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Billie Eilish’s third studio album, "HIT ME HARD AND SOFT", released via Darkroom/Interscope Records is her most daring body of work to date, a diverse yet cohesive collection of songs— ideally listened to in its entirety from beginning to end—does exactly as the album title suggests; hits you hard and soft both lyrically and sonically, while bending genres and defying trends along the way. With the help of her brother and sole collaborator, FINNEAS, the pair wrote, recorded, and produced the album together in their hometown of Los Angeles. This album comes on the heels of her two massively successful albums “WHEN WE ALL FALL ASLEEP WHERE DO WE GO?" and "Happier Than Ever" and works to further develop the world of Billie Eilish.

Billie Eilish - HIT ME HARD AND SOFT [Indie Exclusive Sea Blue LP]
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The Avett Brothers return with their first album in five years. Produced by longtime collaborator, friend and early champion Rick Rubin, The Avett Brothers is as much untitled as it is self-titled, for as Thomas Keating said: “Silence is God’s first language – everything else is a poor translation.”

From the album’s all-vocal opening to the sharp, scrappy and scorching rock n roll blast of lead single “Love Of A Girl,” to the novel strains of folk, roots, synth and strings that have landed The Avett Brothers numerous Billboard Top 5 and chart-topping albums, three GRAMMY nominations, five Americana Music Awards, a documentary co-directed by Judd Apatow and Michael Bonfiglio, and so much more, this record is one that revealed itself naturally over time.

Recorded in Malibu’s Shangri-La Studios, as well as Nashville, Mar Vista, and the band’s hometown of Concord, NC, The Avett Brothers is a collection of songs seen through a lens of independently studied spirituality; questions and considerations in the interest of the divine unknowable. In an ongoing attempt to comprehend existence and our interpersonal connectedness, these songs seek the sacred in the commonplace: a cheap cup of coffee, the smallest movement of love, broken hearts and school bus lessons, a baby’s first and second steps, growing older and holding on to one’s roots, losing someone and accepting fate, rediscovering hope and finding sanctity in tragedy...ultimately reveling in the fun and surrender of what we cannot understand.

As their first full length release on Ramseur Records/Thirty Tigers since 2007’s EmotionalismThe Avett Brothers is both a cumulative opus and fresh start for the band’s future as a multifaceted and singular force.

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Neon Pill is the highly anticipated new album from Cage The Elephant, and group’s first new music since their album, Social Cues, which won Best Rock album at the 2019 GRAMMY Awards.

Cage The Elephant consists of brothers Matt Shultz (vocals) and Brad Shultz (rhythm guitar) along with Daniel Tichenor (bass), Jared Champion (drums), Nick Bockrath (lead guitar) and Matthan Minster (guitar, keyboards, backing vocals).

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Metamodern Sounds in Country Music is the second studio album by American country music singer-songwriter Sturgill Simpson. The album was produced and engineered by Dave Cobb and was released on May 13, 2014, through High Top Mountain/Thirty Tigers.

'Metamodern Sounds in Country Music' 10 Year Anniversary Edition, to be released May 10, 2024, features fully reimagined album artwork for the CD and vinyl release. The limited edition vinyl variant is packaged in an "old-style" tip-on gatefold jacket and pressed on 180g black vinyl.

Sturgill Simpson - Metamodern Sounds In Country Music (Anniversary Edition)
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Making a bold return, genre-defying, North Carolina-bred quartet and live sensations Rainbow Kitten Surprise will unveil their first full-length album in six years, LOVE HATE MUSIC BOX, on May 10, 2024 via Elektra Entertainment. After years of struggling with her own mental health that resulted in writer’s block, on-stage episodes, and tour cancellations, RKS singer/songwriter/frontperson Ela Melo was properly diagnosed and treated in 2023, vastly improving her quality of life. As if suddenly struck by creative intervention, songs once again poured out of her, writing at least one a day for an entire year and forming the backbone of their 22-track opus LOVE HATE MUSIC BOX. This epic mosaic of sound and emotion was fully realized once the band - guitarists Bozzy Keller and Ethan Goodpaster, drummer Jess Haney and former bassist Charlie Holt- reconvened in the studio, adding another dimension sonically. Produced by Daniel Tashian (Kacey Musgraves) along with Konrad Snyder (Noah Kahan) and Melo, the much-anticipated album ponders life’s ups and downs, and traces the turbulent trajectory of  relationships, painted out loud in hues of pop, electronic, rock, and hip-hop. As such, it finds the musicians at their most vulnerable, vibrant, and vital.  From “Peter Pan” through the finale “Thanks For Coming,” LOVE HATE MUSIC BOX unspools a cohesive vision all-around. Among the many highlights, they notably teamed up with GRAMMY® Award-winning multiplatinum supernova Kacey Musgraves on the impassioned “Overtime.”

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The Moon Is In The Wrong Place is an upbeat, yet poignant narrative on grief and resilience from Shannon & The Clams. Woven from the threads of devastating loss and communal ties in the aftermath of profound loss – the sudden passing of Shannon's fianceé just months before their wedding – this record unfolds as the Clams' most introspective to date. With Dan Auerbach's production, the album delves deep into themes of heartache and healing, and showcases the band's trademark wry psychedelia, energetic nostalgia, and flourishes of retro beauty. It's a tribute to the power of art and community to triumph over tragedy, and a milestone in Shannon & The Clams' venerable oeuvre.

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St. Vincent’s first self-produced record, All Born Screaming is Annie Clark at her most unfiltered. All Born Screaming is an invitation to test the limits of what is possible–and to then keep going;  Brought to life with the aid of a highly curated dream lineup of friends — Rachel Eckroth, Josh Freese, Dave Grohl, Mark Guiliana, Cate Le Bon, Justin Meldal-Johnsen, Stella Mogzawa and David Ralicke — the album is an unadulterated expression of St. Vincent’s singular vision.

St. Vincent - All Born Screaming [Indie Exclusive Red LP]
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With $10 Cowboy, Charley Crockett didn’t set out to make a themed record. He had released a concept album in 2022, the critically acclaimed Man From Waco, propelling Crockett to new heights and establishing him as one of the leaders of a sparkling revival of traditional country and folk music.  

For the follow up album, Crockett wrote freely, over a two-month period, as he wound his way across the United States on the back of a tour bus. The resulting songs—raw, personal, vivid portraits of a country in transition—ended up being connected after all.

“This material is written at truck stops, it’s written at casinos, it’s written in the alleys behind the venues, it’s written in my truck parked up on South Congress in Austin,” explains Crockett. “A ramblin’ man like me, a genuine transient, is in a pretty damn good position to have something to say about America.”

As the album unfolds, you begin to understand that a $10 Cowboy is anyone who has hustled to get by, who didn’t fit in, who has slept on other people’s couches, or the street, who has fallen down, gotten up, and ventured from home chasing a paying gig, or a new start.

“Being out on the road gives you a first-hand experience of how different kinds of Americans see themselves as going through some kind of great struggle,” Crockett says. “The roughneck working the oil and natural gas fields in West Texas. The single mother raising kids by herself. The young man working a street corner because he thinks it's his only option. I would be dishonest if I said I couldn’t see the thread. Each of ‘em feel invisible. I am struck by the battles they are fighting internally, and the ways they have been entrapped by what America says they are.”

The album was recorded at Arlyn Studios in Austin, produced by Crockett and his long-time collaborator Billy Horton. It was recorded live to tape, with anywhere from 6-12 musicians and backup singers on each track, giving the songs the feel of a live performance. It’s a sound Crockett has been after for years. “Reason I cut it on tape is because when you got the right people in the room, and the great players rise to the occasion when that red light is on and the tape is rolling, you get the magic of a great performance.”

It's exactly what he achieved with $10 Cowboy. Regular bandmates Fox, Nathan Fleming, and Mayo Valdez are joined by some of the genre’s most talented players—Rich Brotherton, Kevin Smith, Dave LeRoy Biller, T. Jarrod Bonta and others, including a string quartet. Lauren Cervantes and Angela Miller sing on the album. While the musicianship and accompaniment are exquisite, they are also subtle, placed joyously, yet judiciously across the album.

No, Crockett didn’t set out to write a themed record. Or, through his studied eye, to find America. But with $10 Cowboy, he might have done both.

Charley Crockett - $10 Cowboy [Indie Exclusive Limited Edition Opaque Sky Blue LP]
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Taylor Swift - "THE TORTURED POETS DEPARTMENT" [Ghosted White 2 LP] - Taylor Swift/Republic Records; Pop EXPLICIT
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The Melvins new album is like nothing the band has ever done before. Probably the best record they’ve ever recorded. Certainly one of their weirdest. The five song album centers around the mammoth 19-minute opening track “Pain Equals Funny” and features Buzz, Dale and Steven along with second drummer Roy Mayorga (Ministry, Soulfly, Stone Sour and Nausea) and guitarist Gary Chester (We Are The Asteroid). Vinyl comes in a Gatefold Jacket with 12pg booklet.

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Beyoncé - Cowboy Carter - Country Vinyl LP

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Over the past year, GRAMMY Best New Artist-nominated Vermont singer & songwriter Noah Kahan has exploded from his New England roots into the global mainstream and has been touted as one of this year’s biggest and best new artists. The global sensation is back with an expanded version of Stick Season (We’ll All Be Here Forever). The extended 3 LP set showcases 7 additional tracks from Kahan’s platinum-certified Stick Season album as well as his double platinum-certified, and first career Top 10 hit, “Stick Season,” and platinum-certified Top 40 hit “Dial Drunk.” Available on BONE colored vinyl. Indie Exclusive.

