CIMS In The Groove

Set for release on November 9, the bands fourth LP 'Take Good Care' is previewed with the first single 'All My Friends,' a song brimming with confidence that unleashes  the bands next chapter. The track which is already Top 3 at AAA and Top 10 at Modern Rock. 'All my Friends' will cross over to Hot AC in early October followed by Top 40. This is just the start! 'You Said it All','Oh No' and 'Some People Say' are just a few of the potential chart-toppers in this collection, which was co-produced with Dave Cobb (Sturgill Simpson, Chris Stapleton) and Andrew Dawson (Kanye, Fun) it's a project showcasing new found depth and craft that mark a band bent on proving they are far more than a band synonymous with a single song.

DAVID CROSBY, who turned 77 this month, has experienced a late career resurgence unlike almost any other in the history of rock & roll. Becca Stevens, Michael League and Michelle Willis backed Crosby on his tour in support of 2016’s acclaimed Lighthouse album, and BrooklynVegan said of the quartet’s NYC show at Town Hall, “they also clearly help him sound great. Crosby’s voice has aged wonderfully, but you’d have to assume the younger singers’ harmonies are part of what made everything sound so rich last night. This project reflects the collaboration with that amazing group.

Original score music from Radiohead’s Thom Yorke, including 5 original songs, soundtracking the forthcoming remake of Dario Argento’s cult classic “Suspiria.” The Luca Guadagnino directed film stars Dakota Johnson & Tilda Swinton.

MUSCLE SHOALS, ALABAMA . . . Since the 1960s, the city has been known for music – developing the "Muscle Shoals Sound", as local recording studios (including FAME Studios in the late 1950s and Muscle Shoals Sound Studio in 1969) produced hit records that shaped the history of popular music. This tribute to THOSE songs and THAT history reigns supreme with some of the most popular and influential artists participating in music history today. From Chris Stapleton, Willie Nelson, Lee Ann Womack and Jamey Johnson, to Demi Lovato, Steven Tyler, Keb’ Mo, Grace Potter and Aloe Blacc, an absolute cavalcade of stars lend their own personal embellishment to these classic songs.

Dreams still beckon in a damaged world, and Rosanne Cash renders them with fierce grace on She Remembers Everything, a studio recording arriving November 2 from Blue Note Records. The follow-up to Cash’s 2014 release The River & the Thread, recipient of 3 Grammys including Best Americana Album, the album offers shimmering pop—with hints of twang and jazz—that could find a home in almost any year of postwar American music. But the luminescence and bright production are shot through with a darker vision, trenchant vocals, minor chords, and bent notes that destabilize the landscape. Familiar yet alien, Cash's take on being a woman in the world reveals just how much has gone awry.

Closing out the four decades Cash has spent as a recording artist, She Remembers Everything contains echoes of nearly all her previous styles. Listeners familiar with "Seven Year Ache" or Interiors will recognize the knowing ache of this record. Those who listened to recordings and live shows in subsequent years—which have included residencies at the San Francisco Jazz Center, Carnegie Hall, and the Library of Congress—will likewise find the literary voice that has framed her more recent music. Cash's time focused on roots music also lends a classic form to her songwriting that makes it universal and timeless.

Bohemian Rhapsody is a foot-stomping celebration of Queen, their music & their extraordinary lead singer Freddie Mercury. Defying stereotypes and shattering convention, Freddie became one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band with their iconic songs and revolutionary sound through to Live Aid, becoming of the greatest performances in the history of rock music.

Saves The Day have been through a lot over the past two decades: Van accidents, member changes, the emo explosion, and the adventures that carried the act and their fans from adolescence to adulthood. But they’ve never had a proper history of the band… until now. Saves The Day’s ninth album 9 tells the story of the band from the perspective of the band’s founder Chris Conley and does it in a way that’s as exhaustive as it is poetic and makes the listener a part of the songwriting process. From a narrative standpoint, 9 chronicles the epic story of a group of kids from New Jersey who realized their dream and became international sensations. However, on a more existential level, it shows how Conley “woke up” and became aware of his own consciousness through his relationship with music and the unbelievable adventures it inspired since he formed the act in 1997.

JD McPherson presents A Christmas Album, SOCKS. Featuring 11 original tracks written by JD McPherson and his friends. SOCKS is an album of Holidays songs sure to be standards while you are decorating the tree. Come get warm by the fire with songs such as , "All The Gifts I Need" and "Every Single Christmas." Or, burn the cookies to "SOCKS" and "Ugly Christmas Sweater." There is something for everyone on this record to enjoy whether you are in the Christmas spirit or if you just wanna say, "Bah Humbug".

