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Blue Note 85

Blue Note 85
Blue Note Tone Poet
Blue Note Indie Exclusive Blue 
Blue Note Classic Vinyl

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Vinyl LP pressing. Recorded in May 1963, Silver's Serenade was the last in a fantastic run of albums that pianist Horace Silver would make with the most celebrated line-up of his Quintet featuring Blue Mitchell on trumpet, Junior Cook on tenor saxophone, Gene Taylor on bass, and Roy Brooks on drums. The core of the band had been together since 1959 and recorded hard bop classics like Finger Poppin' and Blowin' the Blues Away, with Brooks joining in 1960 on Horace-Scope. The program on Silver's Serenade consists of five Silver tunes that epitomize his exceptional compositional style: captivating melodies, sophisticated harmonies, and intricate rhythmic inventions with a soulful and unerring sense of swing at the core. From the relaxed groove of the opening title track to the hard-charging finale "Nineteen Bars" the Quintet delivers their swan song with style.
Horace Silver - Silver's Serenade (Blue Note Tone Poet Series)
$38.98
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The precocious and prodigious drummer and composer Tony Williams had already joined the Miles Davis Quintet and participated in numerous landmark Blue Note recordings including Herbie Hancock Empyrean Isles, Eric Dolphy Out To Lunch, Andrew Hill Point Of Departure, Jackie McLean One Step Beyond, and Grachan Moncur III Evolution by the time he recorded his own adventurous debut album Life Time in August 1964, when he was still just 18 years old. Williams had no intention of playing it safe on his maiden voyage as a leader and set forth to document his uncompromising expression on this program of innovative original compositions.

Side 1 presents the expansive two movement suite "2 Pieces of One" with the drummer joined by tenor saxophonist Sam Rivers and bassists Gary Peacock and Richard Davis. Side 2 opens with the jaunty "Tomorrow Afternoon" featuring Williams, Rivers, and Peacock. Williams plays a variety of percussion on the freely improvised "Memory" which features Herbie Hancock on piano and Bobby Hutcherson on vibraphone, and lays out entirely on the ruminative piano-bass duet "Barb's Song to the Wizard" performed by Hancock and Ron Carter which closes the album.

Anthony Williams - Life Time (Blue Note Tone Poet Series)
$38.98
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Limited 180gm vinyl LP pressing. The incomparable trumpeter Clifford Brown recorded two leader sessions for Blue Note in 1953-a co-led quintet date with Lou Donaldson and his own sextet date-that were compiled on the 12" LP Memorial Album (BLP 1526) shortly after his tragic death in 1956. Brownie's star burns bright from the blistering 'Cherokee' to the stunning ballad 'Easy Living'. This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Clifford Brown - Memorial Album (Blue Note Classic Vinyl Series)
$27.98
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Limited 180gm vinyl LP pressing in gatefold jacket. In November 1960, trumpeter Donald Byrd brought his quintet into the Half Not Cafe in New York City to record this soulful, swinging and highly enjoyable live set of hard cop featuring Pepper Adams (baritone saxophone), Duke Pearson (piano), Laymon Jackson (bass) and Lex Humphries (drums). Blue Note Tone Poet Series features all-analog, remastering.
Donald Byrd - Donald Byrd • At The Half Note Café, Vol.1 (Blue Note Tone Poet Series) [LP]
$38.98
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Trumpeter Donald Byrd and Hank Mobley (tenor sax) let listeners know that they are in for an exceptional musical experience on "Ghana". For these Byrd In Flight 1960 sessions, he was joined by Jackie Mclean (alto sax), Duke Pearson (piano), Doug Watkins/Reggie Workman (bass) & Lex Humphries (drums). Higlights include the stunning ballad "Little Girl Blue," and swingers "My Girl Shirl" and "Lex". Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold package.

Donald Byrd - Byrd In Flight (Blue Note Tone Poet Series) [LP]
$38.98
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Hank Mobley

Soul Station

Vinyl: $27.98 Buy

MP3 Album: $9.99 Download

Limited 180gm vinyl LP pressing. On February 7, 1960, tenor saxophonist Hank Mobley with pianist Wynton Kelly, bassist Paul Chambers, and drummer Art Blakey, laid down what would become his masterpiece: Soul Station. The crystalline six-song set was a showcase for Mobley's lyrical flow from the breezy opening take on Irving Berlin's "Remember" through bluesy originals like "Dig Dis", & the swinging up-tempo number "Split Feelin's." Soul Station endures as a jazz classic for the ages.
Hank Mobley - Soul Station
$27.98
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Limited 180gm vinyl LP pressing in gatefold jacket. Jimmy Smith revolutionized the use of a Hammond B-3 organ. Arguably his finest moments, the sessions with Stanley Turrentine (tenor sax) helped define jazz. Prayer Meetin' is brimming with the bluesy grooves that made their collaborations classics. Highlights include "Red Top" and the title track's incredible interplay, while Stanley delivers a ballad tour-de-force on "I Almost Lost My Mind." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Jimmy Smith - Prayer Meetin [180 Gram]
$38.98
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Cloak captures the magic, mystique, and mystery of classic heavy metal with their long-awaited debut 'To Venomous Depths'. Drawing from metal's most impactful sub genre's, the quartet distill their collective influences into an enthralling full-album experience that honors the spirit of the early classics while standing firmly in the now. Captivating tracks like "Beyond the Veil", "Deep Red", "Forever Burned" and the title track are riveted with somber harmonies, driving rhythms, and dramatic builds in momentum and suspense. Cloak's bold and blackened metal teems with dark energy, and 'To Venomous Depths' is a testament to the genre's primal power and magic.
Miles Davis - Volume 1 (Blue Note Classic Vinyl Series)[LP]
$27.98
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Miles' early Blue Note sessions from 1952-54 yielded two later LPs that Blue Note released as part of the 1500 Series. Volume 2 is split between the blazing bebop and beautiful ballads that first made Miles famous: "Well You Needn't," "Lazy Susan," "The Leap," "It Never Entered My Mind," "Donna," alternate takes of "Ray's Idea" and "Tempus Fugit" and more. This mono Blue Note Classic Vinyl edition is all-analog mastered from the original tapes and pressed on 180-gram vinyl! Blue Note.
Miles Davis - Volume 2 (Blue Note Classic Vinyl Series)
$27.98
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Pianist and composer Andrew Hill debuted on Blue Note with a burst of creativity that produced 4 classic albums in 5 months, including his 1964 masterpiece, Point of Departure. His extraordinary compositions are given thrilling performances by a diverse ensemble featuring Kenny Dorham, Joe Henderson, Eric Dolphy, Richard Davis, and Tony Williams. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Andrew Hill - Point Of Departure (Blue Note Classic Vinyl Series)[LP]
$27.98
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Andrew Hill is one of the most distinctive pianists/composers in jazz. Recorded in 1969, it sat unreleased until 2003 when it was issued on CD thanks to archivist Michael Cuscuna. Hill penned all compositions for an ensemble featuring Woody Shaw, Dizzy Reece, Julian Priester, Joe Farrell, Howard Johnson, Bob Northern, Ron Carter and Lenny White. This is presented for the first time on vinyl. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Andrew Hill - Passing Ships [Blue Note Tone Poet Series 2LP]
$39.98
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Limited 180gm vinyl LP pressing in deluxe gatefold packaging. Andrew Hill's 1968 album Dance With Death stands as one of the most gratifying, though under-recognized, sessions of the brilliant pianist's discography, featuring his singular compositions performed by a versatile quintet with Charles Tolliver, Joe Farrell, Victor Sproles, and Billy Higgins. Blue Note Tone Poet Series features all-analog remastering.
Andrew Hill - Dance With Death (Blue Note Tone Poet Series) [LP]
$38.98
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Andrew Hill