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Ohio Players is The Black Keys’ fourth album in five years, a momentum with a simple explanation, Auerbach says: “We never stopped recording.” There was his and Carney’s reunion, after a five-year hiatus, on 2019’s "Let’s Rock”, then the 2021 blast of Mississippi-hill-country covers, Delta Kream. A rapid-fire follow-up of new originals, 2022’s Dropout Boogie, featured the duo working with outside writers for the first time: Greg Cartwright of Memphis rockers Reigning Sound and Angelo Petraglia, who has worked with Kings of Leon and the teenage Taylor Swift. (Cartwright and Petraglia are back for Ohio Players too.)
“We'd never worked harder to make a record,” Dan Auerbach says. “It's never taken us this long to make an album. We took our time and did it right.”
 
“What we wanted to accomplish with this record was make something that was fun,” Patrick Carney says. “And something that most bands 20 years into their career don’t make, which is an approachable, fun record that is also cool.”
While making Ohio Players, a title inspired by the legendary Dayton, OH funk band of the same name, The Black Keys were also DJing dance parties in cities around the world that they called “record hangs,” spinning 45s from their own eclectic and growing collections. Mojo reports, “The spirit of those parties infused the album’s DNA. ‘That’s been the fun of it,’ [says] Auerbach. ‘Letting go a little bit.’” 

The Black Keys - Ohio Players [Indie Exclusive Limited Edition Opaque Apple Red LP]
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Khruangbin’s fourth studio album, A La Sala (“To the Room” inSpanish), is an exercise in returning in order to go further, anddoing so on your own terms. It continues the mystery and sanctitythat is the key to how bassist Laura Lee Ochoa, drummer Donald“DJ” Johnson, Jr. and guitarist Mark “Marko” Speer approach music.If 2020’s Mordechai, the last studio LP Khruangbin made withoutcollaborators, was a party record that enhanced the band’s musicalreputation far and wide, then A La Sala is the measured morningafter. It’s a gorgeously airy record completed only in the companyof the group’s longtime engineer Steve Christensen, with minimaloverdubs. It’s a window onto the bounties powering Khruangbin’svision, a reimagining and refueling for the long haul ahead. A LaSala scales Khruangbin down to scale up, a creative strategy withthe future in mind. 

The trio’s collective musical DNA, the years spent constructing itin Houston’s local-meets-global cultural stew, ensures the bandcontinues to sound like no one but itself. A cascade of crispmelodies emanates from Marko’s reverb-heavy electric, dancinggently around Laura Lee’s minimalist almost-dub bass triangles,while DJ’s drums serve as the tightened-up pocket and unwaveringdance-floor on which all this movement takes place. Yet there’s afreshness to A La Sala’s instrumental interactivity, less concernedwith getting further out than going deeper in, a profound desire tocelebrate the world’s external wonders. Where prior albums strivedtowards music’s polyglot edges, such inquiries now sound likebeloved intimacies. Here, Khruangbin’s sonic touch-points —whether spaghetti-western film scores (on “Fifteen Fifty-Three”),West African discos (on “Pon Pón”), G-funk fantasias (“TodavíaViva”), living room dancing moments (the first single, “A LoveInternational”), or even ambient found-sounds (on “Farolim deFelgueiras and throughout the album”) — are ingrainedcharacteristics. This is who they are! Unique and huge (andgrowing), ambitious and driven. 

Khruangbin’s aspirations and commitment to playful creativityeven extends to A La Sala’s vinyl packages, of which there will beseven distinctive covers and color-sets. Designed by the bandusing Marko’s multitude of travelog photos, the images arewindows from the band’s living room onto a set of daydreams,scenes of impossible skies, external glances that illuminate what isgoing on inside. Each cover image comes with a matching colorvinyl. These too are all about looking out and looking back, in orderto better look ahead.

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Revelator is an album that speaks to “the grand sadness in life” — perennial Phosphorescent subject matter, by
Matthew Houck’s estimation. In some ways, Revelator extends seamlessly from the story begun by Muchacho and
continued by C’est La Vie. It finds Houck further mastering his unique blend of ragged, experiment-y classicism
intertwined with ethereal, lachrymose atmospherics. Across Revelator, Houck sings from a woozy, worn headspace,
but leads us to a place where dreams and reality mingle. Indie Exclusive Black Ice LP.

	 Phosphorescent - Revelator [Indie Exclusive Limited Edition Black Ice LP]
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Ramona is a work of raw truth rendered in its most beautiful form. Melbourne-based Grace Cummings traveled to Los Angeles to work with producer Jonathan Wilson (Angel Olsen, Father John Misty) and dreamed up a lavishly orchestrated sound that fully accommodates the depth and scope of her vocal prowess. With its visceral reflection on grief, self-destruction and emotional violence, Ramona brings a stunning new grandeur to Cummings’ music while refusing to soften or temper its humanity!

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Joe Pernice has been writing for a long time—most of his life, in fact—and has crafted a remarkable catalog that boldly reinterprets and recasts classic American pop. Who Will You Believemay be his most moving and nuanced album yet; it’s certainly his timeliest. “These songs were all written during the same time period,” he says, “and they all seemed to tap into a mood I was in at the time. I go through spells where I’m a certain way for three or four months. I might be more reticent than usual, or more outgoing. With all of my records—and especially with this one—the songs all feel like they belong together, probably because they all arrived during the same stretch of time.”

In a single six-month stretch he was left reeling from the deaths of three close friends, including David Berman, poet and songwriter for Silver Jews and Purple Mountains, and Gary Stewart, the Rhino Records co-founder and tireless Pernice Brothers supporter since their first album in 1998. “That was such a bad patch when David and Gary both took their own lives. And my cousin Joe Harvard, who started Fort Apache Studios in Boston and was like a brother to me—he died, too. It was such a tough year. I was thinking about them a lot and watching how divided America had become. I was doing my best to try and take nothing for granted.”

Pernice has been releasing albums for over 25 years. And with age comes a greater patience and an immense ap-preciation for the act of creation. Who Will You Believe showcases a beautiful balance between such sadness and moments of solemnity with warm humor and camaraderie.

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On her most ambitious album yet, No One Gets Out Alive, singer-songwriter Maggie Rose proves she’s a true original. Though the electrifying record is her fourth release, in many ways it feels like her first. No One Gets Out Alive is a knockout career game-changer. Filled with deeply intimate, relatable songs that showcase her masterful storytelling, the album showcases her soulful, powerful voice and pulls you in immediately. Unencumbered by genre, No One Gets Out Alive reflects Maggie’s varied influences including rock, soul, Americana, pop and folk, all colliding for a deeply satisfying listen. Maggie Rose inhabits her music and distills it into something all her own. With unflinching honesty, she does everything authentically and completely.

Maggie Rose - No One Gets Out Alive [Indie Exclusive Limited Edition LP]
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On March 29, 2024, Shabazz Palaces’ two new mini-albums, Robed in Rareness and Exotic Birds of Prey, come out on CD and LP. Shabazz Palaces is masterminded by Ishmael Butler (Digable Planets), whose relentless drive to reimagine hip-hop – even as he enjoys his fifth decade on Earth – remains undiminished.

When Robed in Rareness hit digital platforms in 2023, NPR Music called it “enchanting and subversive," while Pitchfork observed that “the futurism of Shabazz Palaces has always been interwoven with the past and present, their songs scintillating tapestries of old-school shit talk, proggy psychedelia, and melodic flossing. Robed in Rareness is draped in this multiplicity as Butler and a team of close collaborators swagger across eras of rap.”

Exotic Birds of Prey furthers the modus operandi of Robed in Rareness: a respectful eye on the past, an embrace of an ever-evolving present, with its feet firmly planted in the future. Where Robed warped sounds like shoegaze and ambient music into the Shabazz Palaces multiverse, Exotic cross-pollinates these elements with twisted electro and funk vibes.

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The final album from Canadian punk rock legends Sum 41 album. Spanning 2 discs and 20 tracks, the album features the singles “Landmines” and “Rise Up”.’

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Nine-time Grammy Award winner and 2023 Rock and Roll Hall Of Fame Inductee, Sheryl Crow, will release her 11th full length studio album, Evolution. The album comes as a welcomed surprise after Crow publicly stated that she would not release another full-length album after Threads (2018) and kicks off with her lead single “Alarm Clock,” which is perhaps Sheryl Crow’s most radio-friendly pop song since “Soak Up The Sun.”

