In a career that spanned over 50 years, Merle Haggard racked up an astounding 38 number-one country hits and every major award imaginable. Songs like "Mama Tried," "Okie From Muskogee," "I'm A Lonesome Fugitive" and "The Fightin' Side Of Me" continue to inspire new generations of artists and fans alike. Sing Me Back Home: The Music Of Merle Haggard captures the most iconic moments from a one-night-only concert event honoring Merle Haggard and his music on what would have been his 80th birthday.
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Two CDs. This once-in-a-lifetime concert event took place Saturday, January 12, 2019 at the Bridgestone Arena in Nashville, TN. This historic event honored living legend Willie Nelson and featured his greatest hits performed by today’s biggest superstars. Willie: Life & Songs Of An American Outlaw featured star-studded performances by Willie Nelson, Alison Krauss, The Avett Brothers, Bobby Bare, Chris Stapleton, Dave Matthews, Emmylou Harris, Eric Church, George Strait, Jack Johnson, Jamey Johnson, Jason Isbell, Jimmy Buffett, John Mellencamp, Kris Kristofferson, Lee Ann Womack, Lukas Nelson, Lyle Lovett, Margo Price, Micah Nelson, Nathaniel Rateliff, Norah Jones and The Little Willies, Ray Benson, Sheryl Crow, Steve Earle, Sturgill Simpson, Susan Tedeschi & Derek Trucks, and Vince Gill.
Kamasi Washington composed and produced the original score for Becoming, the four time Emmy-nominated film that provided an intimate glimpse into the life of Michelle Obama. Produced by Netflix Originals, Becoming documented a moment of profound change for the former First Lady, not only for her personally but for the country she and her husband served over eight impactful years in the White House. Washington, who joined the project in its embryonic stages, provides the powerful musical backdrop. Young Turks Recordings will be releasing Vinyl and CD of this Emmy nominated score on Dec 11th 2020.
MP3 Album: $9.99 Download
As the world plummeted into the COVID-19 pandemic, the four members of Black Stone Cherry were nestled deep in the woods of Kentucky, scrambling to complete their seventh album. There, they could feel the disease closing in as they watched the news daily, and it became apparent the album they were finishing featured lyrics that were eerily prescient. The resulting 13-track record is broadly emotive, and anthemic. It was finished just before the global lockdown was imposed, and it's aptly titled, The Human Condition. Self-produced and tracked in bassist Jon Lawhon's recording facility, Monocle Studios, in March 2020, the band went in with four songs, wrote new songs, and recorded some beloved unreleased favorites. For the first time, the group opted to not record basics live and instead meticulously multitracked. Each member endured grueling sessions to ensure the collective studio mindset of achieving "epic performances." The results are stunning - the grooves feel organic, the riffs are mountainous, the performances are urgent, and the hooks shine through gloriously.
2020 release, the first album in eight years from hip-hop icon Busta Rhymes. The album is a sequel to his 1998 album E.L.E. (Extinction Level Event): The Final World Front. Includes the single "The Don and The Boss", a collaboration with dancehall superstar Vybz Kartel.
Digitally remastered edition. Wrecking Ball is the eighteenth studio album by American country artist Emmylou Harris, originally released in September 1995. Moving away from her traditional acoustic sound, Harris collaborated with producer Daniel Lanois (best known for his production work with U2) and engineer Mark Howard. The album has been noted for atmospheric feel, and featured guest performances by Steve Earle, Larry Mullen, Jr., Kate & Anna McGarrigle, Lucinda Williams and Neil Young, who wrote the title song.
It's been four years since Sweatbox Dynasty, the fourth solo LP from Pennsylvanian experimentalist Tobacco. In that time, Tom Fec's project has toured with Nine Inch Nails, provided the theme song to HBO series Silicon Valley, and teamed with Aesop Rock for a collaborative album as Malibu Ken. He now returns to Ghostly International for Hot Wet & Sassy, a full-length album oozing with his most playful and approachable songs to date, which, conversely, express notions of antilove, self-hate, and disappointment in others.
