Recorded live, Inside Problems is a rather less meticulous and more spirited band set that examines the questions that keep Bird awake at night, in songs shot through with ‘70s country rock, chamber pop, Appalachian folk and Tin Pan Alley eccentricity. Highlights include a sweety urgent “Fixed Positions” and the easy-swinging, VU-like “The Night Before Your Birthday”.

Fans of the GRAMMY-nominated six-piece can expect the same tight, wildly-funky instrumentals Lettuce has always been known for, but in the tightest form they’ve ever taken. And this time around, the guys have gotten the stamp of approval from one of the genre’s most legendary icons, Bootsy Collins, who lends his vocals on “Keep That Funk Alive.”

Throughout the 14 tracks, Post Malone takes us with him on his trials with fame, giving a glimpse into the irony of seemingly having it all, but feeling like nothing all at the same time. As Post explained, he wants the new songs to “speak more to how I’m feeling at the moment: the ups and downs and the disarray and the bipolar aspect of being an artist in the mainstream.”

Michael Franti has long been revered for his inspiring music, worldwide philanthropic efforts and the power of optimism. As equal parts musician and activist, Franti continues to offer opportunities for gratitude, solidarity and celebrating how we get through the greatest ups and downs of our lives with our body, mind and soul still in one piece. *Vinyl available 8/12*

On his ninth studio album, Matt Andersen has drawn from the best roots music has to offer over his decades-long career: down and dirty blues, heart-wrenching soul, life-affirming gospel, and introspective singer-songwriter balladry. These sounds, textures, and influences are laid bare on House to House.

This eclectic collection of masterfully crafted covers includes epic re-imaginings of classics like "Wind of Change" by the Scorpions, "Take a Chance on Me" by Abba, and "Beds are Burning" by Midnight Oil; and features collaborations with artists like Portugal the Man, Brandon Boyd of Incubus, Jewel, Beck & more.

A 16-song solo acoustic show from January 30th1971 at UCLA Royce Hall in Los Angeles. Recorded near the end of Neil’s solo tour of Canada and the US following the release of After The Gold Rush. It features Neil on vocals, guitar, harmonica and piano and is released as 1 LP and 1 CD, plus digital. Previously unreleased.

On August 6th, 2021 Killswitch Engage unleashed a streaming event that took fans by storm. The event took place at The Palladium in the band's native Massachusetts, which has been the site of many iconic KsE shows throughout the band's history. The setlist consists of 2019's Atonement album in full, with some fun and unexpected surprises along the way!

Riff-monsters Crobot conjures up the kind of rock 'n' roll that has grooves so powerful they throw you around the room and hooks high enough to shake the heavens. "This is the record we've been wanting to do ever since we started," exclaims vocalist Brandon Yeagley. If we can make you smile, we've done our job".

Having taken time out after the busy schedule surrounding their 2003 debut album Keep On Your Mean Side, The Kills returned with No Wow in 2005, a dark and brooding musical examination of the period in which New York's punk scene became its dance scene. This 2022 reissue features new mixes of the original album by Tchad Blake (Arctic Monkeys, The Black Keys, Sheryl Crow).

DBT’s 14th studio album, marks a sharp departure from the trenchant political commentary of their last three records. A reckoning with the dualities of the things that make you alive and how they sometimes can kill you. A life affirming flashlight for the dark nights of one’s soul. As they say in the title track, “Our glory days did kinda suck”.

As she has so eloquently accomplished over the past 25 years, Gauthier has used her art once again to traverse the uncharted waters of the past few years. Thankfully, amid dark storms of pandemic loss, she found and followed the beacon of new love: her gift to us, the powerful collection of ten sparkling jewels reflecting both love and loss.

Horsegirl expertly play with texture, shape, and shade across the record, showcasing their fondness for improvisation and experimentation. From elastic and bright post-punk to instrumental interludes with guitars smeared across the canvas like watercolors, and rough, blown-out pop charm to sharp edges and dark corners.

Drop Out Boogie captures a number of first takes that hark back to the stripped-down blues rock of their early days making music together in Akron, Ohio, basements. The duo welcomed new collaborators Billy F. Gibbons, Greg Cartwright, and Angelo Petraglia to the sessions, marking the first time they've invited multiple new contributors to work simultaneously on one of their own albums.

