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Steve Earle was nineteen and had just hitchhiked from San Antonio to Nashville in 1974. Back then if you wanted to be where the best songwriters were you had to be in there. Guy Clark had moved to Nashville and if you were from Texas, Guy Clark was king.
Flash forward more than forty years. In the fall of 2018, Steve and The Dukes went into House Of Blues studio in Nashville and recorded GUY in six days. 'I wanted it to sound live...When you've got a catalog like Guy's and you're only doing sixteen tracks, you know each one is going to be strong.'
Earle and his current, perhaps best-ever Dukes lineup, take on these songs with a spirit of reverent glee and invention. But in the end GUY leads the listener back to its beginning, namely Guy Clark, which is what any good 'tribute' should do. GUY is a saga of friendship, its ups and downs, what endures. We are lucky that Earle remembers and honors these things, because like old friends, GUY is a diamond.
The highly-anticipated album, The Tree of Forgiveness, is Prine's first collection of new material since 2005's Grammy-winning Fair and Square. Rather than going out on a limb, Prine cultivated the themes that have brought international acclaim since the 1970s. For example, he can take a topic like loneliness and make it funny or heartbreaking.
Prine teamed with Grammy-winning producer Dave Cobb to record in Nashville's historic Studio A, enlisting friends like Brandi Carlile, Jason Isbell, and Amanda Shires to sing along. The songs are new, although some had waited to be finished for decades, like a co-write with Phil Spectro called "God Only Knows." Another incomplete song, "I Have Met My Love Today," now celebrates the unexpected spark that leads to lifelong romance -- with a dash of youthful innocence. The musical arrangements may be simpler than on past efforts, yet his unique ability to distill complex emotions into everyday language remains fully intact.
Bohemian Rhapsody is a foot-stomping celebration of Queen, their music & their extraordinary lead singer Freddie Mercury. Defying stereotypes and shattering convention, Freddie became one of the most beloved entertainers on the planet. The film traces the meteoric rise of the band with their iconic songs and revolutionary sound through to Live Aid, becoming of the greatest performances in the history of rock music.
After spending the last six years making rock albums, Todd Snider is going back to folk. Cash Cabin Sessions, Vol. 3 was recorded at Cash Cabin in Hendersonville, TN. Snider wrote the set of songs and played all the instruments on the record, displaying his growth as a musician and vocalist. Of the five songs on which Snider serves up his humorous brand of socio-political commentary, three are performed in the talking blues style. He even had his friends, Jason Isbell and Amanda Shires, contribute backing vocals on a few of the tracks. If Snider is anything, he is a true artist, and he reminds us of that on Cash Cabin Sessions, Vol. 3. At a point in time when the world has never been more complicated and confusing, with people getting louder and louder, Snider did a 180, went back to his roots as a folksinger, to a simpler, quieter form of expression; and it might be what the world is waiting to hear; a man, his guitar, and the truth.
“Signs” is the fourth studio release from Tedeschi Trucks Band and offers another outstanding example of their ability to expand musical boundaries in ways that only a rare caliber of musician can achieve. “Signs” showcases the band at their best – combining inventive musicality and provocative lyrics across eleven original tracks, running the gamut from uplifting soulful anthems, to bittersweet ballads and driving rock and roll.
The album was recorded at Derek and Susan’s home studio, Swamp Raga, on two-inch analogue tape giving it a warmth and richness that recalls the ambience of the best vintage recordings.
Patty Griffin represents an extraordinary new chapter for this incomparable singer-songwriter and immediately stands among the most deeply personal recordings of her remarkable two-decade career. The album -- which follows 2015's GRAMMY Award-nominated Servant Of Love -- collects songs written during and in the aftermath of a profound personal crisis, several years in which she battled -- and ultimately defeated -- cancer just as a similar and equally insidious disease metastasized into the American body politic. Yet as always, like very few others, Griffin's power lies in how, as Holly Gleason in the Martha's Vineyard Gazette observed, ''her songs seem to freeze life and truth in amber.'' It's in how Griffin can express the strikingly intimate while never making it about herself, all wrapped in sparse arrangements that breathe an incomparable force and import into her songcraft.
A Star Is Born (Original Motion Picture Soundtrack) comes this October alongside the Bradley Cooper and Lady Gaga remake of the 1973 original ‘A Star Is Born’ film. The soundtrack includes 34 tracks of music, ranging from Americana/Acoustic to Pop, and scene dialogue from the movie. Rather than covers from the previous films, the album will feature original songs from Lady Gaga, Bradley Cooper and duets by both. The new music highlights Lady Gaga’s artistry, giving a fresh take on this classic.
Golden Hour follows the massive success of Kacey’s critically-acclaimed albums Same Trailer Different Park, Pageant Material and A Very Kacey Christmas. Both Same Trailer Different Park and Pageant Material debuted at #1 on Billboard’s Top Country Albums chart, with Kacey becoming the first solo female in 5 years to top the chart with a rookie release and only the seventh to do so in Nielsen SoundScan’s 22-year history. Kacey has won 2 Grammy Awards for Best Country Album and Best Country Song (“Merry Go ‘Round”), 2 CMA Awards for “New Artist of the Year” and “Song of the Year” (“Follow Your Arrow”), and an ACM Award for Album of the Year.
The GRAMMY® Award-winning maverick channels his signature sense of soul from the crossroads of rock ‘n' roll, blues, jazz, hip-hop, reggae and punk. Clark's most accomplished songwriting and virtuosic performances to date; THIS LAND delivers socially relevant, transcendentally ambitious, and musically rich declaration as unapologetic, undeniable, and unique as he is. He emerges with a body of work that is dynamic in every sense, embodying an ever-evolving sound that transformed him into an artistic force anointed by everyone from President Barack Obama to the late Prince.