Pop impulses have always surged beneath the surface of his sound - blown-out bass, analog synths, drum machines, and Fec's unmistakable analog gurgle and hiss - here they've bubbled to the top. "I feel like it's the most I've been able to refine what I'm doing," says Fec. "For the past decade I've had this motherfxcker on my shoulder that makes me pick away at structure and melody. Purposely covering up moments because I can. That really came to a peak on Sweatbox. So I wanted the opposite this time. Write the songs without ripping them in half. I went from 'what would the Butthole Surfers do?' to 'what would Cyndi Lauper do?'" And what would Trent Reznor do? Fec found his answer straight from the source. Their collaborative track, "Babysitter," fuses their voices into one deranged presence: "I'm the new babysitter," they alert, before pivoting into a menacingly saccharine bridge. The track tumbles on a tom fill, then a punishing synth line rips into a cacophony of drums and feedback like a lawnmower gnawing through the living room carpet. "This was new for me, but I wanted to write a song that was everything I am and have been, and then like one notch further. Trent was the notch further," adds Fec. The collaboration is a work of alchemy seamlessly blending Tobacco's trademarks with Reznor's industrial rust and sonic gore. Downcast, sincere, woozy, "Jinmenken" might be the closest Fec has come to a ballad. "Maybe you can find me down the line," his vocoded delivery bounces along the beat. "It's me trying to write a Jets song," says Fec. Album opener "Centaur Skin" presents the stylistic concoction that has been the Tobacco MO from the beginning, crossing dreamy melodic shimmer with the sinister tones and slime. This has become easier to digest, but also far more potent. A motorik beat steadies the track's galloping arpeggio, acting as a springboard for Fec's dark ruminations as well as an uncharacteristically crystalline synth solo. "It's my feel good self hate anthem. Don't worry, I'm good. It was fun to write." Tobacco hasn't been reinvented, but it has been refined and distilled. Brighter, sharper, and far more dangerous because of it. Hot Wet & Sassy is practically staring at the sun without shades and feeling those corneas roast. Everything looks good as your vision fades. The pop-forward structures exert their undeniable hooks with baneful precision, pulling listeners into their clutches; once there, sugary melody rewards submission.
CD: $24.98 Buy
Newly remastered original studio album with second disc of Elevation Live highlights - 70+ minute set from Boston, 2001.
CD: $64.98 Buy
Beastie Boys Music is a companion piece to the critically acclaimed documentary Beastie Boys Story and the group’s best seller Beastie Boys Book. The album features 20 Beastie Boys classics spanning the band’s 30+ year career.
In the horror genre, sequels are perfunctory. As the insufferable film bro Randy explains in Scream 2, “There are certain rules that one must abide by in order to create a successful sequel. Number one: the body count is always bigger. Number two: the death scenes are always much more elaborate—more blood, more gore. Carnage candy. And number three: never, ever, under any circumstances, assume the killer is dead.” Last Halloween, Los Angeles experimental rap mainstays Clipping ended their three-year silence with the horrorcore-inspired album There Existed an Addiction to Blood. This October, rapper Daveed Diggs, and producers Jonathan Snipes and William Hutson return with an even higher body count, more elaborate kills, and monsters that just won’t stay dead.
Visions of Bodies Being Burned is less a sequel than it is the second half of a planned diptych. It turns out, Clipping took to the thematic material of horrorcore like vampires to grave soil. Before the release of There Existed an Addiction to Blood, Clipping and Sub Pop Records divided the material up into two albums, designed to be released only months apart. However, a global pandemic and multiple canceled tours pushed the release of the project’s “part two” until the following Halloween season.
Visions of Bodies Being Burned contains sixteen more scary stories disguised as rap songs, incorporating as much influence from Ernest Dickerson, Clive Barker, and Shirley Jackson as it does from Three 6 Mafia, Bone Thugs-N-Harmony, and Brotha Lynch Hung. Clipping’s angular, shattered interpretations of existing musical styles are always deferential, driven by fandom for the object of study rather than disdain for it. Clipping reimagine horrorcore—the purposely absurdist hip-hop subgenre that flourished in the 1990s—the way Jordan Peele does horror cinema: by twisting beloved tropes to make explicit their own radical politics of monstrosity, fear, and the uncanny.
The album features a host of collaborators: Inglewood’s Cam & China, fellow noise-rap pioneers Ho99o9, Tortoise guitar genius Jeff Parker, and experimental LA drummer Ted Byrnes. The final track, “Secret Piece,” is a performance of a Yoko Ono text score from 1953 that instructs the players to “Decide on one note that you want to play/Play it with the following accompaniment: the woods from 5am to 8am in summer,” and features nearly all of the musicians who appeared on both albums.
Since their last album, Daveed Diggs—the group’s Tony and Grammy Award-winning rapper—has starred in the TNT science fiction series, Snowpiercer, voiced a character in Pixar’s Soul, and portrayed Frederick Douglass in Showtime’s The Good Lord Bird. Writer Rivers Solomon’s novella based on Clipping’s Hugo-nominated song “The Deep” has been nominated for the Nebula, Hugo, and Locus Awards, and won the Lambda Literary Award for best LGBTQ SF/Fantasy/Horror novel. Clipping’s song “Chapter 319”—a tribute to George Floyd (AKA Big Floyd) the former DJ-Screw affiliated rapper who was murdered by police officers in May of 2020—was released on Bandcamp on June 19th and raised over $20,000 for racial justice charities. A clip of the song also became a popular meme on TikTok, generating over 50,000 videos in which teenagers rapped the song’s lyrics (“Donald Trump is a white supremacist, full stop...”) directly into the frowning faces of their conservative parents. The band also contributed a Skinny Puppy-esque rework of J-Kwon’s “Tipsy” to Save Stereogum: An ‘00s Covers Comp.
