CIMS In The Groove
This collection of personal favorites and important milestones is the first anthology to span Petty’s entire career, from the first album to Mudcrutch 2. The album contains 38 tracks on 2CD’s including the hits “Free Fallin’, American Girl, “You Don’t Know How It Feels”, You Wreck Me: and many more. The album also includes two unreleased tracks, “The Best of Everything (Alternate Version)” and the previously unreleased and unheard “For Real”.
Mark Morton, the prolific guitarist of Lamb of God, will release a 10-track album titled Anesthetic. With Mark at the creative center, Josh Wilbur (Lamb of God, Trivium) co-writing, recording, mixing, & producing, & Jake Oni also co-writing & performing. Singers include Chester Bennington, Randy Blythe, Jacoby Shaddix, Myles Kennedy, Alissa White-Gluz, Mark Lanegan, Chuck Billy, Jake Oni, Josh Todd, Mark Morales & Naeemah Maddox. Musically, Morton performs all guitars, with Roy Mayorga, David Ellefson, Ray Luzier, Paulo Gregoletto & Alex Bent, Mike Inez, Jean-Paul Gaster, Steve Gorman & Marc Paul rounding out the band.
2019 release. Effluxion, the fifth full length recorded by Michael Benjamin Lerner as Telekinesis, is a back-to-basics album-not just in it's reaffirmation of the sound and style that made Lerner an indie wunderkind a decade ago at age 22, but in the way it was created. Using the same now-discontinued MacBook microphone he used to record his earliest tracks, he holed up in the basement of his West Seattle home and put the album together piece by piece over the past two years, playing every instrument. While previous albums had former Death Cab for Cutie guitarist Chris Walla-who discovered and championed Telekinesis' demos-and Spoon's Jim Eno serving as producers and sounding boards and sidemen and general voices of authority and experience, Lerner wanted to do this one entirely on his own.
“Signs” is the fourth studio release from Tedeschi Trucks Band and offers another outstanding example of their ability to expand musical boundaries in ways that only a rare caliber of musician can achieve. “Signs” showcases the band at their best – combining inventive musicality and provocative lyrics across eleven original tracks, running the gamut from uplifting soulful anthems, to bittersweet ballads and driving rock and roll.
The album was recorded at Derek and Susan’s home studio, Swamp Raga, on two-inch analogue tape giving it a warmth and richness that recalls the ambience of the best vintage recordings.
The Wild Reeds have made a name for themselves in part through their tightly interwoven vocal harmonies and their impressive blend. But take a look at their songwriting and their performances, and you’ll see that they’re each very unique as individuals. After a particularly challenging year, they emerged with Cheers, a record that gave each songwriter unlimited freedom to reflect, explore, and create on their own, which simultaneously solidified the group dynamic into something stronger than ever before.
Named for the year in his life when the bottom fell out following a long-term romantic partnership, Martin Frawley sequenced Undone at 31 chronologically to emphasize his journey. Those familiar with his time as co-leader of Melbourne's Twerps will take comfort in hearing his deceptively simple songwriting is still intact, but the big reveal here is how new instrumentation and influences seamlessly expand his playground. It might take several listens for one to realize Frawley is singing "Something About Me" over just violin, Moog, and a Graceland-esque bassline, or to appreciate the PB+J pairing of Fender Rhodes and lap steel on "Where the Heart Is," which serves as Undone at 31's twist ending. Frawley's album does not shy away from morbid musings and raw emotions that come with a breakup, and like Shoot Out the Lights or Sea Change, Undone at 31's tunefulness and exploration combined are what elevate the music above the melancholy subject matter.
Reese Wynans is best known as keyboard legend and member of Stevie Ray Vaughan & Double Trouble. Reese was in that iconic band from 1985 until Vaughan's tragic death in 1990. He is releasing his first solo album in his 50-year career, Sweet Release - produced by Joe Bonamassa. The album includes incredible guests including; Kenny Wayne Shepherd, Warren Haynes, Vince Gill, Keb' Mo, Doyle Bramhall II, Bonnie Bramlett, Sam Moore, Chris Layton and more. The whole album is a celebration of the music that influenced Reese and so many others which showcases SRV & Double Trouble songs, Allman Brothers, Tampa Red and more
Frankie and the Witch Fingers' fifth LP, ZAM, bleeds beyond borders and boundaries. Its opening preternatural sounds bubble up out of the primordial soup, spilling into our world, invading the inner recesses of the listener's mind. Like a two-headed snake wrapped around the skull, the album pendulates between winding instrumentals and dancey riffs that pop like supernovas out of the black void. Just when a song goes one way, it propels another through long stretches of a cosmic inferno. Bringing glimmers of krautrock and funk, its eleven tracks unleash a versatile and tenacious weight, slithering between the sexy, the aggressive, the vivacious, and the disorienting-until the living invasion is felt-ZAM-a supernatural entity summoned by four madmen obsessed with tearing open a gateway to dark space. After being pulled apart atom-by-atom, the listener is reconfigured on the other side, born unto starry wasteland. Where head is separated from body. Where music is seen and apocalyptic soundscapes flow to revelation. A funhouse undercurrent pulses through the album's epoch, reflecting a carnival mosaic shrewdly lulling and doggedly brutal. As one track bleeds into the next, that hour of running time becomes wormhole travel, until the listener returns earthbound, transmuted, craving more odyssey.