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Our fifth chapter is the one where we seek, savor, and settle. The muse found us in the depths of raising children, nurturing relationships, surviving a world-changing virus, bidding farewell, shifting our mindsets, and discovering a sense of peace heretofore unseen. Our third decade of life has proven to be one of routine, rest, and realization, and these songs are about the lessons we’ve learned. We’ve learned to be space-holders and defenders of the people we hold close. We’ve learned from deep, steady love in various forms. We’ve learned to let go of people and perceptions and priorities that just didn’t make the cut as we weighed what is right and important and worth keeping. We’ve learned how all the things we’ve always treasured continue to withstand the pressure of time. If you notice an upward trend to the mood and emotions, you’re on target-we have found calm waters, for now.- The Secret Sisters

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INDIE RETAIL EXCLUSIVE! With nods to their earlier work, Ride’s 7th album contains some of the best songs they have ever written. It is a record in the old-school sense, a rich listen that flows from start to finish, at times urgent and formidable, at others wistful and melancholic. It’s a record about perseverance, sticking together, finding a way forward. Claudius Mittendorfer’s mix provides the final touches on a startling, stop-you-in-your-tracks LP. This is the sound of a band hitting a new peak of their powers.
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It’s obvious listening to Sarah Shook and the Disarmers’ clear-eyed, biting, and unafraid songs that integrity is the most important thing to the Chapel Hill, North Carolina, country-punk outfit. “A lot of artists are in this industry for fame, recognition, and money but those things don’t mean anything to me,” says bandleader River Shook. “Songwriting is it for me. It’s the only real healthy coping mechanism I've ever had. It’s life-saving. I don't care about any superficial things when I’m making a record.” On their resonant fourth album Revelations, produced by Shook and out March 29 via Thirty Tigers, these raw and resilient tracks come first. Throughout, Shook’s deft storytelling documents regular people getting by and keeping on, all presented without filter or pretension.

In 2022, Shook was remarkably productive. They released two albums: debut solo indie rock record Cruel Liars under the moniker Mightmare (Kill Rock Stars) and a third Disarmers full-length called Nightroamer (Thirty Tigers). Compared to every Disarmers record before that, which captured the in-the-room energy of the band with live recorded songs, the latter LP was instead more of a product of the studio with meticulous tracking sessions and an outside producer. While that effort was well-received, Shook believed the songs on Revelations deserved a more direct approach. “Since the Disarmers started in 2015, our strength has always been in our live performance,” says Shook. “To me, an album should capture the essence of a band. With this new set of songs that are all super special to me, I didn't trust anybody else to capture the songs and decide how to best serve each song.” Shook, who honed their production skills with their Mightmare LP and Izzy Ryder’s debut record, confidently took the reins during a blistering recording session, capturing 10 songs in two days.

For Shook, it was paramount the recordings match the band’s tangible live ferocity because these songs boast their most immediate lyrics yet. “All of my writing is autobiographical, and I write everything based on my observations and experiences,” says Shook. “But there was something about Revelations that felt more personal to me. I unlocked this level of honesty with myself and an ability to be more objective about the things I struggle with daily.” Take the title track, which finds Shook singing about the precariousness of navigating mental health under capitalism. Over a rollicking, twang-hued arrangement, they sing, “Black cloud followin' me around, little storm in my head / Some days I levitate off the ground, some days I can't get outta bed.” The track doesn’t preach or romanticize. Instead, it’s galvanizing and relatable.

These are lived-in stories about real people with real dreams, atmospheric pasts, and inescapable problems. “I think of myself as a collector: I just go around and collect experiences and observations,” says Shook. “I'm still adjusting to writing songs as a sober person but a lot of the themes are just about being a working person and navigating mental health and relationships with other people going through the same things.” Lead single “Backsliders” comes directly from Shook’s life when they were a bartender at a Chapel Hill dive called The Cave. The song is a deceptively breezy romp about workplace romantic entanglements with Shook singing, “Love you like a breath when I ain't workin' myself to death / cause I'm longin' for the ghost of a friend.” On one hand, it captures the closeness that only service workers can experience on the job but on the other, it plainly states how easy it is to fall into bad habits when dealing with any type of loss.

Throughout the LP, there are cathartic, snarling kiss-offs to villainous men (“Motherfucker”) but also moments of tenderness and ecstasy. Shook describes closer “Criminal” as their “gay cowboy song”, the torturous longing of the lyrics is anchored by shimmering guitar leads from Blake Tallent and bastioned by drummer Jack Foster’s hypnotic rhythms. River sings, “If lovin' you will always be a crime I'll always be a criminal.” It’s a triumphant line that highlights Shook’s emotional sturdiness. “That line got me thinking about how we as queer people have been persecuted, and how we so often have to keep all kinds of things under wraps because of the law because of social taboo,” says Shook. “I wanted “Criminal” to portray these feelings of longing and desire that two gay people can have for each other. They're complicated feelings because human beings are complicated. Gay love is every bit as complicated as straight love.”

Revelations is the most assured Sarah Shook and the Disarmers record yet because it so pointedly captures the gamut of the human experience: anger, sadness, confusion, love, and acceptance. It’s a document of Shook at the top of their game and a reflection of their own journey not just as a writer but as a person. “I’m a firm believer that if you are an artist, and you want to make better art, a big part of that isn't just exercising your musical skills, it’s growing as a human being,” says Shook. “So every time I make a record, I want to be able to listen to it and look back on who I was then. I want to see this arc and this evolution. That's really fucking important to me.”

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On March 29, 2024, Shabazz Palaces’ two new mini-albums, Robed in Rareness and Exotic Birds of Prey, come out on CD and LP. Shabazz Palaces is masterminded by Ishmael Butler (Digable Planets), whose relentless drive to reimagine hip-hop – even as he enjoys his fifth decade on Earth – remains undiminished.

When Robed in Rareness hit digital platforms in 2023, NPR Music called it “enchanting and subversive," while Pitchfork observed that “the futurism of Shabazz Palaces has always been interwoven with the past and present, their songs scintillating tapestries of old-school shit talk, proggy psychedelia, and melodic flossing. Robed in Rareness is draped in this multiplicity as Butler and a team of close collaborators swagger across eras of rap.”

Exotic Birds of Prey furthers the modus operandi of Robed in Rareness: a respectful eye on the past, an embrace of an ever-evolving present, with its feet firmly planted in the future. Where Robed warped sounds like shoegaze and ambient music into the Shabazz Palaces multiverse, Exotic cross-pollinates these elements with twisted electro and funk vibes.

Shabazz Palaces - Robed In Rareness [Ruby LP]
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Over the last six years, ZAYN has been writing his fourth studio album at his home studio in rural Pennsylvania. ROOM UNDER THE STAIRS marks his most personal release to date, reflecting where he is in his life while exploring the complexities of healing, stillness and growth. It also sees the genre-bending artist explore a new sound, leaning into his soulful vocals, live instrumentation, and poetic lyricism as a songwriter. The album was co-produced by ZAYN with 9x Grammy Award-winning record producer Dave Cobb. This will be ZAYN's first album with Mercury Records.
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Various Artists

NOW K-Pop 2024 [LP]

Vinyl: $29.99 UNAVAILABLE
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NOW K-POP - Various Artists - K-Pop Vinyl LP

Various Artists - NOW K-Pop 2024 [LP]
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Miami-formed and long-time Nashville-based, genre-bending Americana icons The Mavericks return with their highly anticipated 13th studio album 'Moon & Stars.' The record marks their first new music release since 2020’s groundbreaking and chart-topping 'En Español' project and their first return to a full English language release since their acclaimed 'Brand New Day' album in 2017.

“This record has been a journey of reflection, introspection, patience, learning and evolving. Some of these songs were written years ago, but they weren’t ready. Or maybe we weren’t. We are now," the band says.

Already known for their distinctive and eclectic Americana/roots fusion of alternative & outlaw country, rock, blues, R&B  and Tejano/Tex-Mex influences, The Mavericks quite appropriately recorded the tracks of 'Moon & Stars' across the country in Blackbird Studio (Nashville, Tennessee), Frogville Studios (Santa Fe, New Mexico), and Dockside Studio (Maurice, Louisiana). The result is a long-awaited album that instantly invokes both a timeless feel of a classic Mavericks release that will fit seamlessly among their most revered career work, while once again challenging genre conventions and pushing the boundaries of their melting pot sound ever forward.

Special featured guests on the album include Sierra Ferrell, Maggie Rose, Nicole Atkins, and the band’s own ‘Fantastic Five’ member Max Abrams. Song co-writers include Bernie Taupin, Sam Hollander, Wally Wilson, and more

The Mavericks - Moon & Stars [Indie Exclusive Galaxy Blue LP]
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Brand new studio album from award winning artist Bright Light Bright Light following #1 UK Dance Album 'Fun City'. Whereas today's artists have been sampling 90s acts non-stop, he has invited 90s hitmakers to create new work with him, featuring dance icon Ultra Naté, Top 5 hitmaker Berri and the voice of Air's 'Moon Safari' Beth Hirsch.  Created alongside UK pop royalty Richard X (Sugababes, Kylie Minogue, Alison Goldfrapp), Jon Shave (Rita Ora, Riton, Miley Cyrus) and Ian Masterson (Dannii Minogue, Bananarama) plus Babydaddy (Scissor Sisters) the album is an optimistic, empowering dancefloor record.  'Enjoy Youth' follows two Top 15 UK Dance albums (So Gay So Dramatic #14 and Fun City #1) and finds Bright Light Bright Light at his most confident and euphoric self.
 
“I just wanted to feel fabulous and unstoppable,” states New York-based Welsh singer, songwriter, LGBTQ+ icon and top tier pop star Rod Thomas, aka Bright Light Bright Light, when asked what he wanted to achieve on his excellent fifth album, Enjoy Youth. “My natural disposition is to feel bashful and reserved and I just wanted to feel fantastic. I've toured the world opening for massive people, I've achieved a ton of stuff by myself and I wanted to let myself feel proud of that.” Let's list some of those achievements shall we, while also bearing in mind this has all been done as a fully independent artist from day dot: so there have been tours with Cher, Elton John and Ellie Goulding; collaborations with the likes of Erasure, Scissor Sisters, Elton and Sam Sparro; appearances on high profile chat shows; a number 1 on the UK dance chart with 2020's Fun City album and, earlier this year, Thomas soundtracked the recent documentary, All Man: The International Male Story, fulfilling a lifelong dream. “On Enjoy Youth I want to feel in charge and in control,” he continues. “It's not about youth per se, it's about a state of mind and the power inside of yourself. A lot of us forget that we're capable of doing really amazing things.”
 