Black Fire [180 Gram]

Vinyl: $38.98 Buy

MP3 Album: $9.99 Download

Limited 180gm vinyl LP pressing. Andrew Hill's Black Fire is both the pianist and composer's debut and an acknowledged masterpiece of modern post-bop jazz. Featuring a sublime quartet with Joe Henderson on tenor saxophone, Richard Davis on bass, and Roy Haynes on drums, the music still sounds as fresh today as it did the day it was recorded in November 1963, the start of an astounding creative streak that also produced Hill's great albums Smokestack, Judgment!, and Point of Departure during a period of just four months.
Andrew Hill - Black Fire [180 Gram]
$38.98
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Anthony Williams - "Spring (Blue Note Classic Vinyl Series)" Drummer and composer Tony Williams' adventurous 1965 album Spring-his second as a leader for Blue Note-found him convening a stellar line-up with saxophonists Wayne Shorter and Sam Rivers, pianist Herbie Hancock, and bassist Gary Peacock. The five Williams originals presented here offer the musicians spacious realms in which to go exploring. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.
Anthony Williams - Spring (Blue Note Classic Vinyl Series)
$27.98
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Limited 180gm vinyl LP pressing. The 1961 album Mosaic marked a pivotal moment in the story of Art Blakey & The Jazz Messengers with the drummer welcoming the arrival of trumpeter Freddie Hubbard (replacing Lee Morgan) and pianist Cedar Walton (replacing Bobby Timmons). The band also expanded to a sextet with the addition of trombonist Curtis Fuller who joined existing members tenor saxophonist Wayne Shorter and bassist Jymie Merritt to establish a powerful new line-up that would perform together until 1964 and record several classic albums including Buhaina's Delight and Free for All. Mosaic opens with a flourish as the band launches into the magnificent title track composed by Walton, and the set also includes memorable compositions by Shorter ("Children of the Night"), Fuller ("Arabia"), and Hubbard ("Down Under" and "Crisis"). This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.
Art Blakey - Mosaic (Blue Note Classic Vinyl Series)
$27.98
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Recorded in 1961, but not released until 1967, The Witch Doctor features one of Art Blakey & The Jazz Messengers' greatest line-ups: Wayne Shorter (saxophone), Lee Morgan (trumpet), Bobby Timmons (piano), and Jymie Merritt (bass). Highlights include Morgan's "Afrique," Shorter's "Those Who Sit and Wait," Timmons' "A Little Busy," and Jordan's "Lost and Found" which closes the album. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Art Blakey - The Witch Doctor (Blue Note Tone Poet Series) [LP]
$38.98
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Art Blakey's 1960 hard bop classic, The Big Beat, introduced one of the greatest line-ups of the Jazz Messengers with the legendary drummer joined by Lee Morgan, Wayne Shorter, Bobby Timmons, and Jymie Merritt. 3 of the 6 tunes were composed by Shorter, but the album is best-known for an unforgettable version of Timmons' enduring hit "Dat Dere." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Art Blakey & The Jazz Messengers - The Big Beat [Blue Note Classic Series LP]
$27.98
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Limited 180gm audiophile vinyl pressing in deluxe gatefold jacket. Mastering is by Kevin Gray (Cohearent Audio) and vinyl is manufactured at Record Technology Incorporated (RTI). Hammond B-3 organ soul jazz fans know and love the music of Jimmy Smith, but lesser known is the tragically short life and career of Roosevelt 'Baby Face' Willette who produced some of the deepest grooves ever recorded on the B-3 on just two Blue Note albums recorded in 1961. Willette's debut Face to Face is a showcase for his blues-drenched organ pyrotechnics. Joined by the brilliant guitarist Grant Green, tenor sax master Fred Jackson and the rock-solid drums of Ben Dixon, Face to Face is a tour de force of rough and ready soul jazz brilliance with an iconic Reid Miles cover design to match.
Baby Face Willette - Face To Face [180 Gram]
$38.98
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Kansas City-born Hammond B3 organ dynamo Big John Patton made a stellar run of soul jazz albums for Blue Note through the 1960s but Let 'Em Roll stands among his finest with Patton adding vibraphonist Bobby Hutcherson to a standard organ trio line-up with guitarist Grant Green and drummer Otis Finch. This stereo Blue Note Tone Poet Series was produced by Joe Harley, mastered by Kevin Gray from the original analog tapes, pressed on 180g vinyl and packaged in a deluxe gatefold tip-on jacket.
Big Patton  John - Let 'em Roll (Blue Note Tone Poet Series)
$38.98
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Limited 180gm vinyl LP pressing housed in gatefold jacket. Blue Mitchell was a member of Horace Silver's quintet before he began recording his own albums as leader for Blue Note through the 1960s. His 1966 album, Bring It Home to Me, is a bluesy and soulful hard bop date featuring the trumpeter with Junior Cook, Harold Mabern, Gene Taylor, and Billy Higgins. Blue Note Tone Poet Series features all-analog remastering.
Blue Mitchell - Bring It Home To Me (Blue Note Tone Poet Series)
$38.98
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Flutist Bobbi Humphrey debuted on Blue Note in 1971 and released 6 albums with them capped by Fancy Dancer in 1975, his 3rd collaboration with producer Larry Mizell. It proved to be a winning combination once again with Humphrey's alluring flute dancing through a set featuring standout Mizell compositions like "Uno Esta," and "You Make Me Feel So Good." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Bobbi Humphrey - Fancy Dancer [180 Gram]
$27.98
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Vibraphonist Bobby Hutcherson's 1966 album Stick-Up! found him in the company of a new band line-up with Joe Henderson, McCoy Tyner, Herbie Lewis, and Billy Higgins. The quintet covers a vast expanse of post-bop territory on five Hutcherson originals, plus Ornette Coleman's "Una Muy Bonita." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Bobby Hutcherson - Stick-Up! (Blue Note Tone Poet Series) [LP]
$38.98
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Limited 180gm vinyl LP pressing in gatefold jacket. The Kicker was vibraphonist Bobby Hutcherson's first session (1963) via Blue Note but wasn't released until 1999. Instead, Dialogue was released as his debut album two years later. Now available on vinyl for the first time! A sequel to Grant Green's masterpiece Idle Moments, with the same artists: Green, Joe Henderson (tenor sax), Duke Pearson (piano), Bob Cranshaw (bass), Al Harewood (drums).
Bobby Hutcherson - The Kicker (Blue Note Tone Poet Series)
$38.98
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Limited 180gm vinyl LP pressing in gatefold jacket. Blue Note Tone Poet Series. Recorded in 1967, Oblique is one of two quartet sessions the great vibraphonist Bobby Hutcherson recorded for Blue Note. Released in 1979, features Herbie Hancock (piano), Joe Chambers (drums) and Albert Stinson (bass). An incredible journey from bops to exploratory sonic poems, with standouts like breezy opener "'Til Then," Hancock's tremendous "Theme From Blow Up" and Chambers' adventurous "Oblique".
Bobby Hutcherson - Oblique (Blue Note Tone Poet Series) [180 Gram]
$38.98
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Vinyl LP pressing. Following sideman appearances with pianist Horace Parlan in the early 1960s, Booker Ervin cut two stellar Blue Note records as a leader in 1968 including Tex Book Tenor which had to wait nearly 40 years until 2005 for it's first standalone release. With a sleek post-bop quintet featuring trumpeter Woody Shaw, pianist Kenny Barron, bassist Jan Arnet, and drummer Billy Higgins, the Texas-born saxophonist slices through a set of compelling bandmember originals including Barron's sinuous tune "Gichi" and Shaw's lilting waltz "In a Capricornian Way," as well as Ervin's lovely ballad "Lynn's Tune" and the hard-swinging "Den Tex," named for his hometown of Denison.
Booker Ervin - Tex Book Tenor (Blue Note Tone Poet Series)
$38.98
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The amazing bebop piano genius Bud Powell made his most enduring recordings as a leader for Blue Note. Powell's 1949 and 1951 sessions were compiled in 1955 on The Amazing Bud Powell, Vol. 1. Featuring the pianist with the likes of Sonny Rollins, Fats Navarro, Roy Haynes and Max Roach on bebop classics including "Un Poco Loco" and "Bouncing with Bud." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal.