Redemption is Joe Bonamassa's 13th solo studio album and third in a row of all original material and sees him at his most ambitious and diverse yet as he continues to redefine and push the barriers of blues-rock. It features a collection of 12 exhilarating songs that reflect the re-birth that he is currently going through. You see the real shades of light and dark, for every trip into the tender depths of emotion there are some glorious hip shaking moments of joy and all the while accompanied by supreme musicianship and Bonamassa’s masterful and rich guitar playing. With 20 #1 Blues Albums on the Billboard Chart, Joe is an unrivaled guitar prowess and a once in a lifetime artist that has an insatiable desire to push himself to his best potential on every level.

Some bands love having very ironic names. When a band is called Daughters, listeners might expect: (1) a female-dominated or female-fronted lineup, and (2) an introspective folk-rock or adult alternative approach along the lines of the Indigo Girls, the October Project, or 10,000 Maniacs. But those who have been following Daughters since their official formation in 2001 (or before that when they were As the Sun Sets) know that they aren't a female act and that they don't sound anything like the Indigo Girls, the October Project, or 10,000 Maniacs. Daughters are guys, and they're guys who provide a jagged, dense, highly abrasive dose of noise rock on this self-titled 2010 release. Daughters have been described as everything from mathcore or math metal to alternative metal to grindcore (although this album doesn't sound like Cannibal Corpse or Carcass), but noise rock is the term that best captures Daughters in 2010 -- and make no mistake: this is an extremely noisy album. Daughters thrive on being as noisy as possible, and they love to be as frantic and as nervous as possible. A lot of that nervousness comes from a healthy appreciation of punk; they clearly appreciate punk's high-speed aggression as much as they appreciate metal's heaviness. Combine that frantic, nervous, punk-minded tension with a lot of metallic heaviness, and you have an album that leaves a trail of destruction in its wake.

Genre-defying, Grammy Award-winning band The Mavericks have announced the November 2nd release of their first-ever holiday album, Hey! Merry Christmas!. Always a group to forge their own path, The Mavericks wrote eight original songs for Hey! Merry Christmas! featuring the group's distinctive blend of rockabilly Latino, folk, swing, blues, jazz, and more. The new songs inject a fresh style and sound into the holiday season while seamlessly fitting into any rotation of Christmas classics. The new collection includes The Mavericks' renditions of two yuletide favorites ''Christmas (Baby Please Come Home)'' and "Happy Holiday''. Led by the incomparable vocals of Raul Malo, drummer Paul Deakin, guitarist Eddie Perez and keyboardist Jerry Dale McFadden, The Mavericks will embark on their 30th Anniversary in 2019, but not before establishing some new holiday music traditions. From the rollicking opening tracks ''Christmas Time Is Coming Round'' and ''Santa Does'' to the gorgeous, jazzy ballad ''Christmas Time Is Coming Round'' and ''Santa Does'' to the gorgeous, jazzy ballad ''Christmas For Me Is You'' to the sultry blues of ''Santa Wants To Take You For A Ride'' The Mavericks help redefine what the sounds of Christmas can be.

Twenty One Pilots shook the world with the release of their 2015 LP BLURRYFACE, an album that would go on to sell over 7 million copies worldwide and earn the band their first ever GRAMMY® Award as they shattered longstanding chart records, and captivated audiences worldwide on sold-out arena runs and at international festivals. Now three years later, the duo of Tyler Joseph and Josh Dun have returned to write the next chapter of their story with TRENCH, the band's highly anticipated new studio album. TRENCH finds Twenty One Pilots fearlessly reimagining the possibilities of their music through the same candid expression and genuine identity that helped to cement their place as one of the largest bands in the world.

Jacquees to release CD re-pack of debut album, 4275, on 10/26 via Cash Money Records / Republic Records. CD includes his new radio single, 'You,' which is building at Urban radio. Album includes RIAA certified platinum single, 'B.E.D.,' which peaked top 5 airplay at Urban radio. Jacquees recently supported Chris Brown on a 27-date US tour with H.E.R. and 6LACK.

Coheed and Cambria have distinguished themselves as among the most gifted storytellers in rock. While the most conceptually abstruse Coheed records have always had a foundation in reality,The Color Before the Sunmarks the first time Sanchez is exposing his raw feelings, narrated from his own perspective. His own story is told through big, bright, driving, colorful songs that beam like power-pop, crunch like vintage '90s emocore and float with the expansive feel of space-rock.