Packed with pure pop majesty, lyrical bite and undeniable melodies, it's a statement release from an artist who has done everything on their own terms. It's a big rainbow across a darkening sky. “I really hope to bring people joy,” Thomas says, with future live shows being part of that. “I had so much fun on the last UK tour, with people turning up ready to have a good time. The whole purpose of my music is that it's not just about me - when I do live shows I get local LGBTQ+ acts to open for me. I want to create community, or lead people to other artists I collaborate with. I just want people to have a great, uplifting time with the record and the shows around it.” It's a simple plan, perfectly executed.
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KNOCKED LOOSE:

 

As Knocked Loose chipped away at what would become their third album, they felt the pressure from all sides. Internally, there was the need to challenge themselves as songwriters while retaining the merciless intensity and unflinching honesty that have always been their calling cards. Externally, there was a whole new set of eyes on the hard-touring Louisville quintet, following a banner year in which they’d brought their underground-seasoned sound to some of the world’s biggest stages, finding themselves the unlikely viral darlings of both Coachella and Bonnaroo.

 

 

The creative process was arduous, with the band writing close to 40 songs across a span of four years before locking in the 10 tracks that make up new LP You Won’t Go Before You’re Supposed To. But in the end, vocalist Bryan Garris, guitarists Isaac Hale and Nicko Calderon, bassist Kevin Otten and drummer Kevin “Pac Sun” Kaine honed a diverse, cohesive and savagely intense album that both sums up the massive strides they’ve taken during their decade as a band, and asserts their boundless potential going forward.

 

 

Raging lead single “Blinding Faith” skillfully wields whiplash tempo changes in service of a scathing indictment of religious groupthink. “Don’t Reach for Me” combines the band’s signature frenzied attack with deliberate catchiness and refreshing sonic variety. While “Suffocate,” featuring pop-meets-metal trailblazer Poppy, contrasts an oppressive heaviness befitting the title with a dance-y, syncopated groove and, midway through, the most concussive reggaeton rhythm you’ve ever heard.

 

 

The album title — a phrase that a fellow passenger said to Garris to soothe his severe air-travel anxiety during a particularly trying flight — strikes a note of reassurance. But glossing over negative emotions isn’t what Knocked Loose are about. The new songs find them plumbing new depths of loathing — directed both inward and outward — and tortuous anguish. Musically, they’re leaning into their most extreme impulses, from blastbeat-driven fury, chaotic turbulence and seismic breakdowns, while seasoning the mix with ear-catching auxiliary percussion, evocative samples and shout-along hooks, all interwoven to perfection by Grammy-nominated, pop-savy producer Drew “WZRD BLD” Fulk.

 

 

There’s no ceiling for hardcore in 2024 — even an outfit as uncompromising as Knocked Loose can turn up in mainstream-adjacent spaces and win over new fans. But there’s a center to what they do that will never change: uncompromising heaviness, both sonically and thematically. What is evolving is their drive to find new ways to convey that heaviness, and add tasteful variety that only highlights their undiminished ferocity. Everywhere Knocked Loose have been is here on this record — but so is everywhere they may yet go.

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"empathogen" is the sixth studio album from WILLOW. This release sees WILLOW moving in a new alternative & jazz tinged direction following her widely praised 2022 release  . The album includes features from Jon Batiste and St. Vincent.

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Transparent clear vinyl black splatter (Indie exclusive). Death Lens relentlessly seeks a place in your consciousness, a persistent presence whispering in your ear. Concealing ferocity beneath a stylish veneer, their live shows unleash energy and chaos, leaving spectators disarmed and forever transformed. After successful tours with Militarie Gun and Together Pangea and hometown support, Death Lens is poised to release their latest album, "Cold World," on May 3rd, through Epitaph Records.In recordings, Death Lens forges unyielding rock, blending West Coast surf punk with Britrock's tight, bouncy rhythms. Despite their deceptive chill and vibe-focused portrayal, live performances brim with hardcore intensity. Rooted in slick guitar sonics and sugary backing vocal harmonies, reminiscent of indie punk and shoegaze, Death Lens channels the energy of bands like Turnstile and Militarie Gun on stage, creating soundtracks for indelible memories of high-energy, sweat-soaked singalongs.Hailing from La Puente, the self-described "five Brown boys" transition from showcasing explosive energy in recordings to embodying a refined representation of hard work and early influences gaining traction in their scene. Growing up as minorities east of Los Angeles amidst police harassment and gang violence, Death Lens faced risk factors that could have led them astray. Evolving from a party garage punk band, they now serve as a platform addressing life in heavily policed and immigrant-dominant areas, advocating for immigration reforms, and utilizing resources to support their community. Their experiences form a powerful narrative within their music.
Death Lens - Cold World [Indie Exclusive Transparent Clear Colored Vinyl]
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BREAKING BENJAMIN guitarist KEITH WALLEN is pleased to announce that his new solo album Infinity Now will arrive May 3 via Rise Records.

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• NOTE : STREET DATE HAS BEEN BUMPED TO TBD

Within six days and “without overthinking anything,” Noah Kahan completed the five-track Cape Elizabeth EP which has amassed 200M streams. See the newly repackaged Cape Elizabeth on Aqua-colored vinyl as Noah’s “thank you to the fans who stuck around, came to shows, watched my livestreams and listened.” The vinyl features fan- favorite songs “A Troubled Mind,” “Glue Myself Shut” and “Maine.”

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Composer, singer, producer, and multi-instrumentalist Laufey continues her story with Bewitched: The Goddess Edition, an expanded version of her 2023 critically celebrated and GRAMMY-winning second album. Since the release of Bewitched, Laufey has proven how staying true to oneself can result in creating a space where people can find themselves. Bewitched has been wildly successful around the world, appearing on multiple year-end best-of lists, sparking an immediately sold-out tour and reaching No. 1 on Billboard’s Jazz charts. The Goddess Edition features four brand-new original songs including lead single "Goddess" and will be available on vinyl, cassette, and CD. The expanded package includes dark blue vinyl, an updated booklet, and a custom board game.

Laufey - Bewitched: The Goddess Edition [Navy 2LP]
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Corridor

Mimi [Pink LP]

Vinyl: $24.98 Buy

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You get older, you have a family, and you start to slow down—that’s how things are supposed to go, right? Not for Montreal band Corridor, who have returned on their fourth album, Mimi, with a sound and style that’s more widescreen and expansive than anything that’s preceded it. The follow-up to 2019’s Junior is a huge step forward for the band, as the members themselves have undergone the type of personal changes that accompany the passage of time; even as these eight songs reflect a newfound and contemplative maturity, however, Corridor are branching out more than ever with richly detailed music, resulting in a record that feels like a fresh break for a band that’s already established themselves as forward-thinkers.

Mimi immediately recalls the best of the best when it comes to indie rock—Deerhunter’s silvery atmospherics immediately come to mind, as well as the spiky e ervescence of classic post-punk—but despite these easy comparisons, Corridor remain impossible to pin down from song to song, which makes Mimi all the more thrilling as a listen.

“The goal was to work differently, which is the goal we have every time we work on a new album—to build something in a new way,” Robert explains. “This time, we took our time.” And so in the summer of 2020, Corridor’s members—Robert, vocalist/bassist Dominic Berthiaume, drummer Julien Bakvis, and multi-instrumentalist Samuel Gougoux—holed away in a cottage to engage in the sort of creative experimentation that would lead to Mimi’s ultimate creation.

Corridor tinkered with the songs’ raw parts digitally and remotely over the next few years, with co-producer Joojoo Ashworth (Dummy, Automatic) lending their own specific talents in the theoretical booth. The process was a byproduct of not having access to their rehearsal space due to the COVID-19 pandemic, but also a result of the four-piece leaning harder into incorporating electronic textures than on previous records.

“For a long time, we identified as a guitar-oriented band, and the goal of making this whole record was trying to get away from that,” Berthiaume states. Berthiaume also describes Mimi as a record about “getting older” and “figuring out new parts of life”—but despite any claims of transitional growing pains from the band, Mimi is a record bursting with new energy and life, a vibrance that’s owed in no small part to Gougoux joining the band full-time after pitching in on live performances in the past.

“I come more from a background of electronic music, so it was nice to involve that with the band more,” he explains, and Mimi contains a distinct rhythmic pulse reminiscent of classic era-post-punk’s own melding of dance and rock textures. Over bright, chiming guitars and ascending synths, Robert addresses his looming mortality on “Mourir Demain”: “I wrote it when my girlfriend and I were shopping for life insurance,” he laughs. With our little daughter growing up, we also considered making our will. I said to myself, ‘Oh shit, from now on I’m slowly starting to plan my death.”

Don’t mistake this as music about dead ends, though, as Mimi embraces and champions unfettered creativity while paving a way for Corridor’s own bright future. “We just focused on making a record that sounded the way we wanted,” Gougoux exclaims while discussing the band’s aims. “There were no limitations when it came to what was possible.”

