Dreamland marks the first album from the Oxford quartet since drummer Joe Seaward was severely injured in 2018 riding his bike in Dublin. “The idea for this album came at a time of confusion and uncertainty,” frontman Dave Bayley explains. “My best friend was in the hospital. I didn’t know if he’d make it. The future was damn scary and completely unknown.”

“Deep Purple is putting the Deep back into Purple” was the half-joking motto in the studio after the first songs made it clear that the band and three-time collaborator/producer Bob Ezrin were on their path to creating an album pushing the boundaries of time, while voicing their resentment about the current situation of the world and addressing all generations.

Brighter, more robust sounds made their way into the songs of Purple Noon and mark a new chapter for Ernest Greene as a producer and songwriter. The vocals are front and center, tempos are slower, beats bolder, and there’s a more comprehensive depth of dynamics. One can hear the luxuriousness of Sade, the sonic bombast of Phil Collins, and the lush atmosphere of the great Balearic beat classics.

To commemorate the 20th Anniversary of his debut album, A New Day Yesterday, Bonamassa is releasing a newly re-mixed and re-recorded version. Joe re-sang all the vocals over and played new guitar tracks on some songs. Includes 3 bonus tracks written by Stevie Van Zandt and Joe which were demos from the 90's that never made it on to any records. Never heard before vintage Joe!

Flaming Pie is the 13th release in the Paul McCartney Archive Collection, personally supervised by McCartney and remastered at Abbey Road Studios. Originally released in 1997, the critically acclaimed & universally beloved solo album was produced by Paul, Jeff Lynne, and George Martin, featuring a supporting cast of family and friends including Ringo Starr, Steve Miller, Linda McCartney, and son James.

Barely a year after the release of their acclaimed debut album Dogrel, Fontaines DC have returned with an intensely confident, patient, and complex sophomore album. A Hero's Death arrives battered and bruised, albeit beautiful - a heady and philosophical take on the modern world, and its great uncertainty.

After undergoing open heart surgery that saved his life, Crockett says he considered calming down for “just a minute.” Welcome to Hard Times was shaped by his heart issues and producer Mark Neill’s desire to make a dark, gothic, country record. “I think you can hear that deep, dark sadness in this record,” he says, “but I think it’s the kind of darkness that will uplift others.”

The groundbreaking British band’s eighth studio album and first new album in nearly three decades sees the band returning to the fray as relevant and original as ever before, fueled by their innovative sonic approach of distinct, desperate wall of sound, melding haunting melodies and driving rhythms with ambition, aggression, and subversive lyrical power.

A decade after debuting on Matador, Spoon's first album Telephono and follow-up EP Soft Effects have been brought back into print by Merge, reminding us that while the band's taut rhythms, spiky guitars, and jaded urbanity have always been with them, the starkly gestural rock they perfected on later efforts was only attained by a gradual paring away of excesses.

Pop Smoke's legacy continues with posthumous debut album, Shoot For The Stars.... Features include Quavo, 50 Cent, Roddy Ricch, Lil Baby & more. True to the intentions of showing the breadth of his artistry on "Got It On Me", fans will discover a new side of Pop Smoke, stepping outside of the Brooklyn drill sound that he brought on a global scale.

Mondo Cozmo does not regret putting his fist through that window while crafting his second LP. In the aftermath, he learned how to “Say no,” departed amicably from the major label system, “taped a fucking pick to his cast” in order to play guitar, lost feeling in the aforementioned hand for two years, and wrote the rock ‘n’ roll record he always meant to write.

Produced over the course of two years, Yaeji started writing with no specific narrative in mind. Through that freedom, melded in cozy and laidback production, the album spans a wide range of sounds, including the Korean indie rock and electronica that she listened to as a teenager in Seoul, and late ’90s and early 2000s hip hop and R&B she grew up listening to.

Since breaking through with her first two Eps, Arca’s created an unprecedented body of work drawing from club music, experimental noise, and the ballad tradition of her native Venezuela, while reaching beyond music to encompass performance, visual art, and technology. For KiCk i, Arca pursues pleasure, dignity, and dance floor liberation by refracting club music, reggaeton, and pop through her radical vision.

After a legendary career as the enigmatic frontman for Pulp, and a successful run of solo albums and collaborations, Jarvis Cocker debuts his first new full length album since 2009 with musical project JARV IS... an ongoing live experience because life is an ongoing live experience. This is not a live album. It's an alive album.

In a departure from the nuanced introspection of her previous work, Fetch the Bolt Cutters is Fiona Apple’s fifth studio album and her first in eight years since 2012’s The Idler Wheel. It’s the sound of a woman freeing herself from the constraints of form, expectation, and establishment — burning everything down to make a profoundly singular work unlike anything that’s ever existed.

Known for their stellar synth-pop melodies, and relatable lyrics about love, loss and everything in-between, pop quartet The Aces have gained worldwide popularity since their 2018 debut album, When My Heart Felt Volcanic. They describe the new record as a "whole new chapter" for them –– an "an exploration" that deepens their previously established feel-good sound.

The intimate collection of songs featured on Manos’ debut EP has been described as raw and deeply personal. The artist explained, “If it feels like looking in on something private, it is”. The New York Times called “Tennessee,” first single, “An electronic lament, Auto-Tuned and steeped in James Blake and Frank Ocean.”

While the Gentlemen’s sound is clearly steeped in the classic roots, rock and pop music of the ‘60s and ‘70s, there’s a dreamy, spacey, and occasionally progressive element. Add in elements of funk, soul, country, r&b, southern rock, gospel and you have more than just a mere album. Rather, Floor It!!! is a rich and righteous ride.

While on a surface level, Species is an exploration of the sonic possibilities of the Farfisa organ, aided only by a clarinet and double bass, it’s a nod to both humanity and humility. It’s also about suspended time and trance; not just a steady movement from A to B, but as something that flows, meanders and eddies, like water.

The session for Just Coolin’ (March 8, 1959) finds The Jazz Messengers’ saxophone chair in transition. The band had last recorded in October 1958 when they cemented their place in jazz history with the classic album Moanin’ featuring Benny Golson on tenor saxophone. By July 1959, Blakey had recruited tenor saxophonist Wayne Shorter who would remain a fixture of the band until 1964.

Gaslighter (produced by Fun.’s Jack Antonoff) is the brilliant new album from the superstars, renegades, innovators, heroes, villains, and moms that have grown from a band into a cultural phenomenon. It’s their first new album since 2006's Taking the Long Way, which won five Grammy Awards including "Album of the Year," "Record of the Year," and "Song of the Year."