FEATURES:

  • Blue Note Classic Vinyl Reissue Series
  • 180g Vinyl LP
  • All-Analog Pressing
  • Mono
  • Mastered by Kevin Gray at Cohearent Audio from the original analog tapes
  • Manufactured at Optimal in Germany

MUSICIANS:

Fats Navarro Trumpet

Sonny Rollins Tenor Saxaphone

Bud Powell Piano

Curly Russell Bass

Max Roach DRUMS

Amazing Bud Powell, Vol 1 (Blue note Classic Vinyl Series)

Bud Powell - Amazing Bud Powell Vol 1 (Bluenote Classic Vinyl)
$27.98
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Limited 180gm vinyl LP pressing. Legendary trumpeter Miles Davis' unmistakable rasp at the end of "One for Daddy-O," makes it clear he wasn't just playing the role of sideman on Somethin' Else, the album by Cannonball Adderley. The depth of their musical camaraderie lifts this session up throughout, from the breathtaking performance of "Autumn Leaves" to the thrilling title track. Hank Jones/Sam Jones/Art Blakey round out the quintet.
Cannonball Adderley - Somethin' Else
$27.98
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Limited 180gm vinyl LP pressing in deluxe gatefold packaging. Kansas City-born trumpeter Carmell Jones signed to Pacific Jazz soon after his arrival in Los Angeles in 1960 and began what seemed sure to be a promising recording career with his accurately titled 1961 debut, The Remarkable Carmell Jones, featuring Harold Land, Frank Strazzeri, Gary Peacock and Leon Pettis. Blue Note Tone Poet Series features all-analog remastering.
Carmell Jones - The Remarkable Carmell Jones (Blue Note Tone Poet Series) [LP]
$38.98
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Double 180gm vinyl LP pressing. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes. Cassandra Wilson's 1993 Blue Note debut, Blue Light 'Til Dawn, wove a tapestry of jazz, blues, folk, and R&B into a singular sound that opened new avenues of expression for vocal jazz. Produced by Craig Street, the album's inventive instrumentation, plus Wilson's riveting vocals, transformed songs by Robert Johnson, Joni Mitchell, Van Morrison, and more.
Cassandra Wilson - Blue Light Til Dawn
$37.99
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Cecil Taylor - "Unit Structures (Blue Note Classic Vinyl Series)" The intrepid free jazz pianist Cecil Taylor made his Blue Note debut with the explosive 1966 album Unit Structures featuring trumpeter Eddie Gale, saxophonists Jimmy Lyons and Ken McIntyre, bassists Henry Grimes and Alan Silva, and drummer Andrew Cyrille. The four extended pieces performed here scale the pinnacle of the mid-1960s jazz avant-garde. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, & pressed on 180g vinyl at Optimal.
Cecil Taylor - Unit Structures (Blue Note Classic Vinyl Series)
$27.98
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Double 180gm vinyl LP pressing. Charlie Hunter's 1995 Blue Note debut Bing Bing Bing! Was a groove-heavy tour-de-force that announced the arrival of a virtuosic new guitarist on the scene. Hunter's unique concept on his 8-string guitar allowed him to lay down a bass line and play chords as well as a melodic line at the same time, producing music that was at once impressive and irrepressible. With his powerful trio featuring tenor saxophonist Dave Ellis and drummer Jay Lane plus contributions from trombonist Jeff Cressman, Ben Goldberg, pedal steel guitarist David Phillips, and percussionist Scott Roberts, Hunter delivered a 10-song set of propulsive originals including "Greasy Granny" and "Fistful of Haggis" plus an unforgettable cover of Nirvana's "Come As You Are." Hunter would go on to record six more excellent albums for Blue Note, and also gain notice for playing on D'Angelo's 2000 neo-soul masterpiece Voodoo. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.
Charlie Hunter - Bing Bing Bing! (Blue Note Classic Vinyl Series) [2 LP]
$37.99
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Following the success of his vocal debut Chet Baker Sings in 1954, Pacific Jazz brought the rising star trumpeter back into the studio for the sequel Chet Baker Sings and Plays which showcased both sides of Baker's artistry on a set of standards including his timeless rendition of "Let's Get Lost." This mono Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, and packaged in a deluxe tip-on jacket.
Chet Baker - Chet Baker Sings & Plays (Blue Note Tone Poet) [LP]
$38.98
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There are several albums titled Chet Baker Sings, but this Pacific Jazz recording is the original, and arguably, the best. Highlights Chet's indelible vocals and sterling trumpet playing with two quartet line-ups on a set of classic standards. For the first time in 60 years, this definitive edition is pristinely cut from the original masters. Includes additional session photography. Blue Note Records' Tone Poet Audiophile Vinyl Reissue Series features 180g vinyl in deluxe gatefold packaging.