Corridor - Mimi [Pink LP]
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Rock legend Billy Idol is set to celebrate the 40th anniversary of his landmark album Rebel Yell with a deluxe expanded edition due April 26 via Capitol/UMe. Available for pre-order on Friday, March 8, the reissue includes a selection of previously unreleased songs and demos, the Poolside remix of Idol's smash hit "Eyes Without A Face" and the never-before-heard Billy Idol/Steve Stevens original "Best Way Out of Here" from the original sessions. Idol's never-betore-released cover of the Rose Royce single "Love Don't Live Here Anymore"

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Pyromania (40th Anniversary) [Deluxe 2 LP] - Def Leppard's 40th anniversary reissue of Pyromania has been expanded to a 2-LP set on 180g black vinyl with unheard demos and live tracks from the era. Originally released in 1983, Pyromania launched the band into rock legend status, selling over 10 million copies. Featuring global hit singles "Photograph," "Rock! Rock! (Till You Drop)" and "Rock of Ages." In tribute to this milestone, this deluxe edition has been executive produced by lead singer Joe Elliott and Ronan McHugh with mastering by Andy Pearce.
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Pearl Jam

Dark Matter [LP]

Vinyl: $39.98 Buy

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Rock & Roll Hall Of Fame inductees, Pearl Jam, return with their highly anticipated new album Dark Matter. The band’s 12th studio album was produced by Grammy® Award Winning Producer, Andrew Watt. 

Pearl Jam - Dark Matter [LP]
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BOYNEXTDOOR is back with their 2nd Mini Album HOW? which acts as a bridge between their previous releases WHO! and WHY.. Each track on the album represents a specific moment in an evolution of a relationship. Contents of the album include CD, Photo Book (72 pgs), Photo Cards (rndm 2 of 12), Post Card (rndm 1 of 6), Meme Card (rndm 1 of 6), Scratch Card, 4-Cut Photo (rndm 1 of 6), Folder Poster. US/EU Retail Excl: Photo Card (rndm 1 of 6). Dimensions: 230 x 190 x 15 mm.

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With more than 1 billion streams as a solo artist and two back-to-back #1 singles, Tyler Hubbard's sophomore solo album, Strong, features 13 brand-new songs, including "Back Then Right Now," "Turn" and "Wish You Would."

Tyler Hubbard - Strong [CD]
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The precocious and prodigious drummer and composer Tony Williams had already joined the Miles Davis Quintet and participated in numerous landmark Blue Note recordings including Herbie Hancock Empyrean Isles, Eric Dolphy Out To Lunch, Andrew Hill Point Of Departure, Jackie McLean One Step Beyond, and Grachan Moncur III Evolution by the time he recorded his own adventurous debut album Life Time in August 1964, when he was still just 18 years old. Williams had no intention of playing it safe on his maiden voyage as a leader and set forth to document his uncompromising expression on this program of innovative original compositions.

Side 1 presents the expansive two movement suite "2 Pieces of One" with the drummer joined by tenor saxophonist Sam Rivers and bassists Gary Peacock and Richard Davis. Side 2 opens with the jaunty "Tomorrow Afternoon" featuring Williams, Rivers, and Peacock. Williams plays a variety of percussion on the freely improvised "Memory" which features Herbie Hancock on piano and Bobby Hutcherson on vibraphone, and lays out entirely on the ruminative piano-bass duet "Barb's Song to the Wizard" performed by Hancock and Ron Carter which closes the album.

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Vinyl LP pressing. Recorded in May 1963, Silver's Serenade was the last in a fantastic run of albums that pianist Horace Silver would make with the most celebrated line-up of his Quintet featuring Blue Mitchell on trumpet, Junior Cook on tenor saxophone, Gene Taylor on bass, and Roy Brooks on drums. The core of the band had been together since 1959 and recorded hard bop classics like Finger Poppin' and Blowin' the Blues Away, with Brooks joining in 1960 on Horace-Scope. The program on Silver's Serenade consists of five Silver tunes that epitomize his exceptional compositional style: captivating melodies, sophisticated harmonies, and intricate rhythmic inventions with a soulful and unerring sense of swing at the core. From the relaxed groove of the opening title track to the hard-charging finale "Nineteen Bars" the Quintet delivers their swan song with style.
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After debuting atop the charts in numerous countries with his third album, The Show, Niall Horan returns with The Show: The Encore – a deluxe edition featuring nine bonus tracks. Horan collaborates with Lizzy McAlpine on a new version of “You Could Start A Cult” and teams up with John Legend to reimagine the album’s title track. The collection also includes new live recordings from the Electric Picnic festival and Spotify Studios, plus alternate versions from Niall’s Vevo Extended Play session.
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The quartet of unlikely lads have gathered from their newfound homes in France, Denmark, Margate and London to solder a strongest-ever internal bond and scale new creative heights. ‘All Quiet On The Eastern Esplanade’ began its formation in September 2022 when Pete and Carl traveled to Port Antonio, Jamaica. Away from any distraction, the chemistry between the infamous songwriting duo began to bubble in earnest. The album was produced by Grammy-nominated producer Dimitri Tikovoï (The Horrors, Charlie XCX, Becky Hill) and recorded at the Albion Rooms in Margate over four weeks during February and March 2023. Mastered by industry legend Dan Grech (Lana Del Rey, Liam Gallagher, Paul McCartney). Indie Exclusive Clear LP.
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Alice In Chains

Jar of Flies [LP]

Vinyl: $22.98 UNAVAILABLE

Alice in Chains’ acclaimed Jar of Flies is being reissued in celebration of its 30th anniversary.  The EP made history as the first of its format to debut at No. 1 on the Billboard 200 in its first week of sales.  Hit tracks like "No Excuses," "I Stay Away," and "Nutshell", extended the group's popularity.

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Fletcher - "In Search Of The Antidote" / Fletcher returns with sophomore album, In Search Of The Antidote, detailing the journey of finding the antidote in life and the many forms it can take. Through singles like "Eras Of Us," "Lead Me On" and more, Fletcher shares the different realizations, ego deaths, personal rebirths and more, that encompass what it means to be on a true soul search. She shows both the beauty and brutality of what it means to be a human being on an ever- evolving quest back to one's own heart. Indie Exclusive LP pressed on light blue vinyl with an art card included. Limited Edition.
Fletcher - In Search Of The Antidote [Indie Exclusive Light Blue LP]
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One of the hardest working singer-songwriters in the game is named Katie Crutchfield. She was born in Alabama, grew up near Waxahatchee Creek. Skipped town and struck out on her own as Waxahatchee. That was over a decade ago. Crutchfield says she never knew the road would lead her here, but after six critically acclaimed albums, she's never felt more confident in herself as an artist. While her sound has evolved from lo-fi folk to lush alt-tinged country, her voice has always remained the same. Honest and close, poetic with Southern lilting. Much like Carson McCullers's Mick Kelly, determined in her desires and convictions, ready to tell whoever will listen.

And after years of being sober and stable in Kansas City - after years of sacrificing herself to her work and the road - Crutchfield has arrived at her most potent songwriting yet. On her new album, Tigers Blood, Crutchfield emerges as a powerhouse - an ethnologist of the self - forever dedicated to revisiting her wins and losses. But now she's arriving at revelations and she ain't holding them back. Produced by Brad Cook, the album features MJ Lenderman, Phil Cook, and Spencer Tweedy.

Waxahatchee - Tigers Blood [Indie Exclusive Limited Edition Tigers Blood Clear Red LP]
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One of the brightest young luminaries in roots music today, Sierra Ferrell brings a dose of beautifully strange magic to everything she touches. On her new album Trail Of Flowers, brought to life with producer Eddie Spear (Zach Bryan, Brandi Carlile, Chris Stapleton) and additional production by Gary Paczosa (Alison Krauss, Dwight Yoakam, Gillian Welch) she expands her sound while deepening the urgency of her songs, often revealing a wealth of wisdom within her wildly imaginative storytelling.
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Gary Clark Jr.’s forthcoming album entitled JPEG RAW, his fourth studio release,
marks a grand step in his musical evolution…. A powerful and expansive artistic statement.

While retaining the deep and true resonance of his blues foundations and guitar virtuosity with subtlety yet conviction, he reaches well beyond this time.

The emphasis here is on song and studio craft without losing the rawness of his young legend. (Rolling Stone Magazine called him, The Chosen One).

The music is dense and adventurous with a more cohesive synthesis of his eclectic musical  palette.  Hip samples, Thelonious Monk and Sonny Boy Williamson decorate flourishes of African,  World Music, even Jazz while merging with blues , rock, R&B and rap; familiar areas he has ventured before, this time with more unity forging a fresh new style.  Clark’s lyrics are  pointed, deeply personal, outspoken and socially conscious with occasional forays into  rap and spoken word from Clark himself.  The sonics are immersive verging on modern groove-oriented psychedelia with hip-hop driven beats in verses giving way to anthemic choruses, rich with power-chording and wide fuzz riffage.

Songs like “Maktub”, “JPEG RAW”, “This Is Who We Are”, “Hyperwave” and the epic 10-minute Habits, break fresh ground defying categorization in the ever corporatized, predictable “alt” music world.  The co-written Stevie Wonder duet, “What About The Children” feels like an immediate classic that could have lived on Innervisions or Talking Book if not for Clark’s fuzzed out riff and hip-hop pocket.

Clark has always had swagger and sex in his sound and very dangerous hands when wielding 6 strings. JPEG RAW is all of that and breaks new ground that is both thrilling and inspiring on every level.