Soak’s brilliant melodies are on full display here. Lead single “Last July” features a masterfully off-kilter vocal set against swooning guitars, creating a lush pop song that wouldn’t be out of place in the end credits of a 90s coming-of-age film. Lyrically, it manages to be both playful and self-aware. The idea of identity is central to the record and lyrics are as deeply personal as they are universal.

Raw, sugary blast of distorted pop. The debut album from METZ guitarist and vocalist Alex Edkins contains all of his main band's bite with an unexpected, yet totally satisfying, sweetness. Imagine The Amps covering Big Star, or the gloriously hissy miniature epics of classic-era Guided by Voices combined with the bombast of Copper Blue- era Sugar-just tons of red-line distortion cut with the type of tunecraft that thrills the moment it hits your ears.

Two decades into their venerable careers, the death metal savants are back with their new record. Their seventh studio album is a riff-driven assault that captures the tension of the modern condition and channels it into 9 songs of ripping end-times death metal. Spewing with Orwellian invective and razor-sharp songwriting, Complete Control is a much-needed wake-up call for the disaffected and dispossessed.

Jordana's mission is simple: keep trying to be her, even when it's hard. So it's no surprise perseverance and self-discovery are central themes on her first album. "The album title has a few meanings to me. Mostly, it's about not giving up," says the 21-year-old polymath. "The wall can be anything in your way. The album is a sort of reminder to myself that I have to face those things, and I can't take the easy route and turn around."

Heavy Pendulum showcases everything that has long established Cave In as one of the best contemporary rock, hardcore, and metal bands since their monumental 1998 debut. From the driving tracks such as crushing opener "New Reality" to the metallic edge of "Blood Spiller", Heavy Pendulum sees Cave In look back at their discography and capture their most memorable, visceral, and forward-thinking moments.

Written by the band over the past two years it features 15 tracks including the anthemic, stadium-ready singles “Kick” and “Fire It Up”, with guest vocals from Alison Krauss on “This Guitar” and “Lifeless”. The album title references T. Rex’s “Bang a Gong (Get It On)” with nods to T.Rex, David Bowie and Mott The Hoople across the album, which mixes the sound of their classic spirit with modern fire.

These 13 hits feel like flashlights in the dark, acknowledging how difficult everything from love and sex to living and dying can be while supplying the inspiration of their own experiences. “There’s a hole in my window/I was wondering how the rain was getting in,” Emily Kempf sings during the magnetic “Window,” acknowledging the problem before jubilantly exclaiming she’s moving toward something new. “Blue skies!”

After spending over two decades together, Stars’ ninth album finds the Montreal indie rockers discussing the inevitability of mortality while celebrating the joys that make life worth living. Beautiful, bittersweet and inevitably brilliant, From Capelton Hill is a melancholic and melodic album about all of life’s foibles that will keep you warm in even the coldest moments.

‘Flicted completes a trilogy of song collections (Absolute Zero and Non-Secure Connection) based on film “cues” Hornsby composed for writer and director Spike Lee. This unique approach enables him to build upon and explore new stylistic techniques while collaborating with a wide variety of talented artists. On ‘Flicted, Hornsby’s goal was to make a more upbeat record overall, speaking on COVID-19 using the world of science as a recurring influence.

Before Dan Klein's unfortunate passing, The Frightnrs agreed to keep a promise he asked of them - continue making music together. Thanks to vocal stems captured in previous recording sessions, Klein's other-worldly voice lives on. The Frightnrs returned to the studio and painstakingly conceptualized, tracked, re-tracked and mixed them into a complete album with their beloved friend singing lead.

The second release from Pearl Jam co-founder Stone Gossard, folksinger Mason Jennings, soul innovator Brittany Davis, and iconic drummer Matt Chamberlain - is more than the sum of its parts. It's a different equation entirely, one that creates a genre-bending, rhythmic rock sound that makes room for electronic soundscapes, organic bombast, and four-way songwriting collaborations that defy categorization.