9. I'm Sorry, Baby, But You Can't Stand in My Light Anymore
10. Lifetime
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Produced and mixed by Mould in his new hometown of Washington D.C., the album is filled with Mould's experiences in relation to friends, lovers, the world at large and himself. It is honest and personal, his voice breaking on "Bad Blood Better," the electronic twitches of earlier work reappearing under signature blazing guitars on"MM17."