Gary Clark Jr. - JPEG RAW [Indie Exclusive Bone Color 2 LP]
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LP pressed on Opaque Yellow vinyl and includes an autographed insert! The follow-up to Aoife O'Donovan's 3x Grammy nominated album, Age of Apathy, All My Friends is based around a collection of songs Aoife wrote, inspired by women’s suffrage and the passage of the 19th amendment. The music is expansive with orchestral arrangements, choral vocals and a variety of instruments that create a sonic soundscape beyond anything Aoife has done in the past. Special guests include Anaïs Mitchell, Sierra Hull, The Westerlies, The Knights and the San Francisco Girls Choir.
Aoife O'Donovan - All My Friends [Opaque Yellow LP, Alternate Cover Image, Autographed Insert]
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New York singer-songwriter Odetta Hartman's 2015 debut mini-LP 222 and 2018's Old Rockhounds Never Die, saw her touring her unique performance style - part Jack White rock and roll folk blues, part electronic experimentations - with the likes of Let's Eat Grandma, Cosmo Sheldrake and Skullcrusher. Odetta's long-awaited second album, Swansongs, showcases her strongest set of songs to date. Another fever dream of a record, it includes the experimental pop of "Goldilocks", the dramatic string lead "Dr No." and her radical re-working of the traditional "Motherless Child"; first made famous by her namesake Odetta. Equally inspired by AG Cook's Apple and New Orleans traditional jazz, the musical mixology of these songs spans various genres of folk, americana, pop, punk, soul, ambient and spiritual. Lyrically, it tenders the tension of two truths in opposition through it's inquisition of the interplay between fear and desire. Dichotomy is at the heart of this deep exploration into shadow work, mythological musings, healing frequencies, eclectic expressions, and the art of sculpted sound. Swansongs is a dynamic and powerful reflection of love and ambition; hopeful, energetic and at times chaotic but always captivating.
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Over the last couple of decades, Charlie Parr has crisscrossed the world on tour more times than one can count. He also has released over a dozen albums of his songs, acclaimed for their poetic simplicity. Little Sun, his most ambitious album to date, was recorded with Tucker Martine (The Decemberists, Sufjan Stevens, My Morning Jacket) and features Parr augmenting his raw and affecting songs with stunning full-band arrangements. The remarkable backing band here includes Marisa Anderson, Victor Krummenacher, Andrew Borger, and Asher Fulero. Masterfully channeling the philosophical and transcendental qualities of the blues, Parr takes us on a journey through the winding streets of his imagination.
Charlie Parr - Little Sun [180 Gram]
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Symphonic metal vikings Leaves' Eyes have always played in a league of their own. Whoever saw one of their elaborate music videos or one of their spectacular live shows with breathtaking stage scenery, can vouch for that. With their new album "Myths of Fate" they are back stronger than ever with a new musical monument. You can expect captivating symphonic metal with ethereal melodies, powerful vocals, epic tales and rich instrumentation. On March 22, 2024 "Myths of Fate" will be released in several limited vinyl variations, as limited 2CD ear book, limited 2CD digipak and digital.
Leaves' Eyes - Myths Of Fate [Limited Edition Blue/Black Splatter LP]
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New Blue Sun is the continuation of discovery for me. My entire career has been fueled by this and it is the only thing that keeps me honest. This album is the most honest and interesting offering I can give today. I never could have imagined in high school, when I started rapping and doing music that I would be here right now playing wind instruments. Ha. This life ride always surprises me. I’m here for it.” — Andre 3000

This limited edition 3-LP vinyl is pressed on 180g black vinyl with fold out poster, printed inner sleeves and note from the artist.

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Marking 40 years of The Jesus And Mary Chain, ‘Glasgow Eyes’ was recorded at Mogwai’s Castle of Doom studio in Glasgow, where Jim and William continued the creative process that resulted in their previous album, 2017’s ‘Damage and Joy’, becoming their highest charting album in over twenty years. What emerged is a record that finds one of the UK’s most influential groups embracing a productive second chapter, their maelstrom of melody, feedback and controlled chaos now informed more audibly by their love for Suicide and Kraftwerk and a fresh appreciation of the less disciplined attitudes found in jazz. Jim Reid says, “But don’t expect ‘the Mary Chain goes jazz.’ People should expect a Jesus and Mary Chain record, and that’s certainly what ‘Glasgow Eyes’ is. Our creative approach is remarkably the same as it was in 1984, just hit the studio and see what happens. We went in with a bunch of songs and let it take its course. There are no rules, you just do whatever it takes. And there’s a telepathy there - we are those weird not-quite twins that finish each other’s sentences.” ‘Glasgow Eyes’ not only extends The Jesus and Mary Chain's story, but feels simultaneously like a return to roots. From the incendiary ‘Psychocandy’ debut and its classic ‘Just Like Honey’ onwards, the Reid brothers steadily became the misfits who made good without compromise.

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“I felt so much love and inspiration entering into motherhood that I just needed to create something really powerful,” explains Samantha Poulter, the Berlin-based DJ and producer, who grew up in the Sydney suburbs and better known to fans as Logic1000. That vitality and renewed sense of purpose is captured on her debut album Mother. The 12-track set is a laser-focused “love letter to house music,” written in collaboration with her husband and long-time creative partner Thom McAlister.

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All Now emerges from a period of chaos for the band that was followed by a period of enforced quiet. The Staves released their third album, Good Woman, in February 2021; it was an album of love and loss, written during a disconcerting period of turmoil and pain. “There was a delayed reaction to trauma and these big changes out of your control,” says Jess of the period that came after Good Woman, as the band—like the rest of us—were forced to sit with their thoughts. 

The Staveley-Taylors were also still processing the death of their mother and other seismic changes: Emily took a backseat on this album (while still contributing vocals on a handful of tracks) to focus on motherhood, while Camilla reckoned with her own mental and physical health issues, including chronic pain and a series of operations due to endometriosis, which began to take an increasing toll.

Struggling after two years of deep solitude and pain following the release of Good Woman, The Staves did what they know how to do best: they got back to writing with the idea of going back to basics and focusing almost solely on each other and their guitars as a starting point.

It began with Jess, navigating this new landscape by harnessing her creativity on her own, at first in the studio in Hackney at the end of 2022, then slowly luring Camilla back to the next chapter of The Staves, before reaching out to Congleton, who the band had worked with on Good Woman.

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"Recent years brought about for Julia Holter an existential focus on human connection, amid the staggering change that came with the death of loved ones (including her young nephew, to whom the album is dedicated) and the birth of her daughter. On Something in the Room She Moves, Holter vividly processes the complexity, gravity, and awe of this confluence of experience. She calls the music “sensual,” “flowing,” and “nocturnal”--a testament to how love, with all of its challenges, “reroutes neural pathways.” The cover art by Holter’s childhood friend, artist Christina Quarles, highlights the multiplicity of intimate connection: are the figures embracing or in battle?

The title Something in the Room She Moves came to Holter spontaneously as she was naming the Logic project file for an early demo. Coincidentally, a few months later, she found herself mesmerized by the eight-hour cinéma-vérité Beatles documentary Get Back in 2021. Her titular phrase flips the gaze of the Beatles lyrics (“Something in the way she moves…”); the woman is no longer passively observed, but actively augmenting space. Holter has loved the Beatles since childhood, but sees the title less as a tribute than as a semi-surreal bit of automatic writing from her subconscious.

After a string of dream pop albums that established her searching voice in independent music—from 2012 breakthrough Ekstasis to Loud City Song and Have You in My Wilderness—Holter released the thrillingly experimental Aviary in 2018. Since then, she has scored films like Never Rarely Sometimes Always, performed a commissioned live score for The Passion of Joan of Arc with the Chorus of Opera North, and collaborated with her partner, Tashi Wada, who plays on her new album. Something in the Room She Moves is a remarkable progression in Holter’s oeuvre, synthesizing her free, improvisatory energy with her signature eloquence."

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Everything I Thought It Was is the highly anticipated new album from multi-talented entertainer, recording artist, record producer, songwriter and actor Justin Timberlake. This is Justin’s sixth studio album, and includes the first single “Selfish,” a pop infused offering driven by its infectious melodies and features the star’s iconic soulful vocals.

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The music on Deeper Well, the seven-time Grammy winner’s fifth album, is almost chimeric. Rolling acoustic guitars, puffy clouds of strings and synth, warm bass punctuations, layered harmonies, moments of Celtic melody and plenty of room on the tracks for Musgraves’ silvery vocals. On the bright, almost folky title track, the 30-something songstress surveys her life and priorities, recognizing what feeds her, drains her and even examines the childhood she’s left behind on her way to now.

Saturn returns, cardinals embody a dead friend, love is given and taken, streets rush by, belongings are packed and old chapters deserted, new love blooms, jade bracelets serve as talismans, deep lessons emerge, small details define everything, the woods are a refuge and New York City serves as the same gleaming beacon as Oz.

Kacey Musgraves - Deeper Well [Indies Exclusive Transparent Spilled Milk LP]
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The Black Crowes are leaving the bullshit in the past. Fifteen years after their last album of original music, the Robinson Brothers present Happiness Bastards - their 10th studio album. Some may say the project has been several tumultuous years in the making, but we argue it's arriving at just the right time. Call it brotherly love or music destiny that brought them back together, the highly anticipated record consecrating the reunion of this legendary band just may be the thing that saves rock & roll. In a time where the art form is buried beneath the corporate sheen of its successors, The Black Crowes are biting back with the angst of words left unsaid penned on paper and electrified by guitar strings, revealing stripped, bare-boned rock & roll. No gloss, no glitter, just rhythm and blues at it's very best - gritty, loud, and in your face.