Chet Baker - Chet Baker Sings [LP][Blue Note Tone Poet Series]
$38.98
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Dexter Gordon had been living in Europe for several years when he recorded One Flight Up, one of his masterpieces, in Paris in 1964. It's all here: Dexter's magnificently huge sound, Donald Byrd in peak form on trumpet, the sophistication of pianist Kenny Drew, the brilliance of the then-teenaged bass phenom Niels-Henning Orsted Pederson and the rock-steady swing of drummer Art Taylor. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Dexter Gordon - One Flight Up One Flight Up [Blue Note Tone  Poet Series LP]
$38.98
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Dexter Gordon

Clubhouse [180 Gram]

Vinyl: $38.98 Buy

MP3 Album: $9.99 Download

Limited 180gm vinyl LP pressing. One of the enduring mysteries of Blue Note history is that superb sessions such as Dexter Gordon's Clubhouse (recorded in 1965) remained unreleased in the vault until the late 1970s. Recorded during the middle of Gordon's "golden period" career renaissance after he signed with Blue Note in 1961, the tenor saxophone legend is joined by Freddie Hubbard on trumpet and the remarkable rhythm section of Barry Harris on piano, Bob Cranshaw on bass, and the great Billy Higgins on drums. Blue Note Tone Poet series.
Dexter Gordon - Clubhouse [180 Gram]
$38.98
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Born in Kingston, Jamaica, the trumpeter Dizzy Reece moved to London at age 17 and began working across Europe, frequently in Paris, where he played with the likes of Don Byas and Kenny Clarke. Reece also made fans of Miles Davis and Sonny Rollins who spread the word about a hot new trumpeter on the European scene. So when Donald Byrd and Art Taylor came through Paris on tour in 1958 they sought out Reece and even found their way into the recording studio together for what would become Reece's Blue Note debut Blues In Trinity. Encouraged by Alfred Lion, Reece would move to New York City the next year where Lion quickly put him back in the studio with a first-rate hard bop band including Hank Mobley on tenor saxophone, Wynton Kelly on piano, Paul Chambers on bass, and Taylor once again on drums. The resulting album Star Bright is a hidden gem of the Blue Note catalog with Reece shining brightly on a 6-song set that included several of his own bluesy originals like "The Rake," "Groovesville," "The Rebound," and the Thelonious Monk inspired "A Variation On Monk." Two standards round out the offering with swinging takes on "I'll Close My Eyes" and "I Wished On The Moon," both of which showcase Reece's sublime delivery of a melody.
Dizzy Reece - Star Bright (Blue Note Classic Vinyl Series) [LP]
$27.98
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Limited 180gm vinyl LP pressing. Don Cherry first rose to prominence as part of the Ornette Coleman Quartet that turned the jazz world on it's ear in 1959. Then, in 1965 he began his career as a leader with a run of fiery Blue Note albums including Where Is Brooklyn?, a highly interactive quartet date with Pharoah Sanders on tenor saxophone, Henry Grimes on bass and Ed Blackwell on drums. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.
Don Cherry - Where Is Brooklyn
$27.98
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The soulful Louisiana-born tenor saxophonist, Don Wilkerson, made his Blue Note debut in 1962 with Preach Brother! - one of the most exuberant yet under-recognized soul jazz classics of the Blue Note catalog. The album featured the Ray Charles alum with Grant Green (guitar), Sonny Clark (piano), Butch Warren (bass), and Billy Higgins (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Don Wilkerson - Preach Brother! (Blue Note Classic Vinyl Series)[LP]
$27.98
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Donald Byrd's 1975 album, Places and Spaces, featuring the hits "Wind Parade" and "Dominoes," was the culmination of his fusion period. It was his 5th consecutive album produced by the visionary Larry Mizell, and the second to last session Byrd would cut for Blue Note, the label he had been with since 1958. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Donald Byrd - Places And Spaces [Blue Note Classic Series LP]
$29.99
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Donald Byrd's 1967 album Slow Drag was one of the last pure hard bop records the trumpeter would make before his music began evolving towards fusion. Byrd flies high on this gratifying set featuring alto saxophonist Sonny Red, pianist Cedar Walton, bassist Walter Booker & drummer Billy Higgins. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI, & packaged in a deluxe gatefold tip-on jacket.
Donald Byrd - Slow Drag (Blue Note Tone Poet Series)
$38.98
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In 1962 Duke Ellington, Charles Mingus and Max Roach recorded Money Jungle, one of the most celebrated jazz trio albums of all time. Generational and stylistic differences between the three created fearless music. The album features some of Ellington's indelible compositions including "Caravan," "Solitude," and a stunning version of "Le Fleurs Africaines (African Flower)." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Duke Ellington - Money Jungle (Blue Note Tone Poet Series) [LP]
$38.98
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Limited 180gm vinyl LP pressing. Pianist Duke Pearson recorded his Christmas album Merry Ole Soul in 1969 with Bob Cranshaw on bass and Mickey Roker on drums, as well as percussionist Airto Moreira on several tracks. The only Christmas album recorded during Blue Note's classic era, the set includes holiday favorites including "Sleigh Ride," "Jingle Bells," "Silent Night," and more.
Duke Pearson - Merry Ole Soul [180 Gram]
$27.98
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Limited 180gm vinyl LP pressing housed in a deluxe gatefold tip-on jacket. Duke Pearson's 1967 album The Right Touch is perhaps the finest of his career and a showcase for the breadth of his talents as a pianist, composer, and arranger. Six memorable originals are performed by a dynamic 8-piece band including Freddie Hubbard (trumpet), Stanley Turrentine (tenor sax) and James Spaulding (alto sax). Blue Note Tone Poet Series is remastered from the original analog tapes.
Duke Pearson - Right Touch (Blue Note Tone Poet Series)
$38.98
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Limited 180gm vinyl LP pressing in gatefold jacket. Blue Note Tone Poet Series. Duke Pearson's opening title track of superb album, The Phantom, sets a stage for one of Blue Note's underrecognized gems. The pianist/composer/arranger gathered a superb cast: Bobby Hutcherson, Jerry Dodgion (flute), Sam Brown/Al Gafa (guitars), Bob Cranshaw (bass), Mickey Roker/Victor Pantojo/Potato Valdes (drums). With standouts like "Los Ojos Alegres (The Happy Eyes)" and "Say You're Mine".