Celebrated blues, R&B and Americana vocal powerhouse delivers the eagerly anticipated follow-up to 2018's America's Child, winner of the Blues Music Award for Album Of The Year. The new album is again produced by Will Kimbrough and features guest performances and/or songwriting by Kimbrough, Jason Isbell, Christone "Kingfish" Ingram, Jerry Douglas, Sam Bush, Orphan Brigade, Steve Cropper, Duane Eddy and Shawn Mullins. Uncivil War finds Shemekia blazing an exhilarating roots music trail, with many of the songs reflecting the spirit of our turbulent times.
Aggressive press, radio and social media support for an artist with past coverage on Late Night With Conan O'Brien, CNN, CBS-TV's Saturday Early Show, Tavis Smiley Show, NPR'S Weekend Edition, World Café, Mountain Stage and E-Town. In addition, her praises have been sung by The Wall Street Journal, USA Today, The New York Times, The Washington Post, NPRMusic. Com, AllMusic. Com, PopMatters. Com, NoDepression. Com, Paste. Com and many more. Radio promotion at Americana, AAA and blues specialty radio. The title track, released as a digital single earlier this year, has already received airplay at all three. America's Child charted Top Ten on Americana single and album charts, and also charted at AAA. Blues specialty radio kept the album on Living Blues' radio chart for six straight months. Shemekia has made hundreds of appearances worldwide at festivals, clubs and arts centers for the last 20 years. Tour dates throughout the U. S. in support will begin as soon as they are feasible. With Uncivil War, Shemekia's passion-packed singing breathes fire into solemn, gospel-drenched anthems, lowdown blues, crunching rockers and frisky New Orleans R&B. On captivating original songs and invigorating new takes on tracls by the Rolling Stones, Junior Parker and her father, famed bluesman Johnny Clyde Copeland, she commands listeners' attention while exploring life's daily struggles and triumphs, both political and personal.
'Sunset in the Blue' is an orchestral celebration of Melody Gardot's jazz roots. She is reunited with the multi-Grammy award winning production team of her platinum-selling album 'My One and Only Thrill': Producer Larry Klein (Joni Mitchell, Herbie Hancock), arranger and composer Vince Mendoza((Björk, Robbie Williams, Elvis Costello) and the legendary engineer Al Schmitt (Frank Sinatra, Joao Gilberto, Bob Dylan, Paul McCartney). An underlying theme of determination to create and evolve her craft has always been present in Melody Gardot's work but never more so than during the production of 'Sunset in the Blue', despite all obstacles she has assembled a stunning new body of collaborations in this most challenging of times.
Song Machine, Season One is Gorillaz’ newest concept which started in January 2020, releasing brand new material episodically - as and when it happens – and has continued throughout the year. The ongoing and ever-evolving process has seen our favourite characters joined by an expanding roster of collaborators captured live in Kong Studios and beyond. The result is an expansive collection of 17 tracks embracing a myriad of sounds, styles, genres and attitudes from a breath-taking line-up of guest artists including Beck, Elton John, Fatoumata Diawara, Georgia, Kano, Leee John, Octavian, Peter Hook, Robert Smith, Roxani Arias, ScHoolboy Q, Slaves, Slowthai, St Vincent and 6LACK, as well as CHAI, EARTHGANG, Goldlink, Joan As Police Woman, JPEGMAFIA, Moonchild Sanelly, Unknown Mortal Orchestra, Skepta and Tony Allen.
CD: 4-panel wallet with 16 page booklet
There is always water.
In flowing rivers, in falling raindrops, in waves that will tear us to pieces, in ice cold glasses toasting the living and the dead. Water can carve away at mountainsides over eons, or come crashing over the city in an instant. Animals, fugitives, loners, and crumbling signs of life swim through the depths of the Mountain Goats’ Getting Into Knives, due October 23 via Merge. Like an eight-foot swell of blades, John Darnielle, Matt Douglas, Peter Hughes, and Jon Wurster ground the songs in the impermanence of permanence and the certainty of uncertainty, the casual and subtle threat that everything will come to an end.
Three days after completing their first American tour, Pearl Jam headed to New York to strip back songs from their debut album ‘Ten’, well on its way to becoming one of 1992’s top rock albums. The album features all seven songs in the MTV Unplugged broadcast.
Letter To You is Bruce Springsteen’s new studio album with the E Street Band, and is a rock album fueled by the band's heart-stopping, house-rocking signature sound. Recorded at his home studio in New Jersey, Letter To You is Springsteen’s 20th studio album, and is his first album including the E Street Band since 2012’s High Hopes and their first performances together since 2016’s The River Tour.