Since The Black Crowes reunited in 2019, they've made a triumphant return to form with over 150 shows spanning 20 countries worldwide, celebrating the 30th anniversary of Shake Your Money Maker, the album that put them on the map. Upon their return from the road, they knew they needed something new to show for their lost time. The Robinson Brothers and longtime bassist Sven Pipien headed to the studio with producer Jay Joyce in early 2023 and the experiences of years past transcribed themself through the music as the band found their way back to their roots. And it's finally here - Happiness Bastards is out March 15, 2024.

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MUNA’s sophomore album, Saves The World has been reissued on vinyl due to popular demand. The album delivers the alt-pop anthems fans know and love including hits like “Number One Fan” and “Stayaway". Rolling Stone called it a “mastery of pop songcraft” and Pitchfork named it “pristine pop.”

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The cheekiest band in the land is back with ROCKMAKER. Recorded at their studio gone funhouse The Odditorium in Portland, OR, the “Bohemian Like You” and “We Used To Be Friends” hitmakers get heavy amidst apocalyptic moods. Accompanied by guests Debbie Harry, Slash, and Pixies’ Frank Black, ROCKMAKER is the Dandy’s most succinct album yet, at no sacrifice to their outré leanings. 

The Dandy Warhols - Rockmaker [Indie Exclusive Limited Edition Black & Clear Color-In-Color LP]
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Tierra Whack is a premiere rapper, musician and visual artist who is returning to the scene after a two-year gap in new releases. With collaborations with artists such as Beyoncé, Alicia Keys and Lil Yachty, Tierra has become a force to be reckoned with in the music industry. Her highly anticipated debut album, WORLD WIDE WHACK, is a follow-up to her critically acclaimed visual EP, Whack World. Tierra collaborated with fellow Philly native, conceptual artist, Alex Da Corte, on the visuals, artwork and creative elements of this album. Silver LP.

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Daniel Boeckner understands the grit and gravel that accumulates in the heart and that it takes an unwavering courage to crack through that clutter and burrow to the other side. And in Boeckner’s hands, that quest comes via post-apocalyptic synth and guitar heroism, a rallying cry for those always coming home through the scorched clouds. Throughout his work with Wolf Parade, Handsome Furs, Divine Fits, Operators, Atlas Strategic, and more, the iconic Canadian indie rocker recognizes that few feelings are more gratifying—more memorable, more generative, more abundant—than hope. But it takes getting the hell out of your own way. A culmination of that deep library of musical reference, Boeckner is set to release his first album under his own name: Boeckner!

No matter where his genre exploration has taken him, there’s something about growing up in punk and DIY spaces that puts collaboration in Boeckner’s blood. Composed of a collection of intimately familiar elements, Boeckner! elicits the same thrill of young passion and discovery. It’s a jet-powered chase through a tech-noir cityscape—fueled by a dream and that special someone in the passenger seat.

That urgency and passion have always been a trademark of Boeckner’s, and writing on his own pushes those feelings further into the center of the scope. But while Boeckner may be the clear driving force behind the album, he’s not without collaborators for his solo debut. After meeting producer Randall Dunn while contributing to the soundtrack to the Nicolas Cage-starring psychedelic horror film Mandy, Boeckner knew he’d found the perfect counterpart for his solo debut. “I’d been a fan of his forever, especially the Sunn0))) records he produced,” Boeckner says. “Working with Randall really unlocked some suppressed musical urges, things that I enjoy in my private life but don’t normally weave into what I’m releasing—like occult synth, pseudo-metal, krautrock, and heavy psych influences.”

That base allows Boeckner to thoughtfully weave between emotional imagism and more grounded storytelling. Throughout the record, his imagery delves into science fiction, but it’s charged first and foremost by experience. The trio of Boeckner, Dunn, and drummer Matt Chamberlain (Pearl Jam, David Bowie, Fiona Apple) formed a sort of dark engine for the album, and Chamberlain’s ingenious approach of triggering a vintage Arp synthesizer simultaneously with each drum track helped Boeckner shape the record’s atmosphere. That tense futurism was influenced by Boeckner’s time staying in Dunn’s Circular Ruin studio, a dusky, electronic aura burned into every track.

By the end of the album, Boeckner! eases from sci-fi epic into something more akin to a torched VHS copy of a John Cassevetes film, the chemtrails and nuclear fallout fading long in the distance. Like all good sci-fi, the emotion and pain hits home for the author and listener alike, and the genre flourishes bolster the human experience. In revealing more than ever before, Boeckner! ratchets up the musical intensity to unforeseen levels and hopes to find some peace at the end of the journey.

Boeckner - Boeckner! [Limited Edition Orange LP]
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In such turbulent times it's important to stand closely together as humanity instead of fighting each other. That's exactly what the new Firewind album 'Stand United' is about! In addition to societal problems and environmental issues, which are the main topic in ten new tracks, we are expecting the strongest masterpiece of band history. In line with the new release, the band around ex Ozzy Osbourne guitarist Gus G. and vocalist Herbie Langhans (formerly Avantasia) will spread their message of 'Stand United' all over Europe in spring 2024. Combined with MASTERPLAN they will play a big co-headliner tour, among Germany, France, Spain, Sweden and many other countries. 'Stand United' will be released on March 1st, 2024 - available as several limited splatter and marbled vinyl variations, CD digipak and digital version. Also available as Digipak CD.
Firewind - Stand United [Limited Edition Trans Natural/Black Marble LP]
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Ariana Grande -"eternal sunshine " Republic Records; Republic Records; Pop Version Title: [Ruby LP] EXPLICIT
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Visions is a vibrant and joyous 12-song set that finds Jones singing about feeling free, wanting to dance, making it right, and acceptance of what life brings. It’s the yang to the yin that was Pick Me Up Off The Floor, Jones’ last album of new original songs which was released early in the pandemic lockdown of 2020 and foreshadowed many of the dark emotions of that period. Indie Exclusive "Sun-kissed" Orange Blend LP. Alternate Cover Art.
Norah Jones - Visions [Indie Exclusive Limited Edition Orange Blend LP Alternate Cover LP]
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Bleachers return with their self-titled new album, via Dirty Hit. The album is Jack Antonoff’s distinctly New Jersey take on the bizarre sensory contradictions of modern life, on his position in culture, and the things he cares about. Sonically, it’s sad, it’s joyful, it’s music for driving on the highway to, for crying to and for dancing to at weddings. There’s something reassuringly touchable and concrete about its sentiment: exist in crazy times but remember what counts. Vinyl variants include 4 bonus tracks. Indie Exclusive Blue 2 LP.
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Legendary musician and multi-disciplinary artist Kim Gordon returns with her second solo album, The Collective, which will be released March 8th on Matador. Recorded in her native Los Angeles, The Collective follows Gordon’s 2019 full-length debut No Home Record and continues her collaboration with producer Justin Raisen (Lil Yachty, John Cale, Yeah Yeah Yeahs, Charli XCX, Yves Tumor), with additional production from Anthony Paul Lopez. The album advances their joint world building, with Raisin’s damaged, blown out dub and trap constructions playing the foil to Gordon’s intuitive word collages and hooky mantras, which conjure communication, commercial sublimation and sensory overload.

"On this record, I wanted to express the absolute craziness I feel around me right now," says Gordon. "This is a moment when nobody really knows what truth is, when facts don’t necessarily sway people, when everyone has their own side, creating a general sense of paranoia. To soothe, to dream, escape with drugs, TV shows, shopping, the internet, everything is easy, smooth, convenient, branded. It made me want to disrupt, to follow something unknown, maybe even to fail."

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Luke Grimes

Luke Grimes

CD: $11.99 UNAVAILABLE
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Luke Grimes self-titled debut album on Mercury Nashville features 13 tracks, including “Burn,” “Hold On,” and “Oh Ohio.” Known for his role as Kayce Dutton on the hit television series Yellowstone, Grimes has been making music for years. He closed out 2023 with a sold-out tour after playing fairs and festivals around the country, including Stagecoach, Pilgrimage Music & Cultural Festival, Under The Big Sky Festival, and more. Grimes grew up playing music in church as the son of a Pentecostal pastor. His father also laid the foundation for the music he loves, introducing him to the works of Johnny Cash, Merle Haggard, Willie Nelson and Waylon Jennings.

Luke Grimes - Luke Grimes
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Invincible Shield is the nineteenth studio album by British heavy metal band Judas Priest. Announced onstage at Power Trip festival in California, the new record marks the band's first release in 6 years, having recently celebrated 50 years in music and 50 million records sold. Judas Priest is Rob Halford, Ian Hill, Glenn Tipton, Scott Travis and Richie Faulkner. This 2-LP independent retail exclusive is pressed on red vinyl.
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Moor Mother is an American musician, poet, and interdisciplinary artist known for her avant-garde and experimental work. The Great Bailout is an expansive meditation that acts as a non-linear word map about colonialism, slavery, and commerce in Great Britain. Featuring guest contributions from Lonnie Holley, Angel Bat Dawid & Sistas of the Nitty Gritty, Vijay Iyer, Mary Lattimore, and more, it’s Moor Mother’s most uncompromising vision to date.

Moor Mother has gained recognition for her unique blend of spoken word, noise, and electronic music, addressing themes of race, gender, and socio-political issues. She hails from Philadelphia and has been an influential figure in the city’s vibrant arts and music scene. She has received critical acclaim for her albums, with reviewers praising her fearless approach to sound and her thought-provoking lyrical content on albums like “Jazz Codes” and “Analog Fluids of Sonic Black Holes”, showcasing her boundary-pushing sonic experiments.