Duke Pearson - The Phantom (Blue Note Tone Poet Series) [LP]
$38.98
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After his six years with the seminal John Coltrane Quartet, the master drummer Elvin Jones signed with Blue Note in 1968 and began building his own career as a bandleader. His first two albums for the label were spare trio outings-Puttin' It Together and The Ultimate-both featuring saxophonist Joe Farrell and bassist Jimmy Garrison. For his next album-1969's unfettered post-bop exploration Poly-Currents-Jones expanded his ensemble with additional woodwinds and percussion while still maintaining spacious realms for the musicians to delve into on modal band member originals including "Agenda," Agappe Love," "Mr. Jones," and "Whew." Jones is joined throughout by a cast that includes Farrell on tenor saxophone, English horn, and flutes, George Coleman on tenor saxophone, Pepper Adams on baritone saxophone, Fred Tompkins on flute, Wilbur Little on bass, and Cuban conguero Candido Camero.

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Blue Note Tone Poet Series

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The Tone Poet Audiophile Vinyl Reissue Series was born out of Blue Note President Don Was' admiration for the exceptional audiophile Blue Note LP reissues presented by Music Matters. Was brought Joe Harley, a.k.a. the "Tone Poet," on board to curate and supervise a series of reissues from the Blue Note family of labels.

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Extreme attention to detail has been paid to getting these right in every conceivable way, from the jacket graphics and printing quality to superior LP mastering (direct from the master tapes) by Kevin Gray to superb 180g audiophile LP pressings by Record Technology Inc. Every aspect of these Tone Poet releases is done to the highest possible standard. It means that you will never find a superior version. This is IT.

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This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.

Elvin Jones / Poly-Currents Blue Note Tone Poet Series - Elvin Jones

Elvin Jones - Poly-Currents (Blue Note Tone Poet Series)
$38.98
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Eric Dolphy

Out To Lunch

Vinyl: $27.98 Buy

MP3 Album: $9.99 Download

Vinyl LP pressing. In February 1964, Eric Dolphy assembled a quintet of modern jazz visionaries with Freddie Hubbard - trumpet, Bobby Hutcherson - vibraphone, Richard Davis - bass, & Tony Williams - drums, & headed into Rudy Van Gelder's studio to record what would stand as his masterwork: Out to Lunch! Dolphy possesses the revolutionary spirit of the avant-garde while keeping a foot firmly planted in the feeling of swing, perfectly captured from the opening Monk tribute "Hat and Beard" to "Straight Up and Down."
Eric Dolphy - Out To Lunch
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Limited 180gm vinyl LP pressing. The prodigiously talented trumpeter Fats Navarro was a bebop innovator whose career was cut tragically short when he died in 1950 at age 26. As part of the 1500 series Blue Note later compiled this 12" LP with selections from various dates Fats had featured on from 1947-49 with the Tadd Dameron Sextet, Bud Powell Quintet, and the McGhee-Navarro Boptet. This Blue Note Classic Vinyl Edition is mono, all-analog, mastered by Kevin Gray from the original masters.
Fats Navarro - Fabulous Fats Navarro 1 (Blue Note Classic Vinyl)
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Recorded in May 1964, shortly after Hubbard left Art Blakey's Jazz Messengers, the quintet - with James Spaulding, Ronnie Mathews, Eddie Khan, and Joe Chambers - moves assuredly from free-form playing and modal jazz to the blues and balladry on this 6-song set of originals by Hubbard and Chambers. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Freddie Hubbard - Breaking Point (Blue Note Tone Poet Series) [LP]
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The prodigious trumpeter Freddie Hubbard debuted on Blue Note in 1960 and produced an astounding run of recordings over the first half of the decade that culminated with Blue Spirits, which was the last of his 1960s studio albums for the label. This bluesy and spirited album presented five evocative Hubbard originals, each of which was given a richly textured arrangement for an ensemble that included a dynamic four-horn lineup. Drawn from two different sessions, the first date produced the gratifying opening track "Soul Surge" and the percolating "Cunga Black" with Hubbard joined by James Spaulding on alto saxophone and flute, Joe Henderson on tenor saxophone, Kiane Zawadi on euphonium, Harold Mabern on piano, Larry Ridley on bass, Clifford Jarvis on drums, and Big Black on congas. A week later Hubbard returned to Van Gelder Studio with Spaulding, Zawadi, and a slightly different lineup including Hank Mobley on tenor saxophone, McCoy Tyner on piano, Bob Cranshaw on bass, and Pete LaRoca on drums. This second session rounded out the album with hard-charging performances of "Outer Forces" and "Jodo," as well as the mesmerizing title track.

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.

