The new phase of Karol's musical journey continues with Mañana Será Bonito (Bichota Season) which features 10 new songs that celebrate the Bichota in all her empowered, free, and self-confident greatness. With her new album and an upcoming stadium tour this summer, Karol G proves that the Bichota is a force to be reckoned with, and she’s only just getting started

d4vd’s cannot be boxed into a specific genre. Just one year after beginning to make music in his sister’s closet in Houston, d4vd has delivered masterful nine-track project with familiar hits including “Romantic Homicide,” a grungy, guitar-driven breakup anthem, and “Here With Me,” a slow-building beachy ballad, and new tracks showcasing his inimitable sound.

The highly anticipated debut features 27 songs floating over hazy electric guitar lines with blends of surrealistic melodies and stylish soundscapes. As a part of his “Look Killa” alter ego, he embodied his character with a face mask that he creatively directed to align with the album’s story and specifically the vinyl packaging -- 3 LP set on translucent purple vinyl.

The drummer and composer reconvened his band Pentad featuring alto saxophonist Immanuel Wilkins, vibraphonist Joel Ross, pianist David Virelles, and bassist Dezron Douglas. Dedicated to Blake’s father and musical mentor, Passage captures the arc of personal and collective evolution: the passing from one phase into another.

PiL’s 11th studio album, End of World, encapsulates the band's signature experimental spirit while delving into contemporary themes with renewed vigor. The album's multifaceted soundscapes showcase a fusion of post-punk, electronic, and even industrial elements, creating an atmosphere that feels simultaneously nostalgic and forward-looking.

Written and recorded by Bingham in the wilderness of Montana, the haunting and evocative collection of songs seamlessly, guided by his signature poetic lyricism and soulful delivery, intertwine to capture a moment suspended in time, filtered through the stillness and echoes of the desolate surroundings in which they were created. Raw and intimate.

Improbably poignant and decidedly surreal, Here Lies Love is about the rise and fall of the Philippines' notorious Imelda Marcos. Composed by Byrne and Fatboy Slim and performed by a dream cast drawn from the worlds of indie rock, alt country, R&B and pop, including, Cyndi Lauper, Tori Amos, St. Vincent, Sharon Jones, Steve Earle and more.

Victory provides an insight into the soul-bearing vulnerability and supreme songcraft that Cian has demonstrated through his career. For him, it represents the culmination of a lifelong dream. But even more significantly, it represents a triumph in the face of insurmountable odds in which his mother’s selfless bravery, determination and support changed his future for the better.

Focusing on melancholic, emotional guitar-infused ballads, the ALLTY series has become a staple in Trippie’s discogrpahy – melding him into the superstar he is today. As the Ohio rapper puts it, “This is gonna be, if not the best body of music I’ve ever did, one of them, for sure. I’m not trying to be experimental with this project, just drop straight Trippie Redd hits.”

Religiously is an impactful blend of thunderous stadium anthems and introspective ballads from the gravel-voiced Illinois native. Amongst the polished production, however, there's a refreshing allegiance to traditional instrumentation and moments where Zimmerman truly excels, particularly in the more reflective, vulnerable offerings.

A collection of Garcia’s most beloved solo studio recordings and collaborations with Grateful Dead lyricist Robert Hunter. Contains 16 remastered recordings including “Sugaree,” “They Love Each Other,” and “Rubin & Cherise,” among others, highlighting the performances that helped enshrine the The Dead and Garcia in the Songwriters Hall of Fame.

These are insanely tight, bodybuilder-sculpted rock songs, and while Wolfgang Van Halen (son of Eddie) dresses each in his six-string wizardry it’s all commendably contained. Arguably, the music is so big that its best ideas get lost in the echo of its heavy footsteps, but Mammoth II remains, inarguably, a worthy follow-up to that equally muscular debut.

McCormick’s massive collection features never-before-heard performances not only from musicians who became icons in their own right—including Lightnin’ Hopkins and Mance Lipscomb—but also, crucially, performers whose names may be unfamiliar to even the most devoted blues fans and scholars. Spanning gospel, ragtime, country blues dirges and the unclassifiable music of George “Bongo Joe” Coleman.