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Following acclaimed Topical Dancer album with Charlotte Adigéry, here comes Letter To Yu, Bolis Pupul’s debut solo album, produced by fellow Belgians, Soulwax. It’s no coincidence that Bolis Pupul’s music sounds the way it does. Born in Belgium to a Chinese mother and Belgian father and raised in Ghent, Bolis’ electronica is a joyous cross-cultural assemblage. The creation of the album is built around Bolis’ trip to Hong Kong earlier this year, made to reconnect with his mother’s roots.

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Pissed Jeans has never been a band that goes halfway—they’re known for their feral vocals, biting lyrics, buzzsaw guitars, and unhinged live shows, and their sixth album, Half-Divorced is no exception. These songs skewer the tension between youthful optimism and the sobering realities of adulthood, and when viewed through frontman Matt Korvette’s scowl, everything takes on a level of violent absurdity.

Pissed Jeans’ notorious acerbic sense of humor remains sharper than ever as they dismember some of the joys that contemporary adult life has to offer, from helicopter parents to stolen catalytic converters to being $62,000 in debt. On “Seatbelt Alarm Silencer,” Korvette growls, “Call it a death drive but that ain’t fair / Drive implies I’m headed somewhere.”

Korvette, Brad Fry (guitar), Randy Huth (bass), and Sean McGuinness (drums) weren’t in any rush to finish Half-Divorced, which was recorded by Don Godwin at Tonal Park in Takoma Park, Maryland. “We’re not the kind of band that bangs out a new record every two years,” Korvette said. “Pissed Jeans is truly like an art project for us, which is what makes it so fun.” This lack of restraint rages within the songs that unexpectedly veer into classic hardcore punk territory—often coming in at under two minutes long and erupting like the “butane tank explosion” Korvette sings about in “Junktime.”

In the last song, “Moving On,” Korvette sneers, “Cheesing into my camera phone / Pretending that I’m not alone / Life’s the first thing that we all postpone.” One gets the sense that Pissed Jeans refuses to “postpone” life in quite the same way—life, like art, is something that happens now, not later.

Pissed Jeans - Half Divorced [Limited Edition Spotify Green LP]
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Liam and John have been friends for years but when Liam invited John to join him on stage at Knebworth in 2022 it reignited a long-running ambition of writing and recording an album together. The demos were written at John's home studio in Macclesfield and then recorded with legendary producer, Greg Kurstin and mixed by Spike Stent. Joey Waronker (Atoms for Peace, Beck, R.E.M.) plays drums on the album.

Liam Gallagher & John Squire - Liam Gallagher & John Squire [Indie Exclusive White Vinyl]
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180G TRANSLUSCENT TAN VINYL. Throughout their career, Caravan Palace has consistently defied musical conventions and genres, forging their unclassifiable, hybrid pop signature sound. Embraced by multiple communities (dancers, gymnasts, gamers, video animators...) who turned their songs into viral hits, the group has achieved enormous success, accumulating several billion streams across all platforms as well as an RIAA Platinum Certified Single with "Lone Digger". Their idiosyncratic soundscapes achieve the rare feat of being both leftfield and commercial.Gangbusters Melody Club, their fifth album is a joyous jigsaw puzzle of an album and their most dancefloor-friendly to date. The aim of the band was to stay streamlined, yet the trio pack more influences than ever before into their elegant earworm songs. The jazz and swing for which they became famous over a decade ago is back with a bang, alongside their love of House, Electronica and Big Beat. But don't be deceived by the infectious nature of the new songs, however. Dig deeper and you'll find that they're not what they seem on the surface. Underneath it's hypnotic mix of soul, swing, freaky funk, and French Touch, you'll find a complex, yet inspiring, narrative about jealousy, self-acceptance and confidence. Just like it's title, this is an album that's both funny and vintage, a club that is both a welcoming dance floor and a secret society.
Caravan Palace - Gangbusters Melody Club - Tan [Colored Vinyl] [180 Gram]
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Faye Webster’s songs are direct lines to the human subconscious, and Underdressed at the Symphony documents what happens once you begin to build a new self from the ashes of your old routines. This rebirth isn’t flashy or definitive, but is instead a series of seemingly mundane moments that, scattered across weeks and months, sneak their way toward something like healing. Yes, there’s a breakup in play, but Webster is not documenting the heartbreak of a breakup so much as she’s navigating the contours of heartbreak itself.

Recorded at Sonic Ranch Studios in Texas with her longtime band, Webster is accompanied on Underdressed at the Symphony by Matt Stoessel’s arcs of shimmering pedal steel, the plaintive, unhurried drums of Charles Garner, and, occasionally, additional guitarwork from Wilco’s Nels Cline, among many other crucial players. The title of the album refers to Webster’s post-breakup compulsion to visit the symphony on a whim, usually buying a ticket at the last possible second. “Going to the symphony was almost like therapy for me. I was quite literally underdressed at the symphony because I would just decide at that moment that that's what I wanted to do,” she says. “That's what I felt like I needed to hear. I got to leave what I felt like was kind of a shitty time in my life and be in this different world for a minute.”

That strain of lightheartedness with a melancholic backbone permeates the album, and is the major driving force behind “Lego Ring,” which features Atlanta multi-hyphenate Lil Yachty, the only guest voice on the entire album. Yachty’s ghostly warble floats just under Webster’s voice, jabbing through empty space, trembling over a low rumble of bass. The song is also a sort of release—a buoyant moment that cuts through the sadness. “I think I hit a point in songwriting during this record where I was just like, man, I said a lot.” Webster says. “I'm just going to sit down and sing about this ring that I really want. ”Like the rest of the album, Webster isn’t providing answers, nor is she on some epic journey of healing and self-care. Instead, she’s choosing to just live, to document heartbreak and ridiculous moments right next to each other, until they start to blur together, becoming real enough for us all to feel.

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Mannequin Pussy’s music feels like a resilient and galvanizing shout that demands to be heard. Across four albums, the Philadelphia rock band that consists of Colins “Bear” Regisford (bass, vocals), Kaleen Reading (drums, percussion), Maxine Steen (guitar, synths), and Marisa Dabice (guitar, vocals) has made cathartic tunes about despairing times. “There’s just so much constantly going on that feels intentionally evil that trying to make something beautiful feels like a radical act ,” says Dabice. “The ethos of this band has always been to bring people together.”

Their new album, I Got Heaven, which is out March 1 via Epitaph Records, is the band’s most fully realized recording yet. Over ten ambitious tracks which abruptly turn from searing punk to inviting alternative pop, the album is deeply concerned with desire, the power in being alone, and how to live in an unfeeling and unkind world. It’s a document of a band doubling down on their unshakable bond to make something furious, thrilling, and wholly alive.

Following the 2019 release of their critically acclaimed third album Patience, Mannequin Pussy returned in 2021 for their EP Perfect. They toured that release relentlessly and added guitarist Maxine Steen to the band’s official lineup. The band changed their entire creative formula, choosing to write together in the studio in Los Angeles with producer John Congleton , over slowly crafting tracks at home. “Everyone felt empowered to speak up about their own ideas to make this thing the best it could possibly be,” says Regisford.

Mannequin Pussy - I Got Heaven [Indie Exclusive Limited Edition Speciality Clear W/ Black Smoke LP]
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Playing Favorites is Sheer Mag’s third full-length and first with Third Man Records, the band capitalize on a decade’s worth of devotion to their own collective spirit—a spirit refined in both the sweaty trenches of punk warehouses and the larger-than-life glamour of concert halls—emerging with a dense work of gripping emotions, massive hooks, and masterfully constructed power-pop anthems. This is the record the Philadelphian rock and roll four-piece has always been destined to make. 

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Where’s My Utopia? is the follow-up to the Leeds band’s critically acclaimed debut record, The Overload, which arrived in January 2022. The new album is a co-production between Yard Act and Gorillaz member Remi Kabaka Jr. The album is out March 1, 2024, and features lead single “Dream Job,” which is out now. Indie Exclusive Orange LP with sticker sheet insert included.
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KULA SHAKER's new album 'Natural Magick' finds the band harnessing the power to cast their most potent spell yet, incorporating blazing psychedelic sermons, raga rave-ups, stardust-coated pop pearls and mood-enhancing mantras. "This chapter in the band's life is very much driven by live energy and that spiritual connection with the audiences which comes with it. We all agreed that the songs should be no longer than three minutes. There are no epics." (says Crispian) Reformed permanently in 2021 due to the return of keyboard wizard Jay Darlington, reuniting all four members of the band's classic line-up for the first time since 1999.The band became UK chart-toppers with 1996's debut album 'K' and '99's follow-up 'Peasants Pigs & Astronauts' saw them push the creative envelope prior to their premature dissolution. Having made a welcome return in 2007 with the self-funded 'Strangefolk', Kula Shaker have built towards the sonic summit.

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Expanded 40th anniversary edition of Violent Femmes' self-titled debut featuring the remastered album, plus B-sides, live sessions, and rare demos. Housed in a lift-top box with die-cut darkened window detail revealing the box contents, the set includes three 180-gram LPs plus a replica 7" single, along with a book featuring new liner notes by journalist David Fricke and interviews with the band. Includes the classic anthems “Blister in the Sun,” “Please Do Not Go,” “Gone Daddy Gone,” and “Add It Up.”

        
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