FEATURES:

  • 180gram Vinyl LP
  • Tone Poet Audiophile Vinyl Reissue Series
  • Mastered by Kevin Gray at Cohearent Audio
  • Mastered from the Original Analog Tapes
  • Deluxe Tip-On Jacket

Freddie Hubbard Blue Spirits (Blue Note Tone Poet Series) 180gram LP

Freddie Hubbard - Blue Spirits (Blue Note Tone Poet Series) [LP]
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Limited 180gm vinyl LP pressing. Extension was the last of three unique Blue Note sessions led by the singular saxophonist George Braith in the early 1960s. The album was rooted in soul jazz - with Grant Green (guitar), Billy Gardner (organ), and Clarence Johnston (drums) - but Braith's adventurous spirit led the music into unexpected realms on memorable originals like "Nut City." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.
George Braith - Extension
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Gerald Wilson's 1962 album, Moment of Truth, features his dynamic big band on an action-packed 9-song set (7 of which were composed by Wilson) with highlights including the swaggering blues of the title track, the irrepressible Latin groove of "Viva Tirado," and a fleet-footed version of Miles Davis's "Milestones." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.

Gerald Wilson - Moment Of Truth (Blue Note Tone Poet Series) [LP]
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Double 180gm vinyl LP pressing. This Blue Note Classic Vinyl Edition was mastered by Kevin Gray. The brilliant pianist and composer Geri Allen came out of Detroit's fertile jazz scene, eventually moving to New York where she became part of the emerging M-Base collective that was forging new creative ideas and approaches to jazz in the 1980s. Allen began recording for Blue Note in 1990 with The Nurturer followed by Maroons in 1992. For her 3rd Blue Note album Twenty One, recorded in 1994, Allen joined forces with two masters-bassist Ron Carter and drummer Tony Williams-for a dynamic trio date. Allen's stunning lyricism, as well as her boundless harmonic and rhythmic creativity, shines on this remarkable 12-song set that presents her own compelling originals like "Feed The Fire," "RTG," and "In The Morning" alongside choice standards ("If I Should Lose You," "Tea For Two, "Lullaby Of The Leaves," "Old Folks") and pieces by Thelonious Monk ("Introspection/Thelonious").
Geri Allen - Twenty One
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The brilliant arranger, composer, and pianist Gil Evans had already collaborated with Miles Davis on Birth of the Cool and Miles Ahead and made his own debut album Gil Evans & Ten for Prestige when he signed with World Pacific Records in 1958 and made the first of two albums for the label: New Bottle Old Wine with featured soloist Cannonball Adderley. The next year Evans was back in the studio to record the follow-up Great Jazz Standards with two different ensembles featuring the likes of trumpeter Johnny Coles, trombonists Curtis Fuller and Jimmy Cleveland, soprano saxophonist Steve Lacy, tenor saxophonist and clarinetist Budd Johnson, guitarist Ray Crawford, drummer Elvin Jones, and others. As the title promises, the album presents a program of great jazz standards leading off with Bix Beiderbecke's "Davenport Blues," a showcase for Coles, before launching into a shimmering version of Thelonious Monk's "Straight No Chaser" where Coles, Lacy, Fuller, and Evans all get the spotlight. A stunning presentation of Fran Landesman and Tommy Wolf's "Ballad of the Sad Young Men" and a no-nonsense take on Clifford Brown's "Joy Spring" close out the first side. On the flipside, John Lewis' "Django" gets an impressionistic arrangement full of surprises, while a modernistic version of Don Redman's "Chant of the Weed" is a solo vehicle for Johnson's clarinet. The album culminates with a soaring performance of the Evans original "Theme," later known as "La Nevada."

This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray (Cohearent Audio) from the original analog master tapes, pressed on 180g vinyl at Record Technology Inc. (RTI), and packaged in a deluxe tip-on jacket.

FEATURES:

  • 180gram Vinyl LP
  • Tone Poet Audiophile Vinyl Reissue Series
  • Mastered by Kevin Gray at Cohearent Audio
  • Mastered from the Original Analog Tapes
  • Deluxe Tip-On Jacket

Gil Evans - Great Jazz Standards - Tone Poet LP

Gil Evans - Great Jazz Standards (Blue Note Tone Poet Series)[LP]
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Limited 180gm vinyl LP pressing. Time and troubles seem to melt away during the 15 enrapturing minutes of Idle Moments, the opening track of Grant Green's sublime 1963 album of the same name. As the piece unhurriedly unfurls all the unique colors of the ensemble present themselves with Green's soulful guitar joined by Duke Pearson's elegant piano, Bobby Hutcherson's crystalline vibraphone, Bob Cranshaw's reassuring upright bass, Al Harewood's subtle drums, and lastly Joe Henderson's magnificent tenor saxophone. The pace quickens for the rest of this set including the Green original "Jean de Fleur," a bluesy take on John Lewis' MJQ standard "Django," and Pearson's original "Nomad."
Grant Green - Idle Moments (Blue Note Classic Vinyl Edition)
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Grant Green began his lengthy and prolific Blue Note career with the 1961 release of his debut album Grant's First Stand, a stellar soul jazz outing that featured the guitarist in an organ trio with Baby Face Willette on Hammond B3 and Ben Dixon on drums. When he returned to Van Gelder Studio next in April of that year it was once again with a trio but this time one with a leaner sound featuring Green backed by bass (Ben Tucker) and drums (Dave Bailey). The spare setting and sturdy support created spacious realms for Green to expound at length, unspooling his inventive, bluesy lines on a 5-song set that included the no-nonsense originals "No. 1 Green Street," "Grant's Dimensions," and "Green With Envy." Green also showcased his singular tone on a stunning version of Thelonious Monk's "'Round About Midnight" and an alluring rendition of the standard "Alone Together."
Grant Green - Green Street [Blue Note Classic Vinyl Series LP]
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Limited 180gm vinyl LP pressing housed in gatefold packaging. Guitarist Grant Green explored Latin and Brazilian influences on his highly enjoyable 1962 album, The Latin Bit, featuring Johnny Acea on piano, Wendell Marshall on bass, Willie Bobo on drums, Carlos "Patato" Valdes on conga, and Garvin Masseaux on chekere. Blue Note Tone Poet Series features all-analog, remastered sound.
Grant Green - Latin Bit
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Grant Green was `Feelin' the Spirit' on this deeply soulful 1962 date that found the great guitarist interpreting a set of spirituals with a state-of-the-art modern jazz line-up featuring Herbie Hancock (piano), Butch Warren (bass), Billy Higgins (drums), and Garvin Masseaux (tambourine). Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Grant Green - Feelin' The Spirit LP (Blue Note Tone Poet Series)[LP]
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Grant Green's Nigeria is an underrated gem in the guitarist's remarkable Blue Note catalog. Recorded in 1962, and released in 1980, the album features a top-shelf band with Sonny Clark on piano, Sam Jones on bass, and powerhouse Art Blakey on drums. The groove is deep right from the start, highlighting timeless renditions of the classic tracks. Blue Note's Tone Poet Audiophile Vinyl Reissue Series features 180g vinyl in deluxe gatefold packaging.

