning artist Ray LaMontagne’s eighth studio album. The 10 new tracks see Ray not only writing and producing but also add on duties of engineering as well as performing all the instrument. The guitar-driven single, “Strong Enough,” features Ray’s signature raspy vocals his fans have come to love.

The legendary dancehall singer’s 13th studio album - his first since Grammy-winning Before the Dawn in 2010. Banton says of the album, “[it] comprises 20 tracks. Why? Because it’s 2020... 2020 has a deeper understanding in my mind. It resonates with a clear vision and seeing things for what it is. After a 10-year absence, we try to give the people some music for that missing time.“

Like A House On Fire is an album that shows the group's continuity of a more straight forward and melodic hard rock sound, as established on their previous self-titled fifth album, while also shifting into different genres. It’s also yet another Asking Alexandria album that will divide opinion. And, once again, the band themselves are unlikely to care.

Color of Noize reflects a melting pot of influence and experience with jazz flow, hip-hop groove, soulful depth, spiritual uplift, and creative fire — but the concept is best described in more abstract terms. As Hodge lays it out, “It’s the contrast, it’s the beauty, it’s the chaos, it’s the freedom — all of that.”

Although the album directs itself at the failures of people to love and be loved, it also seeks to restore justice and attain blissful union. Its arc crests through the dark towards the light and learns how to dance with the dizzying rhythms of the heart. The songs bubble, sustain, dissolve, expand, retract.

Guitarists Mitch Galbraith says of the new album, “It’s pushing forward into the unknown.” An unknown that consists of 70's guitar rock, country and western, old school funk and synth-heavy new wave to create a deeply contemplative and atmospheric odyssey reminiscent of music legends including Fleetwood Mac, Dire Straits and Pink Floyd.

One of the most important musical influences of the 20th century, Peggy Lee wrote over 200 songs, recorded over 1,100 masters, and had over 100 chart hits throughout her seven-decade career. As a salute to the music legend, and celebrating her landmark 100th birthday, comes a brand new career-spanning collection, Ultimate Peggy Lee.

Ambrose Akinmusire follows his acclaimed, genre-busting best-of-2018 manifesto Origami Harvest with another visionary statement on his new album on the tender spot of every calloused moment, which finds the trumpeter examining blackness on an uncompromising set of modern jazz laced with a heavy feeling of the blues.

Growing out of Jones’ acclaimed singles series, the unreleased songs unexpectedly congealed into an album of tremendous depth and beauty. Featuring a range of collaborators from Brian Blade to Jeff Tweedy, Pick Me Up Off The Floor is connected by the sly groove of her piano trios, lyrics that confront loss and portend hope, and a mood that leans into darkness before ultimately finding the light.

The highly anticipated new album, which marks his return to creating music after a four year hiatus from his previous album Phase, was self-produced with additional production by Jacknife Lee, James Flannigan and Brett Cox. The album compiles all four individual volumes of Love, Death & Dancing, kicking off with lead single "Time."

Hailed as an “Americana prodigy” by Rolling Stone and one of the “teenagers shaping pop” by The New Yorker, Brue has always been an artist seemingly wise beyond his years. But on Crash Test Kid he often gets at the heart of a matter or melody with just a simple but insightful turn of phrase or cleverly-picked guitar.