“I love the emotional nature of Letter To You,” says Springsteen. “And I love the sound of the E Street Band playing completely live in the studio, in a way we’ve never done before, and with no overdubs. We made the album in only five days, and it turned out to be one of the greatest recording experiences I’ve ever had.”
Letter to You includes nine recently written Springsteen songs, as well as new recordings of three of his legendary, but previously unreleased, compositions from the 1970s, “Janey Needs A Shooter,” “If I Was The Priest,” and “Song For Orphans.” Springsteen is joined on Letter To You by Roy Bittan, Nils Lofgren, Patti Scialfa, Garry Tallent, Stevie Van Zandt, Max Weinberg, Charlie Giordano and Jake Clemons. The album was produced by Ron Aniello with Bruce Springsteen, mixed by Bob Clearmountain and mastered by Bob Ludwig.
MP3 Album: $38.99 Download
ROOKED PIECE OF TIME: THE ATLANTIC & ASYLUM ALBUMS is a limited edition, 7-CD boxed set that includes every studio album John Prine recorded between his debut in 1971 and 1980, presented in mini-LP sleeves: John Prine (1971), Diamonds In The Rough (1972), Sweet Revenge (1973), Common Sense (1975), Bruised Orange (1978), Pink Cadillac (1979) and Storm Windows (1980). The clamshell box also contains poster inserts and a 20-page booklet with new liner notes written by acclaimed music journalist David Fricke. The cover painting, commissioned especially for the set, is by artist Joshua Petker and is based on a photo of Prine taken by Jim Shea.
Taking its name from a song on Bruised Orange, CROOKED PIECE OF TIME represents an essential and timeless American songbook and includes tracks that have become modern-day folk and country standards like: “Hello In There,” “Sam Stone,” “Illegal Smile,” “Angel From Montgomery,” “Paradise” and “That’s The Way The World Goes Round.” The expansive collection also contains favorites like: “Far From Me,” “Dear Abby,” “Christmas In Prison,” “Fish and Whistle” and “Automobile.”
Crooked Piece of Time: The Atlantic & Asylum Albums (1971-1980)
On White Bronco, Action Bronson's 2018 release, he rapped "my next album's only for dolphins," and the principled MC is nothing if not true to his word. Thus, "Only For Dolphins", out this fall on Loma Vista. A Queens legend, respected for his idiosyncratic pen and vivid raps, Bronson is a decade into his career and still deepening his skillset. With "Only For Dolphins" he wants to take the listener on a tour of his creativity. Welcome to his world.
Kate Stables' group This Is The Kit have created a name for themselves with songs that untangle emotional knots and weave remarkable stories. Their second album for Rough Trade Records, Off Off On, (October 23, 2020) is a beautifully clear distillation of Stables' songwriting gifts. The songs are exquisitely astute, the album title suggesting life's glitchy rhythms ' 'two steps backwards, one step forwards' Swinging between good places and bad places inside and out.'
To Whom It May Concern,
I am here to announce that my new album, Sundowner, will be out October 16th, 2020 via Dead Oceans. THE WRITING: (KANSAS CITY, KANSAS) In the winter of 2017 I moved back to my hometown of Kansas City from Los Angeles. The move was sudden and unforeseen, just as I was tying a bow on the writing process for what would become my 2019 album, Oh My God. I bought a Four Track Tascam model 424 off of an old friend to help me get to the finish line, but much to my surprise and excitement, this new piece of equipment in my all-but-bare home didn't help complete one album but rather inspire another: Sundowner. The new collection of songs came quickly and effortlessly as I did my best not to resist or refine the songs, but instead let them take shape all on their own. As the songs kept coming I cleared out the crowded shed that was sitting dormant in my backyard and built a makeshift studio before adding drums, lead guitar and piano to complete the demos. Each day I would teach myself basic recording techniques, watching the channels illuminate and pulse as if the machine were breathing, and then emerge in the evenings as the sun was getting low: - around 5:30 in the winter, when the Kansan sunsets look icy and distant, like a pink ember inside of a display case, and 9 o'clock in the summer, when the sunsets are warm and abstract. Landing back home felt jarring juxtaposed with a life full of chaos and adventure with my band on the road. But at the very least, I was happy to have - for the first time in my adulthood - a place to close the door, with no temptations other than to work on music and reflect on what I had built since I left. It was a new form of isolation, one I had never explored or expected to experience. Not ready to let go of the hand of the California desert, I spent the winter decorating the best I knew how; with mementos from my previous home, cactus and aloe vera and covering the walls in pinewood - immediately earning my house it's nickname, The Little Los Angeles. THE RECORDING: Sonic Ranch, Neve Room, Tornillo, Texas In January 2019 I contacted my friend and producer Brad Cook to help recreate what I had made in my shed. We chose to work in Texas; we wanted to make sure the record was done far away from any coastline, and in the heart of America. Brad played bass and some keys on the album, but