Grant Green - Nigeria [LP][Blue Note Tone Poet Series]
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Limited 180gm vinyl LP pressing. Grant Green's 1962 album Born To Be Blue featuring Ike Quebec is often thought of as the sister album to Quebec's classic Blue and Sentimental, which was recorded for Blue Note just three months prior and also showcased the deep chemistry between the soulful guitarist and tenor saxophonist. Quebec's deep, soul-drenched tenor sound matches beautifully with hard bop masters Green and pianist Sonny Clark, along with the tried-and-true rhythm section team of Sam Jones and Louis Hayes.
Grant Green - Born To Be Blue [180 Gram]
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Limited 180gm vinyl LP pressing. Grant Green's musical style evolved to embrace jazz-funk as the decade turned to 1970. The guitarist's vibrant album Green Is Beautiful is a highlight of the era. With his distinctive tone, he shines on a set that includes covers of James Brown ("Ain't It Funky Now"), The Beatles ("A Day In The Life") and Burt Bacharach ("I'll Never Fall In Love Again"). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray.
Grant Green - Green Is Beautiful (Blue Note Classic Vinyl Series)[LP]
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Grant Green - "I Want To Hold Your Hand (Blue Note Tone Poet Series)" / The trio of Grant Green, Larry Young and Elvin Jones had a unique alchemy from the first time they got together on 1964's Talkin' About. For 1965's I Want To Hold Your Hand, they added Hank Mobley to the mix for sophisticated renditions of well-known songs by the Beatles, Antônio Carlos Jobim, Cole Porter and more. Blue Note Tone Poet Series is produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes, pressed on 180g vinyl at RTI and packaged in a deluxe gatefold tip-on jacket.
Grant Green - I Want To Hold Your Hand (Blue Note Tone Poet Series) [LP]
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Limited 180gm vinyl LP pressing. In addition to boasting one of Reid Miles' greatest album cover designs, Hank Mobley's 1963 album No Room for Squares is also a marvel for the music alone. The tenor saxophonist had already notched several hard bop masterpieces in his Blue Note belt including Soul Station and Workout, but No Room for Squares was an even more ambitious effort that found Mobley elevating his game as a bandleader, improviser, and a composer. The album was drawn from two different sessions each featuring a different quintet line-up. A March 7 date found Mobley with trumpeter Donald Byrd, pianist Herbie Hancock, bassist Butch Warren, and drummer Philly Joe Jones who deliver thrilling performances of the Mobley originals "Up a Step" and "Old World, New Imports." Mobley returned to Van Gelder Studio on October 2 with Jones once again on drums plus trumpeter Lee Morgan, pianist Andrew Hill, and bassist John Ore to lay down takes of Mobley's skittering tunes "Three Way Split" and "No Room for Squares" in addition to two remarkable Morgan tunes: the gorgeous ballad "Carolyn" and the grooving "Me 'N You." This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes.
Hank Mobley - No Room For Squares (Blue Note Classic Vinyl Serie
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Tenor saxophonist Hank Mobley had been recording for Blue Note for a decade when he made his excellent 1965 album A Caddy for Daddy featuring a first-class sextet with Lee Morgan on trumpet, Curtis Fuller on trombone, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums. Tenor saxophonist Hank Mobley had been recording for Blue Note for a decade when he made his excellent 1965 album A Caddy for Daddy featuring a first-class sextet with Lee Morgan on trumpet, Curtis Fuller on trombone, McCoy Tyner on piano, Bob Cranshaw on bass, and Billy Higgins on drums.
Hank Mobley - Caddy For Daddy (Blue Note Tone Poet Series)
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Hank Mobley, famously called the "middleweight champion of the tenor saxophone", had a round sound and an incredible rhythmic lightness. This remarkable 1957 session features a stunning cast of bop giants, including Art Farmer, Pepper Adams, Sonny Clark and more. "East of Brooklyn", a highlight on the album, is a masterpiece of lyrical construction. Part of the Blue Note Tone Poet Audiophile Vinyl Reissue Series, this 180g vinyl features all-analog, remastered audio in deluxe gatefold packaging.