Ever Since I Lost My Mind is the third album and Rounder Records debut for SUSTO, the creative musical persona of charismatic frontman Justin Osborne. The album is a resounding triumph: a mix of new partnerships and collaborations with old friends, all anchored by Osborne’s perceptive songs that explore connection, loss, and transience––and the pain and joy each brings. With their rock-rooted sound, SUSTO keeps listeners engaged by refusing to occupy an easily defined space. Produced by Ian Fitchuck (Kacey Musgraves, Ruston Kelly) and featuring key input from Osborne’s longtime creative sounding board Wolfgang Zimmerman, Ever Since I Lost My Mind defiantly experiments with synth embellishments, Latin heart, guileless folk, and more.
South Of Reality, The Claypool Lennon Delirium’s epic sophomore album might be just the antidote this sick world needs. Music so potent it could repel an asteroid impact from space, these seasoned warriors of psychedelia have crafted timeless songs that may as well be chiseled in stone. The monolithic dream team’s new record was produced by Les Claypool and Sean Lennon themselves, and engineered and mixed by Les Claypool at his own Rancho Relaxo studio in Sonoma County, California.
Wasteland, Baby! is the highly anticipated sophomore album singer-songwriter Hozier. The 14 track album was preceded by the September, 2018 release of Hozier's 4-track EP, Nina Cried Power. The track Nina Cried Power' is also included on Wasteland, Baby! and features vocals from multi-Grammy Award-winning artist and performer Mavis Staples and instrumentation by renowned Grammy Lifetime Achievement Award recipient Booker T. Jones. The track was highlighted as one of Barack Obama's favorite songs of 2018. The album also includes the singles 'Movement' and 'Almost (Sweet Music).' Wasteland, Baby! is the follow up LP to Hozier's 2014 critically acclaimed self-titled debut album. With a phenomenal reception by critics worldwide, the album was also a commercial success, reaching Top 10 chart positions in Ireland, UK, United States, Canada, Australia, Denmark, and Greece. The album included this first worldwide hit, 'Take Me To Church,' that a nomination for Song of the Year and the 2015 Grammy Awards.
The GRAMMY® Award-winning maverick channels his signature sense of soul from the crossroads of rock ‘n' roll, blues, jazz, hip-hop, reggae and punk. Clark's most accomplished songwriting and virtuosic performances to date; THIS LAND delivers socially relevant, transcendentally ambitious, and musically rich declaration as unapologetic, undeniable, and unique as he is. He emerges with a body of work that is dynamic in every sense, embodying an ever-evolving sound that transformed him into an artistic force anointed by everyone from President Barack Obama to the late Prince.
Mavis Staples has been a soul and gospel music legend for more than 50 years. Her work fronting the legendary Staples Singers defined the sound of politically-committed soul and influenced generations of musicians. As a solo artist in her own right, she has helped to define much of what is righteous and soulful in American music. There are few people who can claim to have been performing as long as Mavis Staples, let alone to her standards. This album captures her live at the Union Chapel in London with her band performing some of the greatest songs from her musical catalog, while celebrating her 79th birthday.
Comprised of 11 new, original songs all written and produced by Citizen Cope - AKA Clarence Greenwood - Heroin & Helicopters marks a return to Cope s grassroots approach to musicianship, one that is colored by hard work, hustle and heart, irrespective of the obstacles he s encountered throughout his more than 25 years as a career artist. Citizen Cope came up with the title Heroin & Helicopters after an encounter with Carlos Santana, who has been a Citizen Cope fan since before their 2002 collaboration on his rework of the Cope song Sideways. Santana was at a Citizen Cope show at San Francisco's Fillmore when he told Cope to "stay away from the two H s - heroin and helicopters," saying both had fatal results for people in music. To Cope, the quote reflected a larger pattern in society - a metaphor for addiction and instant gratification, both themes that thread throughout the record. The album tackles Cope s personal struggles with religion, political manipulation, hollowness in the entertainment world, and spiritual enlightenment, as he contends with his own role in those societal institutions.
Delicate Steve is back with his 5th studio album, Till I Burn Up. A critically acclaimed guitarist beloved by music critics and his peers, Steve has played on the albums of artists from Paul Simon to Yeasayer, and toured with artists from Tame Impala to The Growlers. Check out what the critics have to say about Delicate Steve. “Steve Marion..this fierce and lyrical guitar player, who performs as Delicate Steve, writes playful instrumental music led by hooky vocals — but there is no voice. His electric guitar is often played with a glass slide, mimicking a human being and bringing a palpable personality to his songs. “ - BOB BOILAND , NPR MUSIC “Steve Marion has become something you didn’t know you even needed in this day and age: a guitar hero. And just as contemporary superhero franchise reboots tend to focus less on their protagonists’ powers and more on their flaws, Marion wields his ample talent with the humility of a mortal. On the (mostly) instrumental albums he’s released as Delicate Steve, Marion’s guitar playing is always in the spotlight, but never hogging it—rather, his luminous leads form the emotional undercurrent around which everything else flows. What makes Marion a guitar hero isn’t just his technical wizardry, but his music’s mission to help you through dark times.” - STUART BERMAN, PITCHFORK
If TEEN’s 2016 album Love Yes was a bursting, harmony-infused synthpop thesis on embracing love, then its follow-up, the even more joyous and melodic Good Fruit, is its opposite, a look at what happens after love fades. The Lieberson sisters—Teeny, Lizzie, and Katherine—have, with their fourth album, crafted a dynamic, hook-stuffed take on the oft-trodden breakup album; as on prior releases, there are frequent meditations on death, capitalism, and womanhood.