beyond that he encouraged and inspired me to play almost everything else. All lead guitar, proper drums (save the drums on "A Night At The Little Los Angeles"), mellotron and what I believe to be the albums secret weapon - a WWII era collapsible and slightly out-of-tune pump organ - were performed by me. We did, however, bring in James Krivchenia towards the end of the session to fill out the percussion. It was an honor to work with him as he built maracas from pecans and played on the floor of the live room, adding flourish wherever he saw fit. On the last evening of the session, after everything had wrapped, we all climbed on top of an empty water tower on the property, giving us a view in all directions. To the North you could see an endless Texas, with long wisps of cirrus clouds above the desert floor, and to the South there was Mexico, the recent detention camps only a mile beyond, with large cumulus clouds hovering over, bringing us to an ominous pause. To the West, towards the setting sun, the two families of clouds merged, holding the last light of the day in purple and orange. Below, a freight train cut the landscape in half as it whistled in the distance. AFTER Almost as soon as the session wrapped, I was off and away on press trips and then proper tours for Oh My God, which came out in April that same year. Sundowner sat inside of a hard drive back at Sonic Ranch and did not see the light of day, until I found myself, as did the rest of the world, stuck inside their home and in quarantine in March 2020. My second year of touring for Oh My God was cancelled. Brad, Jerry and I worked from our respective homes, sending notes back and forth as we worked alone but together to mix the album, and suddenly, just like that, Sundowner was finished. Songs, like sunsets, are fleeting, and it's only due to a willingness and desire to catch them that you ever, if even only for a moment, grab a hold of one. When writing Sundowner, I was lucky to have had the Tascam 424 there to help capture both. Sundowner is my attempt to put the Middle American twilight - it's beauty profound, though not always immediate - into sound. It is a depiction of isolation. Of the past. Of an uncertain future. Of provisions. Of an omen. Of a dead deer. Of an icon. Of a Los Angeles themed hotel in rural Kansas. Of billowing campfires, a mermaid and a highway lined in rabbit fur. It is a depiction of the nervous feeling that comes with the sky's proud announcement that another day will be soon coming to a close as the pink light recedes and the street lamps and house lights suddenly click on. Kevin Morby, Kansas, 2020.
Live archive release containing the Allman Brothers Band's last show with founder and guitarist Duane Allman. Recorded October 17, 1971 at the Painters Mill Music Fair in Owings Mills, MD, the recording marks Duane's last show, as he was tragically killed in a motorcycle accident 12 days later. Recorded on a hand-held cassette machine by 18-year-old radio journalist Sam Idas. The Allman Brothers Band were riding a wave of great success in late 1971 and wrapped up an intense summer of touring with the two shows at Painters Mill that day. The July 1971 release of their breakthrough At Fillmore East live album had brought them critical acclaim, hordes of new fans, and even a little money. The band - Duane Allman, Gregg Allman, Dickey Betts, Jaimoe, Butch Trucks and Berry Oakley - had toured all summer long and were looking forward to some time off before heading back to the studio.
After a series of stand-alone singles and a release under the moniker EL VY (with Brent Knopf of Menomena), Serpentine Prison is the first solo record from GRAMMY-Award winning artist Matt Berninger of The National. Recorded with and produced by the legendary Booker T. Jones, it's a collection of deeply personal songs dripped in Booker's signature Memphis sound perfectly blended with Berninger's unmistakable baritone.
Hits Vegas, Live At Planet Hollywood is a 28-song deep dive into not only their greatest hits, but rarities such as "Too Late For Love," "Billy's Got A Gun," "Slang" and "Promises." Highlighting Def Leppard's versatility, Hits Vegas presents a livewire stage show with two stages and video walls, punctuated with intimate, acoustic renditions of rarely performed songs "Let Me Be The One," "We Belong," "Have You Ever Needed Someone So Bad," and "Two Steps Behind." Limited Edition 2-CD.
Two CD edition. The Eagles spent most of 2018 on the road with an extensive North American tour that found Don Henley, Joe Walsh, and Timothy B. Schmit joined by two new bandmates: Deacon Frey and Vince Gill. Earning rave reviews from fans and critics alike, the quintet was firing on all cylinders when they arrived at the Forum in Los Angeles for three sold-out, hometown shows on September 12, 14, and 15. Highlights from all three shows have now been compiled for a new 26-song live album Live From The Forum MMXVIII. This release captures definitive live performances of the band's most iconic hits ("Hotel California, " "Take It Easy, " "Life In The Fast Lane, " "Desperado") and beloved album tracks ("Ol' 55, " "Those Shoes"), along with some of the individual members' biggest solo smashes (Don Henley's "Boys Of Summer, " Vince Gill's "Don't Let Our Love Start Slippin' Away, " Joe Walsh's "Rocky Mountain Way").