Shad is a Canadian rapper with four solo albums under his belt, one R&B side-project, a Masters degree and numerous accolades. On October 26, 2018, he will release his highly-anticipated concept album entitled A Short Story About A War. In addition to three of his records being nominated on the Short List of the prestigious Polaris Music Prize, TSOL won the 2011 Rap Recording of the Year at the Juno Awards. Since then, Shad has elevated his practice by emerging as a vital broadcaster. After hosting CBC Radios q, he went on to host the Hip-Hop Evolution docuseries, whose 2016 season on HBO Canada earned both a Peabody Award and an International Emmy Award.

A Short Story About A War tells the story of a fictional world consumed by war, with various factions and philosophies clashing, and in the middle of it all, one character who doesnt believe in the power of bullets. The poetic storytelling weaves its way through themes of migration, environment, economics, politics, and most critically, the deepest parts of our spirit. This music was created in collaboration with dozens of musicians and engineers: From genre-less luminaries like Kaytranada, 2oolman of A Tribe Called Red, and Lido Pimienta, to crafty indie rockers Yukon Blonde, and Toronto rap vets Ian Kamau, Eternia, and DJ T Lo. Their contributions bring multiple textures and colours to the singular vision Shad created. In the end, this serious record is a joy to listen to, full as it is of pop craftsmanship that doesnt turn a blind eye to human nature.

My childhood memories of Christmas aren't warm and fuzzy. The holidays were more of a nuisance for my parents than cause for celebration. This is not to say that on behalf of their only child they didn't give the season a halfhearted try. There were Christmases when I found under the tree an electric football set, a Daisy pump air-rifle and a basketball goal that never got nailed up. But, there were also mornings when apples, oranges, hickory nuts and a hammer signified that year's bounty. Which is to say that Christmas in our household was mostly a wait-and-see proposition. I was finally ready to record an album of original Christmas songs. With Dan Knobler producing and some very gifted musicians and vocalists lending their talents, the making of the album Christmas Everywhere ranks as some of the most enjoyable recording sessions I've ever experienced. The record was close to being finished when it occurred to me that to set the tone for the albums mostly irreverent subtext, I needed to compose a lyrical prelude. In honor of Clement Moore, who wrote the poem we all know as, 'The Night Before Christmas,' I came up with a short piece called 'Clement's Lament (We'll See You in The Mall)'. Tania Hancheroff and Kim Keyes stopped by the studio and performed the tune with Jordan Lehning's orchestral backing and the album was pronounced complete. Seasons Cheer, Rodney Crowell

Post-Apocalypto is the new album from acclaimed rock duo and basically everyone’s favorite band ever, Tenacious D -- comprised of Jack Black and Kyle Gass. The album is the companion to the band’s visual project Post-Apocalypto – The Series, an original, six-part animated video series from the minds of Tenacious D. Each frame of every episode was hand-drawn by Jack himself, with every character voiced by Black and Gass. The series begins rolling out on September 28th, 2018, via Tenacious D’s YouTube page, with a new episode every Friday after.

True to the title, Post-Apocalypto – The Series finds Tenacious D thrust into a world of complete and utter destruction following the drop of an atomic bomb. Surviving the attack in class cinematic fashion (a good old imperishable 1950’s refrigerator), the duo quickly learns that new forms of evil have spawned from the blast.  One thing becomes apparent -- for humanity to prevail, Tenacious D must save the world.

The third full length album by KG&TLW released in 2013 featuring the ‘Gizzhead National Anthem’ “Head/On-Pill”. It was repackaged in the USA as a double Lp with Oddments in 2014 and has since been out of print. Psychedelic garage rock.

Old 97's founding member Rhett Miller returns with his 7th solo album, The Messenger. Recorded earlier over five days at The Isokon in Woodstock, NY with producer/musician Sam Cohen (Kevin Morby, Benjamin Booker), The Messenger sees Miller playing it faster and looser than perhaps any other time in his quarter century career, instilling what might be his most personal songs to date with a groovy limberness that belies the reflective darkness within. Backed by a white hot backing combo comprised of Cohen (Electric & Acoustic Guitars, Pedal Steel Guitar, Piano, Organ, Second Drumset), Brian Betancourt (Bass), and Ray Rizzo (Drums), Miller goes deep into his own youthful experiences with suicide and depression, placing "a long distance phone call to myself as a 14-year-old" on surprisingly buoyant new songs like "The Human Condition" and "Permanent Damage."