Hank Mobley - Poppin' [LP][Blue Note Tone Poet Series]
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In 1963, tenor saxophonist Harold Vick made his sole album as a leader for Blue Note on the underrated soul jazz gem, Steppin' Out. The record finds its groove from the first downbeat and stays firmly in the pocket throughout this set featuring Blue Mitchell, Grant Green, John Patton, and Ben Dixon. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Harold Vick - Steppin' Out (Blue Note Tone Poet Series) [LP]
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1965's Maiden Voyage remains one of the pinnacle artistic achievements of the great pianist's career. Hancock is joined by Miles Davis Quintet bandmates Ron Carter on bass & Tony Williams on drums, along with Freddie Hubbard on trumpet & George Coleman on tenor saxophone. The quintet embarks on an oceanic exploration of 5 original Hancock compositions, several of which have since become enduring standards of the jazz lexicon including the title track, "Eye of the Hurricane," & "Dolphin Dance."
Herbie Hancock - Maiden Voyage: Blue Note Classic Series [LP]
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Vinyl LP pressing. Released in 1969, Herbie Hancock's album, The Prisoner, is a powerful but overlooked masterpiece. A moving tribute to Dr. Martin Luther King, this nonet session features some of the most exceptional instrumentalists in jazz including Joe Henderson, Johnny Coles and more. Hancock said of The Prisoner: "I've been able to get closer to the real me with this album than on any other previous one." Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Herbie Hancock - Prisoner [180 Gram]
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Limited 180gm vinyl LP pressing. Blue Note founder Alfred Lion considered pianist Herbie Nichols to be as original and important as Thelonious Monk. Little-known in his time, recognition has grown for his unique compositions like "The Third World," and "2300 Skidoo." Both volumes are combined on 1 LP with Vol. 1 on the cover, Vol. 2 on the back, and liner notes inside a gatefold jacket. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes.
Herbie Nichols - Prophetic Herbie Nichols Vol 1 & 2
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Vinyl LP pressing. Blue Note Tone Poet series. Herbie Nichols was one of the most original pianists and composers in Jazz history. Blue Note founder Alfred Lion considered him to be as unique and important a voice as Thelonious Monk, another singular talent who Lion was the first to record a few years before he signed Nichols in 1955. Little-known during his lifetime, recognition has begun to grow in recent decades for Nichols' incredibly hip, angular compositions, each of which were miniature marvels built with their own sturdy inner logic. Following his introduction on the two 10" LPs The Prophetic Herbie Nichols, Vol. 1 and Vol. 2., Nichols returned to Rudy Van Gelder's Hackensack, New Jersey studio in August 1955 with drummer Max Roach and bassist Al McKibbon-and again in April 1956 with Roach and bassist Teddy Kotick-for sessions that produced Herbie Nichols Trio (BLP 1519). This 12" LP was another collection of idiosyncratic Nichols originals including "The Gig," "House Party Starting," "Wildflower," and perhaps his best-known composition "Lady Sings the Blues" which was written for Billie Holiday.
Nichols, Herbie - Herbie Nichols Trio (Blue Note Tone Poet Series)
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Best known for his work with Charles Mingus, pianist Horace Parlan began recording for Blue Note in 1960 with an excellent run of hard bop classics including?Speakin' My Piece, a quintet date featuring a frontline of Stanley Turrentine (saxophone) and Tommy Turrentine (trumpet) with the rhythm team of George Tucker (bass) and Al Harewood (drums). Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Horace Parlan - Speakin My Piece (Blue Note Classic Series)[LP]
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Limited 180gm vinyl LP pressing. On his first Blue Note date since relinquishing the Jazz Messengers moniker to Art Blakey, Horace Silver struck gold with the 1956 album, 6 Pieces of Silver, a sterling set of hard bop that introduced his indelible composition "Seor Blues." The pianist was joined by an ace quintet featuring Donald Byrd, Hank Mobley, Doug Watkins, and Louis Hayes. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Horace Silver - 6 Pieces Of Silver [Blue Note Classic Series Limited Edition LP]
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The Horace Silver Quintet of 1959 was a hard bop juggernaut featuring the pianist with trumpeter Blue Mitchell, saxophonist Junior Cook, bassist Gene Taylor and drummer Louis Hayes. Timeless originals like "Sister Sadie," "Peace," and the blustery title track make Blowin' The Blues Away one of the finest entries in Silver's formidable discography. Blue Note Classic Vinyl Series features stereo, all-analog mastering by Kevin Gray from the original tapes and pressed on 180-gram vinyl at Optimal. Musicians: Blue Mitchell-trumpet / Junior Cook-saxophone / Horace Silver-piano / Gene Taylor-bass / Louis Hayes-drums
Horace Silver - Blowin' The Blues Away (Blue Note Classic Vinyl)
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Limited 180gm vinyl LP pressing. Further Explorations documents hard-bop pioneer Horace Silver's quintet: Art Farmer, Clifford Jordan, Teddy Kotick, Louis Hayes. The 1958 session is particularly inspired, with Silver penning all but one of the compositions. "The Outlaw", one of his most lively creations, has brilliant solos from Silver, Jordan and Farmer. Ballad, "Moon Rays", gives the band plenty of room to stretch out. Blue Note Tone Poet Series features all-analog, remastered 180-gram vinyl in deluxe gatefold packaging.
Horace Siver - Further Explorations [180 Gram]
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Ike Quebec's aptly titled 1961 album Heavy Soul was a soul jazz masterclass with the tenor saxophonist joined by Freddie Roach (organ), Milt Hinton (bass) and Al Harewood (drums). Ike's robust horn conjures a variety of moods from up-tempo swingers to sultry slow-tempo stunners closing with a spellbinding duo rendition of "Nature Boy" with Hinton. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Ike Quebec - Heavy Soul (Blue Note Classic Vinyl Series)
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Trombonist J.J. Johnson took the language of bebop and adapted it to his instrument winning the admiration of Dizzy Gillespie and Charlie Parker. After playing on Miles Davis' first Blue Note session, Johnson led several dates in 1953-54 that were compiled on The Eminent Jay Jay Johnson, Vol. 1 featuring Clifford Brown, Charles Mingus and more. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
J.J. Johnson - The Eminent Jay Jay Johnson, Vol. 1 (Blue Note Classic Vinyl Series)[LP]
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Organist "Brother" Jack McDuff came to Blue Note and made one of the most ambitious albums of his career with Moon Rappin'. Released in 1970, it features five funky, spaced-out originals including "Oblighetto," which would later be sampled by A Tribe Called Quest as the foundation of their classic tracks "Scenario," and "Check the Rhime." Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Jack Mcduff - Moon Rappin': Blue Note Classic Vinyl Series [LP]
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Limited 180gm vinyl LP pressing housed in deluxe gatefold tip-on jacket. Easterly Winds-the 2nd of 3 Blue Note albums Jack Wilson recorded for Blue Note in the late-1960s-found the pianist at the helm of a first-rate hard bop sextet with Lee Morgan on trumpet, Garnett Brown on trombone, Jackie McLean on alto saxophone, Bob Cranshaw on bass, & Billy Higgins on drums. This stereo Tone Poet Vinyl Edition was produced by Joe Harley, mastered by Kevin Gray from the original analog master tapes.
Jack Wilson - Easterly Winds (Blue Note Tone Poet Series)
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The innovative hard bop of Jackie McLean evolved as the `60s progressed. Inspired by Ornette Coleman, the saxophonist ventured into the avant-garde but never let go of a soulful sense of swing. Destination Out! was his masterwork of inside-out jazz with Grachan Moncur III on trombone, Bobby Hutcherson on vibes, Larry Ridley on bass and Roy Hayes on drums. Blue Note Classic Vinyl Series is all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180-gram vinyl at Optimal.
Jackie Mclean - Destination Out (Blue Note Classic Series) [LP]
$27.98

        
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