Joey Molland's first album of new material in nearly 10 years. Contains the singles "Rainy Day Man" & "Better Tomorrow". New song "Shine" written by Joey Molland, Pete Ham & Mark Hudson. Produced by Mark Hudson (Nilsson, Aerosmith, Ozzy Osborne)The story of Badfinger is arguably rock's saddest and most tragic tale.
The 2 CD edition contains the original 1994 Wildflowers album (remastered) with 15 tracks on Disc 1. Disc 2 contains All The Rest, 10 songs from the Wildflowers sessions that were left off the album, 5 of which are previously unreleased.
The 4 CD deluxe edition of Wildflowers contains 54 tracks, 8 unreleased songs, and 24 unreleased alternate versions. In addition to the 15 track original album (remastered), the deluxe edition contains the album All The Rest (10 songs from the original Wildflowers sessions), a full CD of 15 solo demos recorded by Petty at his home studio, and a disc of 14 live versions of Wildflowers songs recorded from 1995 – 2017.
Steep Canyon Rangers are Asheville, North Carolina's GRAMMY winners, perennial Billboard chart-toppers, and frequent collaborators of the renowned banjoist (and occasional comedian) Steve Martin. Since coming onto the bluegrass scene at the dawn of the millennium, Steep Canyon Rangers have been on a journey and continue to push the boundaries of the genre. Their newest work, Arm in Arm, finds the band in a unique position where their sound is much more Americana than their bluegrass origins. Produced by Brandon Bell (Zac Brown, John Prine) and featuring Oliver Wood of the Wood Brothers and Michael Bearden (music director for Michael Jackson), the Rangers continue to hone their craft with unlikely collaborators while developing a sound that is uniquely their own.
Recorded October 16, 2019, Tanya Tucker Live From The Troubadour features a cache of her #1 hits, like Tucker's smash first single "Delta Dawn" plus "Strong Enough To Bend," "What's Your Mama's Name," and "Would You Lay with Me (In a Field of Stone)". With sublime medley of Springsteen's "I'm on Fire" & Cash's "Ring of Fire" and tracks from GRAMMY-winning Country Album Of The Year, While I'm Livin', like "Mustang Ridge," "The Wheels of Laredo," "Hard Luck," and the poignant title track.
In the seven years since Aloe Blacc’s (the voice and collaborator on Avicii's worldwide smash hits Wake Me Up and SOS) last album, Lift Your Spirit, the global superstar spent time working on an even dearer project: his family. All Love Everything, his upcoming album, is the singer-songwriter’s first collection of material written as a father, a journey that’s expanded Blacc’s already heartfelt artistic palette. The listeners who have followed Aloe Blacc over the course of his 14-years-long career know that his facility with language and sound is deep -- if anyone was up to the task, it’s him.
The Rarities is a compilation of fan favorites, rare songs and unreleased gems, all hand-picked by Mariah herself. In addition, the second disc is the never before released full length audio from Live at the Tokyo Dome, Mariah’s first concert performance in Japan in support of her 1996 Daydream World Tour.
Joachim Cooder has been a sought-after percussionist for two decades now, on now-legendary recordings with his father, Ry Cooder, like the landmark Buena Vista Social Clubsessions and on his own with artists like Ali Farka Touré, who inspired Cooder to take up the mbira. He has produced albums for other artists, composed for film, and collaborated with choreographer Daniel Ezralow
Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic. — Lana Del Rey….The recording includes 14 poems performed by Lana Del Rey accompanied by music from Grammy Award-Winning songwriter/producer Jack Antonoff.
Shiver is the exciting and boundary pushing second record from LA-based Icelandic musician Jónsi, co-produced by A. G. Cook (PC Music, Charlie XCX) and comes a decade after his debut, Go, was released. The new album features tracks with Liz Fraser (Cocteau Twins) and pop icon Robyn. It will be released 2nd October 2020 and was recorded in Berlin, Reykjavik, London and Helsinki. Not too long ago Jónsi was traveling through London, where he met up with iconoclastic producer A.G. Cook, who he admired for his boundary-breaking work with the PC music collective. He had no expectation for the meeting, but the more they talked, the more he realized they might be perfect collaborators. "I've been doing this for 30 years," Jónsi says. "I get tired of everything really easily. I always want things to be fun and exciting and fresh, and doing another album... I just wanted to have a different approach." Jónsi had made a career on sweeping music that plumbed the depths of the human experience and our connection to the natural world. Cook's production exists at the opposite end of the spectrum: synthetic, sometimes abrasive, and often on the cutting edge of experimentalism. On paper, their collaboration is surprising, but Shiver is a beautiful record that pushes Jónsi's otherworldly voice into startling new territories.
More From The Levee is the 18th album from iconic bluesman Chris Smither. Deemed "one of the absolute best singer-songwriters in the world" (Associated Press), the album is a brilliant continuation of Smither's 50-year retrospective album, Still On The Levee (2014). Reconnecting with his roots, Smither recorded the career-spanning album in New Orleans at the fabled Music Shed. What resulted were 24 reimagined takes from Smither's vast career with help from very special guests including the legendary Allen Toussaint and Loudon Wainwright III. More From The Levee contains ten of these gems including fan favorites Drive You Home Again, Caveman, and a new Smither original titled What I Do. Producer Dave Goodrich says, 'We still had extraordinary performances left in the vault, another irreducible collection of Chris's songs full of great performances, intimate and immediate. It's a truly special recording, a snapshot of some powerful music-making.'
Halloween 81 Highlights Happy Halloween! From The Palladium, New York City is a 1-CD release combining performances from all 3 shows along with an exclusive track "Strictly Genteel" from the November 1st show not on the 6-CD boxset (due to CD time constraints) and will be available in a jewel case package with liners by vaultmeister Joe Travers for the casual Zappa fan.
For his fourth album, Keep ‘Em on They Toes, Brent Cobb is giving his songs the space they need to speak for themselves, a reflection of his own decision to write about the way he sees the world. “My last couple of albums have been about people and places, and I wanted this album to be about thoughts and feelings,” he says.
At his core, Cobb still writes country songs, so there’s a continuity between Keep ‘Em on They Toes and past projects like 2016’s Shine on Rainy Day (a Grammy nominee for Best Americana Album) and 2018’s Providence Canyon. After living in LA and Nashville to develop his music career, Cobb and his family moved back to Georgia a few years ago – a decision that affected his songwriting. “It’s funny because the last two albums were about me growing up in Georgia, and now we’re back here,” he says. “I’m not writing about missing it anymore, so the songs are coming from within now. It’s not a longing for home, it’s what I think about now that I live down here.”
Cobb and his band recorded the project in Durham, North Carolina, with producer Brad Cook. Inspired by the spaciousness of classic country albums like Jerry Lee Lewis’ 1977 Country Memories, the new project allows the listener to hear everything that’s going on, yet the songs remain the star of the show.
Keep ‘Em on They Toes, Cobb captures the mindset of a man who values a simpler time despite living in a modern world. “To me, listening to this album feels like I’m sitting there with somebody, having a conversation,” Cobb says. “I would hope that it feels like sitting with an old friend you haven’t seen in a while. There’s nothing like being alone and listening to an album that is quiet and conversational – like those old records by Jerry Lee Lewis, Roger Miller, or Willie Nelson. I hope my music is that way to somebody now.”
Far from apathetic, Good Luck With Whatever is Dawes at their most unapologetic. It’s sympathetic, magnetic, 50% genetic and highly kinetic. Songs like “Didn’t Fix Me” and “Me Especially” showcase Goldsmith’s poetic prowess perfectly; a historian of the human condition, transforming turmoil into motor oil. An unfiltered photograph of a band doing what they do best, these guys learned to rock before they could crawl. Produced by 6X Grammy winner Dave “Corn On The” Cobb.
ROGER WATERS: US + THEM, chronicles the acclaimed 2017-2018 tour of the iconic Pink Floyd artist. As the founding member, lyricist, composer and creative force behind Pink Floyd, US + THEM presents Waters powerful music in stunning form and highlights its’ message of human rights, liberty and love. Based around his acclaimed, sold-out US + THEM worldwide tour of 2017-18, comprising a total of 156 shows to 2.3 million people across the globe, it features classic songs from The Dark Side of the Moon, The Wall, Animals, Wish You Were Here as well as his most recent album, Is This The Life We Really Want?
Waters powerfully demonstrates that he is at heart, a musical activist and one of the most passionate political commentators of his time. He has dedicated his life to fighting against those who seek to control our lives and destroy our planet. Welcome To The Machine and Another Brick In The Wall Part II, are a stark reminder of the bleak warnings that he gave decades ago about alienation, displacement, greed, suffering, destruction and loss. And yet the humanity of the songwriter cannot be more plainly seen than in Wish You Were Here, because, although he presents a grim picture of the state of the world, ultimately his message is one of hope through unity and love.
The Buckleys, a three-piece band featuring siblings Sarah, Lachlan, and Molly, embody a brand of “hippie country” representing the infectious personality and spirited conscience that the band maintains. The debut album features the singles “Money,” “Leave Me Hanging On,” and the title track “Daydream” which scored a #1 single at Australian country radio, followed by “I’m Comin’ For Ya (Love),” which hit #3. Nominated for New Talent Of The Year Award at the 2020 Country Music Awards Australian.
A return to musical roots is a time-honored tradition for many established artists who have endured for the better part of a decade. Forming and shaping an identity can take an album or two, and perpetuating forward motion while perfecting a sound can take another. Sometimes a swerve gets thrown in, an unseen obstacle sets itself in the middle of a path, or an experiment or two get eked out for one reason or another. But oftentimes by this point in a career an itch pops up to circle back to where it all began in order to do what the artist does best. And so, for their fourth album as Cayucas, brothers Zach and Ben Yudin are heading back to the beach-in other words, to the sunny, vibrant, melodic rock from which they first paddled out. The eight tracks also mark the first time Zach will earn a producer credit for a Cayucas album. The Yudins' studio, dubbed Corner Pocket, is filled with many vintage pieces of equipment, but a vintage reverb tank found in Japan and a DanElectro with space echo may appear on the album more than any other sound. When it came time to title the record, only one phrase seemed to capture the mood correctly. "The album is called Blue Summer, which is a lyric in the song 'Malibu '79 Long,'" Zach says. "It just felt right as a title. It was simple, classic and evokes the mood. No matter your feelings about the warmest season, be sure that Cayucas will always be there to provide it's perfect soundtrack.
Recorded at Henson Studios and Trainwreck Studios, Ohms is an other-worldly body of work meticulously crafted by the 5 piece band. It is a magnificent tour de force and their first album in 4 years since the critically acclaimed Gore LP in 2016. The band, which includes Chino Moreno, Frank Delgado, Stephen Carpenter, Abe Cunningham, and Sergio Vega, has produced a dense LP with every member firing on all cylinders. The album also boasts a familiar collaborator in veteran producer and engineer Terry Date, who worked on 1995’s Adrenaline, 1997’s Around the Fur and 2000’s White Pony. All of the above assembles and sets the stage to deliver Ohms; 10 tracks of raw escapism and unparalleled grooves that have made Deftones' sound singular for over two decades.
If 'Joy As An Act of Resistance.' was meant to detail the band's manifesto, then their highly anticipated third album ' 'Ultra Mono' - is the sound of IDLES heading into battle, battering ram in hand, for those tenets. Sonically constructed to capture the feeling of a hip-hop record (Kenny Beats even helped with programming on several tracks), the songs double down on the vitriolic sneer and blunt social commentary of their past work. Not far beneath the surface of their self-admitted sloganeering lies a deeply complex and brutally relevant album that chews up clichés and spits them out as high art for the masses. Active presence and self-acceptance also stand at the core of 'Ultra Mono,' with much of the songwriting done on-the-spot in the recording booth, and the phrase 'I am I' serving as a lyrical and spiritual mantra throughout. Ultimately 'Ultra Mono' is a celebration of community.
4 panel wallet with 8-panel miniposter-style insert, matte coating on both
An explosive album of pain, rage and fear with some of the most direct and confrontational lyrics of his four-decade career. According to Bob, “This is the catchiest batch of protest songs I’ve ever written in one sitting.”
Two CD edition. Prince's iconic album, Sign O' The Times, has been remastered for the very first time by Prince's original mastering engineer Bernie Grundman. Primarily recorded between the end of 1985 and beginning of 1987, the era saw the dissolution of his band The Revolution, the end of his engagement to Susannah Melvoin, and the creation (and ultimate abandonment) of the albums Dream Factory, Camille, and Crystal Ball. By the end of that period of transformation, Prince emerged with one of his most urgent and wide-ranging releases to date - an epochal double album that would be hailed as a creative, critical, and commercial triumph.
Prince’s iconic album, Sign O’ The Times, has been remastered for the very first time by Prince’s original mastering engineer Bernie Grundman.
- CD1-2: Sign O’ The Times album (2020 Remaster)
- CD3: 13x singles mixes and edits, all newly remastered
Sign O' The Times (Deluxe Edition)
Public Enemy and Def Jam have reunited to officially release “Fight the Power (Remix 2020),” the explosive remix that opened the 2020 BET Awards in June featuring Nas, Rapsody, Black Thought, YG, Jahi and Questlove. “Fight the Power (2020 Remix),” is the first offering from the group’s forthcoming new studio album What You Gonna Do When The Grid Goes Down, set for release via Def Jam on September 25th.
Having not hit the road for most of the 80s, The Steel Wheels Tour was an astounding return for the Rolling Stones, not least as it was the longest they had by that point undertaken. It was also to be their last with Bill Wyman. Steel Wheels Live was recorded towards the end of the band's 60-date run through the stadiums of North America, in the second half of 1989. Special guest appearances from Axl Rose, Izzy Stradlin, Eric Clapton and John Lee Hooker.